[2024-09-12 18:12:05] zizengzeng_api.INFO: 
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根据我提供的文字内容，总结为一篇第一人称现代神秘怪谈小说开头，不需要标题，我的要求是：
1、小说字数最少800个字
2、小说字数最多1000个字
3、有力的开头：开头要能够吸引读者的注意，快速设定故事背景和基调。
4、确定核心主题：确定原文的核心主题和信息，能够清晰地传达原文想要表达的思想或情感。
5、生动的人物：人物形象鲜明，即使篇幅短小，也能让读者对人物产生共鸣。
6、提炼对话：适当保留与故事情节相关的对话，丰富人物形象
7、保留原文的叙事风格：最大化保留原文的行文方式和叙事风格，在此基础上进行情节的精简，保留原文的叙述视角
8、紧凑的情节：情节需要紧凑，避免冗长的描述和不必要的细节。
9、优美的语言：语言应自然优美流畅，能够增强故事的感染力，语言叙述不要过于生硬。
10、细节的描写：细节描写应适量且恰到好处，增强故事的真实感和沉浸感。
11、只需要给出你的结果，不需要给出其他回答。


文字内容是：
@content
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{"model":"gpt-4o","messages":[{"role":"user","content":"根据我提供的文字内容，总结为一篇第一人称现代神秘怪谈小说开头，不需要标题，我的要求是：\n1、小说字数最少800个字\n2、小说字数最多1000个字\n3、有力的开头：开头要能够吸引读者的注意，快速设定故事背景和基调。\n4、确定核心主题：确定原文的核心主题和信息，能够清晰地传达原文想要表达的思想或情感。\n5、生动的人物：人物形象鲜明，即使篇幅短小，也能让读者对人物产生共鸣。\n6、提炼对话：适当保留与故事情节相关的对话，丰富人物形象\n7、保留原文的叙事风格：最大化保留原文的行文方式和叙事风格，在此基础上进行情节的精简，保留原文的叙述视角\n8、紧凑的情节：情节需要紧凑，避免冗长的描述和不必要的细节。\n9、优美的语言：语言应自然优美流畅，能够增强故事的感染力，语言叙述不要过于生硬。\n10、细节的描写：细节描写应适量且恰到好处，增强故事的真实感和沉浸感。\n11、只需要给出你的结果，不需要给出其他回答。\n\n\n文字内容是：\n阴历十月初九，宜安葬，忌诸事不宜，百鬼退避。\n我，就出生在这天。\n我生下来的时候，遇上了鬼剥皮。\n全身上下血淋淋的连一块皮都没有，把接生的大夫都给吓昏了过去。\n我爸妈被吓得不知道如何是好？是我爷用衣服把我包起来，抱回了家。\n等我爸妈赶回家的时候，才发现我爷用木板钉死了房门，窗户，我爸在外面喊了好半天，我爷才回了一句：我不出来，谁也别进来。你给我把门守好了，谁特么敢进来，老子活劈了他。\n我爷喊完那一嗓子就不说话了，屋子里变得一点动静都没有，我爸就那么守着屋子，一步都不敢挪。\n也不知道是谁把我没有人皮的事情给传到了村里，这一下村里就炸开锅了，天天有人跑我家院子外面看热闹，我生下来为什么没有人皮说法，也越来越离谱。\n有人说：老陈家孙子没有人皮，是我爷年轻的时候活剥了一只白狐狸，人家上门报仇来了。\n我们老陈家做了三代皮匠，剥皮的手艺那是一绝。当年，有人去老陈家买皮子，亲眼看见一只像是狗一样东西全身血淋淋地从我家院子里往外跑。\n等他再往院子里看，就看见剥皮案子上趴着一只白狐狸。那狐狸眯着眼睛，蜷着尾巴就像是睡着了一样，一动不动。\n那人觉得狐狸好看，往狐狸身上一摸，那狐狸身子立刻就瘪了。\n原来，那是一张完整的狐狸皮！\n我爷当场给了那人一个大耳刮子，抱着狐狸皮关了大门。\n那天之后，我家就在闹邪，白天的时候，总能看见一只没了皮的狐狸在我家房前屋后惨叫。到了晚上，就能看见一个浑身是血的女人，堵在我家门口哭。\n这事儿，一直持续了七天，那只狐狸才死在了我家门口。\n那只狐狸断气的那天，正好是十月初九，我也出生在十月初九。这不是当年那只狐狸找上门了，又是什么？\n我爸听着这些话，也觉得心里没底。\n他知道我爷干过皮匠，也知道我爷忽然封了剥皮刀，发誓这辈子不干剥皮的买卖，却不知道，我爷为什么要这么做？\n现在想想，说不定真跟那白狐狸有关！\n那时候，就连我妈都劝我爸：要不，别等了，没有皮孩子肯定活不成，就别跟咱爹瞎折腾了。再说，咱爹都把孩子抱进屋里三天了，孩子连口奶都没吃，还能活么？\n我爸一开始还不听劝，说的人多了，他心里也没底了。\n犹豫再三后，我爸咋着胆子去敲我爷窗户，他敲了好半天都没见屋里有动静，心里也慌了，顾不上我爷当时嘱咐过他什么，从仓库里抽了把镐头就要去砸门，他还没跑到门口儿，我爷就推门走了出来。\n那时候，我爷走路都在打晃，扶着墙强撑说了一句：孩子暂时保住了。\n我爸一听孩子保住了，都顾不上去跟我爷说别的，推门就往往里冲。可他看见我的时候，却被吓得一屁股坐在了地上。\n那时候，我被裹在一张白狐狸皮里，只露着一张脸在外面。\n白色的狐皮，带着一张血糊糊的人脸，谁看了都觉得害怕。\n我爸好半天才缓过神来，把外面想看热闹的人撵了个干净，才把我爷扶进了屋里，小心翼翼地问道：爹，你以前真剥过白狐狸。\n那是它求着我，剥了它的皮！我爷竟然一口承认了下来。\n我爸顿时懵了：爹，狐狸能来找人，那是成气候了啊！她怎么还能让你剥她的皮呢？\n我爷说道：那只狐狸没说因为什么？我觉着，她是一直都化不了形，才让我把她的皮给剥下来，想要化人。\n当时，我也害怕她再找咱家麻烦，让她发誓不碰咱们陈家人，还得把她的皮抵押在我手里，我才动了手。\n我爸说道：那不一定就是那狐狸祸害的咱家，爹，你能找到那狐狸吗？要不，你去求求她救救咱家孩子？\n我爷说了一句：我找她去！就要收拾东西出门，我爸好说歹说，才让我爷休息了一晚上，等他第二天起来的时候，我爷已经不知道哪儿去了。\n我家那边有个石狐庙的传说，据说在岭子里，藏着一座常人看不见的大庙，那座庙就是石狐娘娘的山门。\n石狐娘娘，轻易不会让人进庙给自己磕头，跟她无缘的人找不到石狐庙；有缘人进庙，石狐娘娘有求必应。\n我爷去的就是那座石狐庙。\n我爷进门之后，犹豫了好一会儿才点上了三炷香，恭恭敬敬地给石狐娘娘的磕了头：石狐娘娘，我是山下的皮匠陈和。我来找你问点事儿。\n那尊人身狐狸脑袋的石狐像，虽然一动没动，却像是在居高临下的盯着我爷。\n我爷也觉得是有人站在高处看着的脊梁，忍不住抬起了头来。等他看到那石像的时候，石狐的咽喉上已经出现了一道鲜红的血痕。\n我爷当即愣在了那里，眼睁睁的看着血腥的鲜红在石狐身上扩散开来。没一会儿的工夫，那只石狐就变得全身是血，看上就像是被人给剥了皮。\n我爷当时就心凉半截，石狐脖子上那条血痕，就是当年他剥皮下刀时的位置。\n山里仙家善形见人，是报恩。恶形见人，是报仇。\n石狐分明是告诉我爷，跟他有仇啊！\n我爷一下急了！\n当年，分明是对方求着我爷剥它的皮，如今没能化形成功又找上门来，可这也不能赖我爷啊！\n于是我爷在盛怒之下，也管不了对方是不是仙家了，指着石狐破口大骂。\n石狐一开始只是用她没有被血盖住的眼珠，冷漠地注视着我爷。没过多久，石狐庙就传出了一阵像是恶鬼一样时哭时笑的声响。\n这声音，简直跟当年没皮狐狸守着门口哭家的动静一模一样！\n不仅听着就瘆人，还能让人胡思乱想。\n后来我爷也不骂了，满脑子都是我将来能怎么样？\n是跟那张狐狸皮长在一起，变成一只人狐？\n还是这辈子都全身通红地活着，见不了人？\n说不定，最后我还会变成一只专门找皮匠报仇的恶鬼血戾，在半夜里剥了我们全家的人皮。\n我爷越想越害怕，双腿一软瘫坐在了地上。\n......\n过了好半天，我爷缓过神来，指着石狐大骂道：你你凭什么这么欺负人？\n就凭你是仙家？\n你给我等着，我们老陈家也不是好惹的。\n我爷扔下了一句狠话，就跌跌撞撞地往庙外边走。\n如果，当时还有别人在庙里，肯定得问我爷一句：你一个皮匠能做得了什么？\n我爷敢去石狐庙，是因为石狐当年发过誓，不会伤害我爷。\n石狐，不讲理的时候，陈家人就只能眼睁睁地看着它张狂，也只能乖乖认命。\n我爷回到家里，第一件事儿就是把家产给了我爸一半，让他带着我妈远走高飞，从此隐姓埋名，跟我们爷孙老死不相往来。\n我爸当然不会同意，我爷却说，他要带着我玩儿命，老陈家的人，不能都死在一起。\n最后，我爸被逼得没办法，只能带着我妈远走他乡。\n我爷等他们走了，才抱着我进了祖屋，锁上大门，搬出了祖师牌位。\n天下三百六十行，行行都有祖师爷，没拜过祖师的匠人，得不到古法传承，成不了真正的大匠。\n我们老陈家，就是拜过皮匠的祖师爷商朝丞相比干的大匠，老陈家才能几代人都坐着皮匠这行的第一把交椅。\n我爷拿出牌位看了好半天，一咬牙把牌位给倒着插进了底座里面，又拿起剥皮刀，一刀削掉了自己左手食指，举着血淋淋的手指，对着牌位磕头道：不孝徒孙陈和，今遭大难，不得已重拜祖师，遇劫不怨，遇祸不恨！\n我爷连着磕了几个头之后，祖师牌位下面忽然迸出一串子火苗，牌位上转眼间就冒出了一尺多高的火焰。\n我爷就对着牌位直挺挺地跪着，直到火焰熄灭，才抬起头来。\n祖师牌位毁了，冒着火星子的木炭却立在了供桌上。\n我爷的眼泪当场就流了下来，对着木炭一边哭一边磕头，脑袋都磕破了还是不肯停下来：祖师爷，我陈家几代人供奉祖师。现在就这么一个香火独苗了，求祖师爷开恩，求祖师爷开恩呐！\n皮匠，其实有一正一邪两个祖师。陈家祖上有过明训：不可拜邪门祖师。\n现在，比干留下的本事，只能暂时保我不死，却救不了我的命，我爷只能拜邪门祖师，去给我搏一条命。\n我爷倒插祖师牌位，就是要自逐师门，另投祖师。\n结果，祖师没显灵。\n这是邪祖不收我爷啊！\n我爷心里明白：石狐能剥了一个陈家子孙的人皮，就能再剥下一个。我爸妈隐姓埋名又能如何？他们跟陈家的血脉断不了，石狐早晚得找过去。\n他救不了我，陈家香火可真就要断了。\n我爷也不知道磕了多少个头，直到地上被他磕得全都是血，他才坚持不住昏了过去。\n等我爷醒过来之后，就抱着我上了山，一待就是七天。\n那几天，看见过我爷的人都说我爷疯了，他也不知道用了什么办法，把山里的狐狸都给引了过来，那些狐狸只要被他抓着，就是活活剥皮。狐狸皮挂满了一树，死狐狸直接扔进山溪里，把溪水都给染红了。\n村里人，一开始还想去劝劝我爷，等看见他疯了一样地杀狐狸之后，谁也不敢往前凑合了。\n那些天，村里人除了知道我爷在剥狐狸之外，谁都不知道他究竟是干过别的什么？但是，我爷带着我从山上下来之后，我身上却慢慢地长出了皮肤。\n也不知道是为什么，我的皮肤居然比女生还要白，却白得不正常，看上去一点都不鲜活。村里人都说，我身上的皮根本就不是我的，是我爷给我披了一张死人皮。\n我爷也总跟我说，出门一定要打伞，别让太阳晒着。\n我有次出门忘了带伞，结果还没走出去多远，露在外面的皮肤就像是被火烧了一样的疼，连着红肿了好几天，那之后，我出门再也不敢不打伞了。\n也就是那次之后，我才信了村里人的话，试探着问我爷：我身上是不是披着死人皮？\n我爷跟我说：当年，他另投祖师爷的时候，邪祖不知道为什么不肯收他，却在我爷昏过去后告诉他，我还有救。但是，他想救我，最少也得赌两次命。\n我爷就是按照祖师爷教他的办法，杀了一百多只狐狸，用狐狸的心头血泡开了石狐留下的狐皮，把石狐皮最里面那一层薄膜剥下来贴在了我身上。\n不是顶尖皮匠，根本剥不下来那层薄膜，只要剥坏了一刀，我就再也没救了。加上我爷少了一根手指头，想要完整地把皮剥下来，不仅得看手艺，还得看运气。\n那就是，第一次赌命。\n第二次赌命，是在我十二岁生日的时候。\n我被石狐剥掉的人皮，肯定还在它手里。等我十二岁生日那天，它还会来找我。\n那时候，要是我爷能跟它说通，把我的人皮给换回来，我这辈子的劫数就算是过去了。\n但是，我爷只是个皮匠，根本不是石狐的对手。最多就是仗着石狐当年的誓言，有机会跟它对话。\n要是，石狐发了狠，想要当场把我弄死，我爷想拦都拦不住。\n所以，这第二回赌命更为凶险。\n如果，石狐不肯把我的皮换回来的话，我十六岁的时候，它还得过来。\n因为，它不在我十六岁时动手再剥我一次皮，那身狐皮就长在我身上了。\n那就等于我跟它换了一身皮，一报还一报，我们之间的因果也就算了解了。\n以石狐的性格，不会这么轻易放过我。\n我爷还得带着我再赌一次命。\n不过，祖师没说第三回怎么赌。\n他只是说：如果你们爷孙连第二次劫数都躲不过去，后面的事情，告诉你们也没有用！\n我听完之后，忍不住说了一句：咱家祖师是不是怕那只狐狸？\n我爷吓得差点要捂我的嘴：可不敢瞎说。小心祖师怪罪！\n我嘴上没说什么，可我心里就是觉得，祖师肯定是害怕那只狐狸。\n他要是能斗过那只狐狸，怎么一直都不露面？\n我爷却对祖师爷的话深信不疑，他跟我说这些话的时候，距离我十二岁生日也没有几天了。\n我提心吊胆地等到了我生日那天，我爷特意做了一桌子菜，还给我喝了两杯酒。\n那天，我爷特意把我的床给调了一个方向，在床头上点了一根白蜡，才让我睡觉。\n按理说，我明知道狐狸要来，哪还睡得着哇？\n可是，没一会儿的工夫，我就迷迷糊糊地睡了过去。\n我睡到半夜的时候，忽然觉得有人在摸我的脚，等我睁开眼睛，却看见一个一身大红的女人，坐在床尾的栏杆上，弯着腰在那儿摸什么东西。\n我吓得差点喊出声来，双手死死抓着被子想往被窝里躲，却把棉被拽得往上窜出去一截，两只脚全都露在了外面。那个女人也顺势踩住了被边儿，仰头往我脸上看了过来。\n原本盖在她脸上的头发，顿时分向了两边儿，露出一张血淋淋的面孔。\n那个女人没有皮！\n她那两颗眼珠子，就像是被扔在眼眶里的玻璃球，挂在眼眶上来回乱晃。\n我吓得连喊都喊不出来，人就像是魇住了一样，想动都动不了，就那么眼睁睁地看着那女人，顺着棉被爬到了我的床上，跟我脸对脸地停在了我眼前。\n那女人的目光一直在我脸上转，就像是在看一件原本属于自己的东西，又像是在考虑着什么事情。\n那个女人看了我好一会儿，忽然伸手捧着我的脸，吻上了我的嘴唇。\n我只觉得，一股带着血腥味的冰冷的液体涌进了我嘴里，灌进了喉咙。\n我想吐，吐不出来，全身被冻得直打冷战。那个女人却从床上跳下去，弯腰在地上捡起了什么东西，拎着那东西站到床边上。\n我下意识地转头一看，却看见那女人手里拽着一个跟我一般大小，像是布娃娃一样的东西。\n对方好像也知道我在看她，慢慢转过身来把手里的东西提在了半空。\n那分明就是一张被塞了草的人皮，虽然那人皮的七窍上全是支棱出来的枯草，我却看得出来，那张人皮的五官跟我几乎一模一样。\n女人对着我笑了一下，抓起我的手来，咬破了我的指尖，往人皮的眉心上按了下去。\n我的手指还没碰到人皮，我就听见我爷喊了一声：住手！\n那个女人甚至看都没看我爷一眼，冷笑着把我的手指按在了人皮上。\n那时候，我被那口血给冻得全身打颤，哪还顾得上那个女人对我做了什么？\n女人拎着人皮转身就往外走，我爷想要去拦着她，却被她随手给推到了一边儿，等我爷爬起来的时候，那个女人已经推开门走了。\n我爷拼了命的往出追，一直追了大半夜才回了家，连话都没顾得上跟我说一句，就跑进祖屋给祖师爷上香去了，过了好半天才失魂落魄地走了出来。\n我小心翼翼地问了一句：爷，你怎么啦？我爷就再也绷不住了，抱着我失声痛哭。\n我也不知道是因为刚才那一下被吓得太狠，还是被我爷的情绪感染，也跟着我爷一起哭了起来。\n我们爷孙两个抱头痛哭了好一阵子，我爷才慢慢平静了下来。\n等我再问我爷的时候，他才语无伦次地说道：孩子别怕，有爷在，有爷在呢！爷，只要还剩下一口气，就不能让那狐狸伤了你。\n我爷说了半天，才算捋清了思路，咬牙切齿地跟我说：那只狐狸太狠了。她拿你的血点了你的人皮，从今往后人皮就得像鬼一样缠着你不放，你想要你的皮，它也想要它的身子！\n石狐这是想要慢慢弄死你啊！就算你不让人皮给吓死，它也得处处给你使绊子，弄不好什么时候就得把你往死路上推。\n我听我爷说完，头皮就是一阵发麻，屋里明明只有我们爷孙两个人，我却觉得背后有双眼睛在盯着我看。\n我试探着转了下头，却只能隔着窗户看见空荡荡的院子，等我把头转回来，还是觉得有人在盯着我不放。\n我爷看我一个劲儿转头，立刻抽出刀来：孩子，你是不是看见什么了？\n我颤着声音摇头道：没我觉着有人，可我什么都看不见。\n我爷跑过去拉上了窗帘：孩子，你听我说。刚才，我没追上那个女人，就去求祖师爷救你的命。\n祖师爷告诉我，你已经被那狐狸给缠上了，咱们得想办法自救哇！\n又是祖师爷？\n我不知道为什么，总是觉得我爷说的那个祖师爷不太靠谱。\n我爷不知道我在想什么，自顾自地往下说道：祖师爷说了，你想摆脱石狐，就得拿回自己的皮，把它的皮换下来，而想压住你自己的那张皮，就得在五行上想办法。\n人皮怕金，惧火。有火，有金的地方不能去。我们得想办法，把它往木，土，水的地方引。这样才能抓住那张皮。\n咱们把人皮给抓住了，祖师爷就有办法，把你的皮给换回来。\n你今晚好好休息，天一亮，我就去买东西，明晚上咱们就抓人皮。\n我爷让我好好休息，我却做了一晚上的噩梦。\n一会儿，梦见那个全身是血的女人，拉着一张穿着我衣服，但内里却塞满了干草的人皮对着我招手，让我赶紧过去。\n一会儿，又梦见那张人皮站在我面前，嘴巴一张一合的跟我说话。可我只能看见他嘴在动，却不知道，他在跟我说什么？\n一会儿，我又梦见我爷拜的那个祖师爷的牌位在供桌上来回直晃，牌位后面就像是坐着个黑漆漆的人在盯着我看。\n我看不清他长什么样儿，却看见他脸上有一双像是蛇一样冷冰冰的眼睛。我一看见那人的目光就觉得身上直发冷。\n我一晚上被吓醒了四五次，就这么睡睡醒醒的折腾了多半夜，天快亮的时候才睡了那么一会儿，等我醒过来的时候，我爷都已经出门去了。\n我一边吃着我爷给我留的早饭，一边在想这几天的事情。\n我爷说要护着我，可他都那么大岁数了，身手跟不上，人又有些老实。除了能传点祖师爷的话，也没有降妖抓鬼的本事，我们只能按照祖师爷的话去赌命。\n我对那人皮，也是打心里害怕。去求厉鬼救命，先不说厉鬼跟我非亲非故，凭什么帮我？单就是厉鬼站在我身前了，我敢不敢跟他说话都是个问题。\n真要让我去对付那些事情，我怕自己应付不了。\n可是。\n人往往是越怕什么，就越来什么！\n终于，快到晚上的时候，我爷回来了。\n他一进来就把我给拽进了祖屋，插上房门跟我说道：小九，你今晚去后山的坟井子，把井上的石板给掀了。\n我一听这话就傻了：爷，你没说错吧？\n我听人说过坟井子，那是一口埋着死人的井，就在我们村东边的荒地里。\n很多年前，村里有个漂亮女人被冤枉成跟人私通的破烂货，天天往家里招男人，这女人解释不通后也是个烈性子，为了自证清白，一气之下就去投了井。\n村里人顿时就吓坏了，没人敢上前一步。\n后来，这事被翻了案。\n有人就打算把她捞上来好好下葬，可放下去的铁钩子却怎么也碰不着尸首。\n当时，在场的人就说，井里那尸首是嫌大家伙脏，是在故意躲钩子，想把尸首弄出来，除非是再派个人下去，往尸首上绑绳子。\n村里没有敢下井的人，只能去找白事先生帮忙。那先生来看过之后，说了一句：这尸首怨气太重，不出井都能杀人，出井就更了不得，得赶紧用白镇石压上。\n村里人听了白事儿先生的话，用青石板把井口盖住，直接在井盖上面起了坟包。\n那地方，也就改名叫坟井子了。\n我爷这是要让我扒鬼坟啊！\n我爷看我害怕，赶紧安慰道：别怕，有祖师爷护着，出不了事儿。厉鬼出棺，不是报恩，就是索命！你帮她一次，她就承你一次恩情！关键时刻能救你的命！\n说着，我爷又从兜里摸出几块用红绳绑好的石头，交给我：你掀井盖之前，先把这六块石头绑在自己脚脖子上，有压身石坠着，井里那女人就拽不动你。\n等她拿你没有办法的时候，你就往她手上绑红绳。把她拉出来。\n我爷又补充道：祖师爷说了，那狐狸肯定会去想办法拦着你。但是，现在时候不到，它不会动你，只能骗你，它说什么你都别信，该干什么就干什么！\n你听懂了没？\n我听是听懂了，可是真让我去做，我还是心里打怵。\n我爷看出我在害怕，伸手在我头上摸了摸：别怕，爷陪你去。\n我爷收拾好东西，带着我出了门，我们两个还没走到村口就被村里人给拦了下来。带头那人开口就说：老陈头，我知道，你想救你孙子。但是，你不能祸害咱们村！\n有人道：老陈头，你把坟井子给扒了是几个意思？是不是想要捞死人给你孙子换皮？\n孩子，你先回家！我爷悄悄推了我一下才说道：我乐意干啥就干啥，关你们个屁事？\n一群人三言两语就吵成一团，我知道，我爷刚才推我一下，是让我自己去喊井。\n我悄悄贴着路边那家人的院墙绕到了村外，撒腿就往荒地那边跑。\n没一会儿，我就看见了被我爷给挖开的坟茔。\n原先立在荒地里的坟茔，被人从中间给破成了两半，盖在井口上的青石板也被掀到一边儿，一米多高的井沿子露在两堆土中间，往外翻着水汽。\n我爷跟我说，让我自己把盖井的石板给拽开。我却因为太过紧张，没注意去细想为什么我还没到地方，井口上的青石板自己就没了！\n我按照我爷的吩咐，手忙脚乱地把压身石绑在脚脖子上，两只手压着井沿儿，探着身子看向了井里。\n子木子木我只是对着井口喊了一声，井里却传出了无数回音，那声音听上去就像是，有人从井口一直喊着子木的名字，一路跌向井底。\n我喊过一声，就不敢再喊了我发现自己在毫无知觉的情况下，往前探出去多半个身子，脑袋都已经低进井口里去了。\n我赶紧把身子缩了回来，却听见我爷在我背后说道：别害怕，继续喊。\n爷！\n我回过身来，顺势往后看了一眼，却看见我爷的棉鞋边上拖着一条狐狸尾巴。\n我的脑袋顿时就是嗡的一声。\n我背后站着的究竟是我爷，还是一双踩着棉鞋的狐狸？\n可如果是狐狸的话，那它不应该拦着我救水鬼的吗？又怎么会帮着我，让我喊话？\n我想再往后面看一眼，又不敢使劲回头，只能用手顶着井沿悄悄把身子往后面挪动。我爷的声音又从后面传了过来：再喊，赶紧喊！你不把井里的人喊出来，谁也救不了你！\n我心里忽然一颤，来不及多想，拿着手电往井沿子上敲了一下，就接着喊名字。\n可就耽搁了这么一会儿工夫，井水就已经涨到了快要跟井沿一齐的位置上去了，一漾漾的井水距离我还不到一尺，水里涌出来的寒气，冻得我双手生疼。\n这下我真害怕了，用手推着井沿就想往起站，谁知道，没等我站起来，井里忽然伸出两只手抓住了我的手腕，拽着我就想要往井里拖。\n我是趴在井沿上喊人，手又被人拽住，身上根本就使不上劲儿，只能眼睁睁看着两只手把我往水里拽。\n对方只是那么三两下的工夫，就把我双手给拽进了水里。我被水一激，浑身打起了冷战，身上更使不上劲儿，当即被对方给拽进了井口。\n就在我以为自己要被拖进井里的时候，我的双脚就像是被人扯住了一样，把我拖在了原地。\n那是，我爷让我绑在脚上的压身石起作用了。\n有石头坠着我落不了井，但也用不上力，整个人就这么被两边的力量拉扯着挂在井沿上。\n仅仅是那么一会儿的工夫，我就觉得自己双手上传来一阵撕裂般的剧痛，手上的皮就像是在脱手套一样被人往下拽。\n很快，那种剧痛就从我手上传到了身上，我感觉自己身上的皮，像是被人抻着往下脱。\n井里有人要剥我的皮？\n这个念头从我脑袋里一闪而过，我顿时心凉了半截。\n我爷跟我说过，给活物剥皮的时候，最好是先用凉水激他一下，等他身上血气退下去才好下刀。\n难怪，我过来的时候，压井口的石头已经被人给推开了，那是有东西提前躲进了井里准备剥我的皮啊！\n我爷没过来，我的手被对方拽着，身后还有只狐狸看着，除了等死，我还有路可走么？\n就在我闭着眼等死的时候，好像有什么人从井里游了上来，对方朝着那道黑影冲了过去，躲在井里的黑影霎时松开了我的手。\n终于，没人拽着我以后，压身石发挥了作用，直接把我拖回了地面。\n我一边喘着粗气，一边再往井里面看。\n忽然，白花花的水珠子正在一股跟着一股地往天上迸，看样子，肯定是有人在水底下打起来了。\n看着我的那只狐狸也不知道哪儿去了。\n我也顾不上去看他们谁输谁赢了，撒开腿玩了命的就往家里跑，一直跑到家里锁上了房门才算松了口气。\n而这时，我刚到家，门外便又传来了我小时候那只白狐狸的叫声。\n尖锐而凄厉的声音传来，仿佛下一秒就要冲进屋来，将我的皮扒掉。\n我吓得一口气没喘上来，眼前顿时一黑，晕了过去。\n....\n等我再次醒来的时候，天已经亮了，我坐在床上一阵阵的后怕。\n昨天晚上，我不但没拴住那个女鬼，还差点被人拖进井里扒了人皮。\n祖师爷安排的这些事情，到底靠不靠谱？\n说实话，我对祖师爷安排的这些事情半点都信不着，唯一能信得着，靠得住的就是我爷了。\n等我爷回来，我得好好跟他说说，不能什么事儿都听祖师爷的话。兴许，祖师爷根本就没有对付狐狸的办法，才让我去找女鬼。\n我正胡思乱想的工夫，忽然听见外面有人敲门。我还以为是我爷回来了，连忙去开门。\n结果一开门，村长拽着我就往出跑，边跑边说道：小九，快点跟我走，你爷出事儿了！\n啊？\n我一听我爷出事了，就像是听到一道晴天霹雳一样，震得脑袋里一片空白：我爷咋啦？\n村长急道：快走吧！再不走连最后一面都见不上了。\n我只觉得眼前一阵天旋地转，差点摔在地上，等我回过神来，发疯似的跟着村长往出跑。\n等我跑到昨晚上跟我爷分开的地方，那里已经站满了看热闹的人，村里人看我来了，自动给我让出了一条路。\n我这才看见我爷全身是血的躺在地上，脚上的鞋已经没了，脸上还带着好几道刀口，要不是他身上的衣服，我都认不出那是我爷。\n村长一手拽着我，一手推着我爷：陈叔陈叔我把小九带来了，你有什么话就跟他说吧！\n我爷勉强睁开了眼睛，挣扎着跟我说了一句：回去！拜祖师爷！就圆睁双眼断了气。\n我爷那是放心不下我，才不肯闭眼，我摸了几次，都没能把他眼睛给合上。\n村里人帮着我给我爷办了丧事，我也打听明白了我爷的死因。\n我爷出事儿的那天晚上，住在村头那家人听见我爷在外面跟什么人吵架，以为是村里人闹了矛盾，就想出来劝劝。结果，他往外面一看，差点被吓得背过气去。\n那人看见一群狐狸穿着人的衣服，把我爷给堵在道上，一声接着一声地对着我爷叫唤，我爷却像是跟人吵架一样，连比带划地跟一群狐狸吵个不停。\n那人知道，我爷这是被狐狸给迷了，把他们都给当成人了。\n一般人遇上这种事儿，哪敢靠前啊？\n那人倒退着身子就想要往屋里跑，谁知道一脚绊在了靠在门口的铁锹上，铁锹一落地，一大半的狐狸，全都转头看向了院子。\n我爷这一下也清醒了过来，从身上抽出刀来就跟狐狸打成了一团。\n我爷一边挥着刀砍狐狸，一边喊祖师爷救命，救我孙子！\n我爷都已经快要八十了，早就没了十多年前的身手，这次出去又没有太多准备，哪是一群狐狸的对手，没过一会儿就被咬得全身是血。\n我爷被狐狸给咬断了脚筋，坐在地上拿着刀使劲往自己的脸上划。\n住在山里的人都知道，黄皮子，狐狸都能把人肚子掏空了之后，钻进死人腔子，控制着死人往有人的地方去，借着死人壳子骗活人。\n我爷是怕狐狸掏了他肚子，穿着死人壳子去骗我，才划开了自己的脸。\n那些狐狸没掏我爷的腔子，却叼走了我爷的棉鞋。\n昨晚上，站在我后面的，就是一只穿了棉鞋的狐狸。\n村里人都知道，我家是被狐狸给缠上了，简简单单的给我爷办了个丧事就都走光了，我爷下葬那天，除了几个实在躲不了的亲戚，一个送葬的人都没来。\n我送走了我爷之后，就回到祖屋给祖师爷上了香。\n我爷只是告诉我回去拜祖师爷，却没来得及告诉我怎么拜？村里别说是没有人知道怎么拜祖师，就算是有人知道，也不会在这个时候上门来，带着我去跟狐狸较劲。\n我只能学着我爷的样子，给祖师磕头，嘴里一个劲儿地念叨着：弟子陈九拜见祖师爷！\n这拜祖师入门，有一整套的规矩，少了哪一步都不行。\n我爷以前拜过祖师爷，才在没走入门过程的情况下，把邪祖给拜出来了。\n我不知道规矩，就算是磕头磕死了，祖师爷也不会出来收我入门。\n我也不知道磕了多少个头，还是不见祖师牌位有什么动静？\n我再一想起我爷给我讲，他当年拜祖师磕得满脸是血的事情，这心里的火气就再也压不住了。站起身子指着牌位破口大骂：你特么算什么祖师爷？我们老陈家恭恭敬敬地供着你，你不保佑着徒子徒孙也就算了，现在传人遭了大难，你在那儿拿五做六，出都不出来。我拜你，还不如拜鬼当祖师。\n我越骂越生气，抓起给祖师爷上香的香炉子就给摔了个粉碎，把祖师牌位给扔在地上一脚踹成了两节，供祖师的地方也给我砸了稀烂，直到砸得累了，才在祖屋里坐了下来。\n我还没坐多一会儿，就看见祖屋的门缝底下渗出一片腥红的血迹。\n我猛地打了一个激灵那狐狸过来找我了。\n我爷走了，祖师爷拜不出来，我又被狐狸给堵在了屋里，还有谁能救我？\n我慌忙站起来到处找东西，不管怎么说，手里有点家伙，也比空着手对上那狐狸强啊！\n可是，祖屋都已经被我给砸烂了，哪还有什么趁手的东西？\n我好不容易掰下来一条桌子腿儿拿在了手里，祖屋的大门已经被推开了一条缝子，狐狸那只圆溜溜的眼珠子，隔着一条门缝瞄向我的面孔，眼珠里的冷意看得人头皮发麻。\n我也不知道，哪儿来的胆子，上前一步推上了大门。\n我弓着身子，双手死死顶着门不动，一门心思的想把狐狸挡在外面，没曾想，外面却传来了有人在拆门槛的动静。\n没一会儿，我就听见咣当一声响，那是有人把门槛子给拆下来，扔到了一边儿的动静。\n门槛没了，门和地之间肯定得露出两指多宽的缝子，狐狸是要从门底下钻进来？\n我低头往脚底下一看，就见到门缝下面钻进来一张发黄的人皮。\n人皮十指平张着，像是一张纸一样，被人从门缝下面一点点地给推了进来。\n人皮的两只手刚一伸进屋里，就像是被充了气似的鼓了起来。原本还是平平整整的一张皮，眨眼的工夫就变得像是充了气的塑胶手套，中间圆滚滚的一球，前面就是撑开的五根手指。\n人皮钻进来了！\n我想撒手，又怕狐狸从门外冲进来，正在不知道如何是好的时候，人皮忽然抓住我的脚腕，把我掀翻了出去。\n我还没爬起来，祖屋大门就被撞得大敞四开，那个没了人皮的女人，血淋淋地站在门口，目光阴冷的盯住了我的面孔。\n"}]}
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[2024-09-12 18:14:57] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
请仔细阅读我给的文章，理解文章的内容并对文章进行分段，每段内容完整，我的分段要求是：
1.分段保持独立性，有场景感
2.严禁出现每段字数少于12个字的情况
3.分段字数最多30个字
4.保持原文意思不变，请不要修改原文
5.只需要给出你的分段结果，不需要给出其他回答。

例如：小镇上，有一对青梅竹马的恋人，他们的名字叫做小雅和阿杰。他们从小一起长大，彼此之间有着深厚的感情。然而，随着时间的推移，他们渐渐意识到，这份感情已经超越了朋友的界限，他们彼此深爱着对方。

分段结果：
小镇上，有一对青梅竹马的恋人
他们的名字叫做小雅和阿杰
他们从小一起长大，彼此之间有着深厚的感情
然而，随着时间的推移，他们渐渐意识到
这份感情已经超越了朋友的界限，他们彼此深爱着对方

我的文章是：
不知道大家还记不记得那个通信基站维护员阿成。今天我们要说的这事，也是他分享的。他们的基站在城市里遍布大街小巷，在乡镇里，遍布每个山头。他特别戴了一串手串，说讨个吉利。毕竟整天在外面忙，遇到的诡异事也多。他说，有一次他们被投诉了。投诉的理由是，山顶上的大石头滚下山，把一户人家的屋顶砸出了两个大窟窿。他觉得挺冤枉的。他们建基站的那山，不是什么大山，就一个小山坡。那村子一两百户人，都在那小山坡下住着。而且那基站在那十年都有了，往年也没听说有大石头滚下山的。接到投诉，他们联系了那户人家，那家人让他们赶紧过来看看，赔多少钱。阿成心里挺气愤。到底怎么回事都还不清楚，怎么就咬定他们赔钱了呢？开车到了那地方一看。村里大部分人家都是两层，三层农村小平房，就他们家还是瓦房。听说，他们家也建了新房子，在村头路边。这次被砸了屋顶的是他们家的老房子，老房子已经不住人了，是用来养鸡的。好家伙，一屋子的鸡，到处是鸡屎，落脚的地都没有。呼啦啦至少一百多只鸡。这家人在院子角落给鸡搭了个窝棚。这种老瓦房，以后也不可能住人了，他们没舍得让鸡进屋子里，还是坚持在院子里搭了窝棚。只是那窝棚看着，应该是刚搭没几天的，用的树叶树枝都还没干透呢。阿成他们进屋看了那大石头，应该是从山上滚下来的。只是他们基站最近没动工，不可能有石块滚下来。那户人家咬定是他们基站建设的时候，乱堆放石块，才让石块滚下来。阿成没好气地说：十年前建的基站，十年了都没滚，这几天不刮风不下雨的，偏偏滚下来砸你家屋顶。你别怪我们，看看是不是你的原因！这家人能有什么原因？这房子他们都已经不住了。阿成也就是这么个说，一时间也不知道怎么办好。就想着，处理不了，往上报，让领导头痛去吧。但是没想到，他这么一说，那家人一个个皱眉低头，好像有什么事。难道让他猜对了，他们真的有原因？他们家的两个男人在那窝棚边用方言低声说着话，估计他们是以为阿成听不懂他们的方言，也没避讳着什么。偏偏阿成听得懂。他听着这两个男人说。小弟：哥，不会真像老人说的那样，是因为那个财神庙吧。大哥：砍点树杈能怎么样？小弟：感觉这事确实挺邪门的。这几天也没刮风下雨，那石头滚下来，偏偏砸了屋顶。这一排，好几家，就砸我们家的。大哥：别乱说话！就让他们赔钱！他们有钱，出点能怎么样？看来还真是事出有因，而且这个因跟他们村的财神庙有关。事情报了上去，具体的操作，阿成这种维修员不用管，自然有他们的领导处理。好像是没赔钱，一直在扯皮。那家人还时不时到他们维修站骂上几句。从村里人那儿得知，这户人家在出事的几天前，去村里财神庙后面那大树砍了不少枝丫回来，给鸡搭窝棚。当时，有村里的老人看到了，劝他们不要砍那棵树。村里的财神庙很小，占地不到十平米。那棵大树正好长在财神庙后面，大大的树冠给财神爷遮风挡雨了。这两兄弟不听老人的话，坚持把那树枝丫砍去一部分。村里很多树都是有主人的。一些没主的树，也都挂着农业局保护林木的牌子。只有这棵大树是没牌子的。兄弟俩才选了这棵树。两人拉着树枝回家搭窝棚后，老人站在财神庙，看向头顶的树冠。老人吼道：两个烂仔！看看你们把财神爷的屋顶给砍出两个窟窿来了。可不是！本来遮风挡雨挡阳光的大树冠，现在多了两个洞，阳光正好照下来，晒到财神爷的腿上。所以，在阿成说，让他们找找自己的原因时，他们才会说出那样的话。估计啊，正是财神爷惩罚他们，让山坡上的大石头滚下来，砸了他们家屋顶两个大窟窿。阿成他们这工作，有时候需要晚上十点到山上去关基站发电机。那为什么晚上十点去，他们这行业的规矩，大家都不太了解。有一次，他给大海打电话，说他的搭档请假回家看老人，他需要一个人上山关发电机，让大海陪他跑一趟。大海说，他也不会做他们的活。但是阿成说，他不需要大海做什么，只要大海坐在副驾驶上跟他上山，给他壮胆就行。大海笑话他，一个大男人，怎么还怕跑夜路呢。大海就陪他去了一趟。皮卡车开进山，那山路跑得，大海不怕鬼，他怕车冲下山。车开到地方，停好车。接下来需要步行二三十米，到达基站旁。这二三十米是皮卡开不上去的陡坡。到了地方，阿成拿着当天的报纸，对着发电机拍照。这是用图片说明，这大晚上的他确实来干活了。图片也不是p的，有当天的报纸作证。你看，每个行业都有它的辛苦。他拍照的时候，大海无聊地用手电筒扫扫四周。在他们不远处，一个老头正缓缓走过。大家注意了，小路是从他们停车的地方，向上，到达发电机这。但是那老头是横过小路，走向一旁的草丛。大海喊了一句：大爷！看路啊！那大爷脚步顿了一下，似乎是想转头看向他，但是动作僵住，没让大海看到他的脸。大爷用一种很古怪的语调说：看着呢。我看得见。大海打着手电筒，晃晃前面的草丛。大海喊：前面没路了。大爷：我家在前面点。大海的手电筒扫回到发电机这边。发电机隆隆的声音停了，阿成关了发电机。大海对阿成说：那边的老头无儿无女吗？怎么大晚上的还上山，也不打个手电筒，能看到什么？阿成抬头看着他，一脸的疑惑。阿成略带害怕地说着：你刚才一个人喊什么？有，有人？你看到了？大海把手电筒又晃到那边草丛，就是刚才老头出现的地方。老头不见了！从他移开手电筒到再次照过去，也就几秒钟时间，那老头就算跑起来，也能看到个背影吧。但是没有！一点影也没有。大海也有点慌了，这大晚上的，还是在这样的山上。不会是见鬼了吧！他只是有这个念头，但是也没肯定。他大步走到那老头刚才站的地方，朝着草丛里照了照。本以为，真有鬼的话，那至少会看到一座坟。他都做好看到坟的心理准备了，但是那边除了草，什么也没有。阿成收工过来，拍了拍大海的手臂。阿成说：看到不干净的东西了。走走走，回去。就在大海准备转身的时候，看到了草丛中一条大蜈蚣。好大的蜈蚣，看着跟他小手臂差不多，长至少三十厘米。蜈蚣被他的手电筒光圈住后，两秒钟，窜进草丛中，不见了。大海一口气提起来，没敢呼吸。阿成推着他，赶紧下山，回到车上。当时大海被那大蜈蚣吓得挺厉害的，一句话说不出来。阿成启动车，从驾驶座旁的储物格子里，抓了几个硬币，朝着车外砸。砸完硬币，马上开车走人。等车回到市区，他才说，他那把硬币是给附近小鬼的买路财。让它们低头捡钱，别跟他们回来。他问大海刚才到底看到什么，跟谁说话呢。大海在明亮的城市路灯下，才敢跟他说出那老头的事。从那以后，阿成再叫大海陪他大半夜上山，大海坚决不去。
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{"model":"gpt-4o","messages":[{"role":"user","content":"请仔细阅读我给的文章，理解文章的内容并对文章进行分段，每段内容完整，我的分段要求是：\n1.分段保持独立性，有场景感\n2.严禁出现每段字数少于12个字的情况\n3.分段字数最多30个字\n4.保持原文意思不变，请不要修改原文\n5.只需要给出你的分段结果，不需要给出其他回答。\n\n例如：小镇上，有一对青梅竹马的恋人，他们的名字叫做小雅和阿杰。他们从小一起长大，彼此之间有着深厚的感情。然而，随着时间的推移，他们渐渐意识到，这份感情已经超越了朋友的界限，他们彼此深爱着对方。\n\n分段结果：\n小镇上，有一对青梅竹马的恋人\n他们的名字叫做小雅和阿杰\n他们从小一起长大，彼此之间有着深厚的感情\n然而，随着时间的推移，他们渐渐意识到\n这份感情已经超越了朋友的界限，他们彼此深爱着对方\n\n我的文章是：\n不知道大家还记不记得那个通信基站维护员阿成。今天我们要说的这事，也是他分享的。他们的基站在城市里遍布大街小巷，在乡镇里，遍布每个山头。他特别戴了一串手串，说讨个吉利。毕竟整天在外面忙，遇到的诡异事也多。他说，有一次他们被投诉了。投诉的理由是，山顶上的大石头滚下山，把一户人家的屋顶砸出了两个大窟窿。他觉得挺冤枉的。他们建基站的那山，不是什么大山，就一个小山坡。那村子一两百户人，都在那小山坡下住着。而且那基站在那十年都有了，往年也没听说有大石头滚下山的。接到投诉，他们联系了那户人家，那家人让他们赶紧过来看看，赔多少钱。阿成心里挺气愤。到底怎么回事都还不清楚，怎么就咬定他们赔钱了呢？开车到了那地方一看。村里大部分人家都是两层，三层农村小平房，就他们家还是瓦房。听说，他们家也建了新房子，在村头路边。这次被砸了屋顶的是他们家的老房子，老房子已经不住人了，是用来养鸡的。好家伙，一屋子的鸡，到处是鸡屎，落脚的地都没有。呼啦啦至少一百多只鸡。这家人在院子角落给鸡搭了个窝棚。这种老瓦房，以后也不可能住人了，他们没舍得让鸡进屋子里，还是坚持在院子里搭了窝棚。只是那窝棚看着，应该是刚搭没几天的，用的树叶树枝都还没干透呢。阿成他们进屋看了那大石头，应该是从山上滚下来的。只是他们基站最近没动工，不可能有石块滚下来。那户人家咬定是他们基站建设的时候，乱堆放石块，才让石块滚下来。阿成没好气地说：十年前建的基站，十年了都没滚，这几天不刮风不下雨的，偏偏滚下来砸你家屋顶。你别怪我们，看看是不是你的原因！这家人能有什么原因？这房子他们都已经不住了。阿成也就是这么个说，一时间也不知道怎么办好。就想着，处理不了，往上报，让领导头痛去吧。但是没想到，他这么一说，那家人一个个皱眉低头，好像有什么事。难道让他猜对了，他们真的有原因？他们家的两个男人在那窝棚边用方言低声说着话，估计他们是以为阿成听不懂他们的方言，也没避讳着什么。偏偏阿成听得懂。他听着这两个男人说。小弟：哥，不会真像老人说的那样，是因为那个财神庙吧。大哥：砍点树杈能怎么样？小弟：感觉这事确实挺邪门的。这几天也没刮风下雨，那石头滚下来，偏偏砸了屋顶。这一排，好几家，就砸我们家的。大哥：别乱说话！就让他们赔钱！他们有钱，出点能怎么样？看来还真是事出有因，而且这个因跟他们村的财神庙有关。事情报了上去，具体的操作，阿成这种维修员不用管，自然有他们的领导处理。好像是没赔钱，一直在扯皮。那家人还时不时到他们维修站骂上几句。从村里人那儿得知，这户人家在出事的几天前，去村里财神庙后面那大树砍了不少枝丫回来，给鸡搭窝棚。当时，有村里的老人看到了，劝他们不要砍那棵树。村里的财神庙很小，占地不到十平米。那棵大树正好长在财神庙后面，大大的树冠给财神爷遮风挡雨了。这两兄弟不听老人的话，坚持把那树枝丫砍去一部分。村里很多树都是有主人的。一些没主的树，也都挂着农业局保护林木的牌子。只有这棵大树是没牌子的。兄弟俩才选了这棵树。两人拉着树枝回家搭窝棚后，老人站在财神庙，看向头顶的树冠。老人吼道：两个烂仔！看看你们把财神爷的屋顶给砍出两个窟窿来了。可不是！本来遮风挡雨挡阳光的大树冠，现在多了两个洞，阳光正好照下来，晒到财神爷的腿上。所以，在阿成说，让他们找找自己的原因时，他们才会说出那样的话。估计啊，正是财神爷惩罚他们，让山坡上的大石头滚下来，砸了他们家屋顶两个大窟窿。阿成他们这工作，有时候需要晚上十点到山上去关基站发电机。那为什么晚上十点去，他们这行业的规矩，大家都不太了解。有一次，他给大海打电话，说他的搭档请假回家看老人，他需要一个人上山关发电机，让大海陪他跑一趟。大海说，他也不会做他们的活。但是阿成说，他不需要大海做什么，只要大海坐在副驾驶上跟他上山，给他壮胆就行。大海笑话他，一个大男人，怎么还怕跑夜路呢。大海就陪他去了一趟。皮卡车开进山，那山路跑得，大海不怕鬼，他怕车冲下山。车开到地方，停好车。接下来需要步行二三十米，到达基站旁。这二三十米是皮卡开不上去的陡坡。到了地方，阿成拿着当天的报纸，对着发电机拍照。这是用图片说明，这大晚上的他确实来干活了。图片也不是p的，有当天的报纸作证。你看，每个行业都有它的辛苦。他拍照的时候，大海无聊地用手电筒扫扫四周。在他们不远处，一个老头正缓缓走过。大家注意了，小路是从他们停车的地方，向上，到达发电机这。但是那老头是横过小路，走向一旁的草丛。大海喊了一句：大爷！看路啊！那大爷脚步顿了一下，似乎是想转头看向他，但是动作僵住，没让大海看到他的脸。大爷用一种很古怪的语调说：看着呢。我看得见。大海打着手电筒，晃晃前面的草丛。大海喊：前面没路了。大爷：我家在前面点。大海的手电筒扫回到发电机这边。发电机隆隆的声音停了，阿成关了发电机。大海对阿成说：那边的老头无儿无女吗？怎么大晚上的还上山，也不打个手电筒，能看到什么？阿成抬头看着他，一脸的疑惑。阿成略带害怕地说着：你刚才一个人喊什么？有，有人？你看到了？大海把手电筒又晃到那边草丛，就是刚才老头出现的地方。老头不见了！从他移开手电筒到再次照过去，也就几秒钟时间，那老头就算跑起来，也能看到个背影吧。但是没有！一点影也没有。大海也有点慌了，这大晚上的，还是在这样的山上。不会是见鬼了吧！他只是有这个念头，但是也没肯定。他大步走到那老头刚才站的地方，朝着草丛里照了照。本以为，真有鬼的话，那至少会看到一座坟。他都做好看到坟的心理准备了，但是那边除了草，什么也没有。阿成收工过来，拍了拍大海的手臂。阿成说：看到不干净的东西了。走走走，回去。就在大海准备转身的时候，看到了草丛中一条大蜈蚣。好大的蜈蚣，看着跟他小手臂差不多，长至少三十厘米。蜈蚣被他的手电筒光圈住后，两秒钟，窜进草丛中，不见了。大海一口气提起来，没敢呼吸。阿成推着他，赶紧下山，回到车上。当时大海被那大蜈蚣吓得挺厉害的，一句话说不出来。阿成启动车，从驾驶座旁的储物格子里，抓了几个硬币，朝着车外砸。砸完硬币，马上开车走人。等车回到市区，他才说，他那把硬币是给附近小鬼的买路财。让它们低头捡钱，别跟他们回来。他问大海刚才到底看到什么，跟谁说话呢。大海在明亮的城市路灯下，才敢跟他说出那老头的事。从那以后，阿成再叫大海陪他大半夜上山，大海坚决不去。"}]}
result----------------------------------
{"id":"chatcmpl-A6b8CVCO9du1oU7WHMsabjHMukIvJ","object":"chat.completion","created":1726136064,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"不知道大家还记不记得那个通信基站维护员阿成\n今天我们要说的这事，也是他分享的\n他们的基站在城市里遍布大街小巷，在乡镇里，遍布每个山头\n他特别戴了一串手串，说讨个吉利\n毕竟整天在外面忙，遇到的诡异事也多\n他说，有一次他们被投诉了\n投诉的理由是，山顶上的大石头滚下山\n把一户人家的屋顶砸出了两个大窟窿\n他觉得挺冤枉的\n他们建基站的那山，不是什么大山，就一个小山坡\n那村子一两百户人，都在那小山坡下住着\n而且那基站在那十年都有了，往年也没听说有大石头滚下山的\n接到投诉，他们联系了那户人家，那家人让他们赶紧过来看看，赔多少钱\n阿成心里挺气愤\n到底怎么回事都还不清楚，怎么就咬定他们赔钱了呢\n开车到了那地方一看\n村里大部分人家都是两层，三层农村小平房，就他们家还是瓦房\n听说，他们家也建了新房子，在村头路边\n这次被砸了屋顶的是他们家的老房子，老房子已经不住人了，是用来养鸡的\n好家伙，一屋子的鸡，到处是鸡屎，落脚的地都没有\n呼啦啦至少一百多只鸡\n这家人在院子角落给鸡搭了个窝棚\n这种老瓦房，以后也不可能住人了，他们没舍得让鸡进屋子里，还是坚持在院子里搭了窝棚\n只是那窝棚看着，应该是刚搭没几天的，用的树叶树枝都还没干透呢\n阿成他们进屋看了那大石头，应该是从山上滚下来的\n只是他们基站最近没动工，不可能有石块滚下来\n那户人家咬定是他们基站建设的时候，乱堆放石块，才让石块滚下来\n阿成没好气地说：十年前建的基站，十年了都没滚\n这几天不刮风不下雨的，偏偏滚下来砸你家屋顶\n你别怪我们，看看是不是你的原因\n这家人能有什么原因？这房子他们都已经不住了\n阿成也就是这么个说，一时间也不知道怎么办好\n就想着，处理不了，往上报，让领导头痛去吧\n但是没想到，他这么一说，那家人一个个皱眉低头，好像有什么事\n难道让他猜对了，他们真的有原因\n他们家的两个男人在那窝棚边用方言低声说着话\n估计他们是以为阿成听不懂他们的方言，也没避讳着什么\n偏偏阿成听得懂\n他听着这两个男人说\n小弟：哥，不会真像老人说的那样，是因为那个财神庙吧\n大哥：砍点树杈能怎么样\n小弟：感觉这事确实挺邪门的\n这几天也没刮风下雨，那石头滚下来，偏偏砸了屋顶\n这一排，好几家，就砸我们家的\n大哥：别乱说话\n就让他们赔钱\n他们有钱，出点能怎么样\n看来还真是事出有因，而且这个因跟他们村的财神庙有关\n事情报了上去，具体的操作，阿成这种维修员不用管，自然有他们的领导处理\n好像是没赔钱，一直在扯皮\n那家人还时不时到他们维修站骂上几句\n从村里人那儿得知，这户人家在出事的几天前，去村里财神庙后面那大树砍了不少枝丫回来，给鸡搭窝棚\n当时，有村里的老人看到了，劝他们不要砍那棵树\n村里的财神庙很小，占地不到十平米\n那棵大树正好长在财神庙后面，大大的树冠给财神爷遮风挡雨了\n这两兄弟不听老人的话，坚持把那树枝丫砍去一部分\n村里很多树都是有主人的\n一些没主的树，也都挂着农业局保护林木的牌子\n只有这棵大树是没牌子的\n兄弟俩才选了这棵树\n两人拉着树枝回家搭窝棚后，老人站在财神庙，看向头顶的树冠\n老人吼道：两个烂仔！看看你们把财神爷的屋顶给砍出两个窟窿来了\n可不是！本来遮风挡雨挡阳光的大树冠，现在多了两个洞，阳光正好照下来，晒到财神爷的腿上\n所以，在阿成说，让他们找找自己的原因时，他们才会说出那样的话\n估计啊，正是财神爷惩罚他们，让山坡上的大石头滚下来，砸了他们家屋顶两个大窟窿\n阿成他们这工作，有时候需要晚上十点到山上去关基站发电机\n那为什么晚上十点去，他们这行业的规矩，大家都不太了解\n有一次，他给大海打电话，说他的搭档请假回家看老人，他需要一个人上山关发电机\n让大海陪他跑一趟\n大海说，他也不会做他们的活\n但是阿成说，他不需要大海做什么，只要大海坐在副驾驶上跟他上山，给他壮胆就行\n大海笑话他，一个大男人，怎么还怕跑夜路呢\n大海就陪他去了一趟\n皮卡车开进山，那山路跑得，大海不怕鬼，他怕车冲下山\n车开到地方，停好车\n接下来需要步行二三十米，到达基站旁\n这二三十米是皮卡开不上去的陡坡\n到了地方，阿成拿着当天的报纸，对着发电机拍照\n这是用图片说明，这大晚上的他确实来干活了\n图片也不是p的，有当天的报纸作证\n你看，每个行业都有它的辛苦\n他拍照的时候，大海无聊地用手电筒扫扫四周\n在他们不远处，一个老头正缓缓走过\n大家注意了，小路是从他们停车的地方，向上，到达发电机这\n但是那老头是横过小路，走向一旁的草丛\n大海喊了一句：大爷！看路啊\n那大爷脚步顿了一下，似乎是想转头看向他，但是动作僵住\n没让大海看到他的脸\n大爷用一种很古怪的语调说：看着呢。我看得见\n大海打着手电筒，晃晃前面的草丛\n大海喊：前面没路了\n大爷：我家在前面点\n大海的手电筒扫回到发电机这边\n发电机隆隆的声音停了，阿成关了发电机\n大海对阿成说：那边的老头无儿无女吗\n怎么大晚上的还上山，也不打个手电筒，能看到什么\n阿成抬头看着他，一脸的疑惑\n阿成略带害怕地说着：你刚才一个人喊什么？有，有人？你看到了\n大海把手电筒又晃到那边草丛，就是刚才老头出现的地方\n老头不见了\n从他移开手电筒到再次照过去，也就几秒钟时间\n那老头就算跑起来，也能看到个背影吧\n但是没有！一点影也没有\n大海也有点慌了，这大晚上的，还是在这样的山上\n不会是见鬼了吧！他只是有这个念头，但是也没肯定\n他大步走到那老头刚才站的地方，朝着草丛里照了照\n本以为，真有鬼的话，那至少会看到一座坟\n他都做好看到坟的心理准备了，但是那边除了草，什么也没有\n阿成收工过来，拍了拍大海的手臂\n阿成说：看到不干净的东西了。走走走，回去\n就在大海准备转身的时候，看到了草丛中一条大蜈蚣\n好大的蜈蚣，看着跟他小手臂差不多，长至少三十厘米\n蜈蚣被他的手电筒光圈住后，两秒钟，窜进草丛中，不见了\n大海一口气提起来，没敢呼吸\n阿成推着他，赶紧下山，回到车上\n当时大海被那大蜈蚣吓得挺厉害的，一句话说不出来\n阿成启动车，从驾驶座旁的储物格子里，抓了几个硬币，朝着车外砸\n砸完硬币，马上开车走人\n等车回到市区，他才说，他那把硬币是给附近小鬼的买路财\n让它们低头捡钱，别跟他们回来\n他问大海刚才到底看到什么，跟谁说话呢\n大海在明亮的城市路灯下，才敢跟他说出那老头的事\n从那以后，阿成再叫大海陪他大半夜上山，大海坚决不去\n\n","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2476,"completion_tokens":2237,"total_tokens":4713},"system_fingerprint":"fp_992d1ea92d","code":0,"msg":"ok"}

[2024-09-12 18:15:26] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
根据我提供的文字内容，总结为一篇第一人称现代神秘怪谈小说开头，不需要标题，我的要求是：
1、小说字数最少800个字
2、小说字数最多1000个字
3、有力的开头：开头要能够吸引读者的注意，快速设定故事背景和基调。
4、确定核心主题：确定原文的核心主题和信息，能够清晰地传达原文想要表达的思想或情感。
5、生动的人物：人物形象鲜明，即使篇幅短小，也能让读者对人物产生共鸣。
6、提炼对话：适当保留与故事情节相关的对话，丰富人物形象
7、保留原文的叙事风格：最大化保留原文的行文方式和叙事风格，在此基础上进行情节的精简，保留原文的叙述视角
8、紧凑的情节：情节需要紧凑，避免冗长的描述和不必要的细节。
9、优美的语言：语言应自然优美流畅，能够增强故事的感染力，语言叙述不要过于生硬。
10、细节的描写：细节描写应适量且恰到好处，增强故事的真实感和沉浸感。
11、只需要给出你的结果，不需要给出其他回答。


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{"model":"gpt-4o","messages":[{"role":"user","content":"根据我提供的文字内容，总结为一篇第一人称现代神秘怪谈小说开头，不需要标题，我的要求是：\n1、小说字数最少800个字\n2、小说字数最多1000个字\n3、有力的开头：开头要能够吸引读者的注意，快速设定故事背景和基调。\n4、确定核心主题：确定原文的核心主题和信息，能够清晰地传达原文想要表达的思想或情感。\n5、生动的人物：人物形象鲜明，即使篇幅短小，也能让读者对人物产生共鸣。\n6、提炼对话：适当保留与故事情节相关的对话，丰富人物形象\n7、保留原文的叙事风格：最大化保留原文的行文方式和叙事风格，在此基础上进行情节的精简，保留原文的叙述视角\n8、紧凑的情节：情节需要紧凑，避免冗长的描述和不必要的细节。\n9、优美的语言：语言应自然优美流畅，能够增强故事的感染力，语言叙述不要过于生硬。\n10、细节的描写：细节描写应适量且恰到好处，增强故事的真实感和沉浸感。\n11、只需要给出你的结果，不需要给出其他回答。\n\n\n文字内容是：\n阴历十月初九，宜安葬，忌诸事不宜，百鬼退避。\n我，就出生在这天。\n我生下来的时候，遇上了鬼剥皮。\n全身上下血淋淋的连一块皮都没有，把接生的大夫都给吓昏了过去。\n我爸妈被吓得不知道如何是好？是我爷用衣服把我包起来，抱回了家。\n等我爸妈赶回家的时候，才发现我爷用木板钉死了房门，窗户，我爸在外面喊了好半天，我爷才回了一句：我不出来，谁也别进来。你给我把门守好了，谁特么敢进来，老子活劈了他。\n我爷喊完那一嗓子就不说话了，屋子里变得一点动静都没有，我爸就那么守着屋子，一步都不敢挪。\n也不知道是谁把我没有人皮的事情给传到了村里，这一下村里就炸开锅了，天天有人跑我家院子外面看热闹，我生下来为什么没有人皮说法，也越来越离谱。\n有人说：老陈家孙子没有人皮，是我爷年轻的时候活剥了一只白狐狸，人家上门报仇来了。\n我们老陈家做了三代皮匠，剥皮的手艺那是一绝。当年，有人去老陈家买皮子，亲眼看见一只像是狗一样东西全身血淋淋地从我家院子里往外跑。\n等他再往院子里看，就看见剥皮案子上趴着一只白狐狸。那狐狸眯着眼睛，蜷着尾巴就像是睡着了一样，一动不动。\n那人觉得狐狸好看，往狐狸身上一摸，那狐狸身子立刻就瘪了。\n原来，那是一张完整的狐狸皮！\n我爷当场给了那人一个大耳刮子，抱着狐狸皮关了大门。\n那天之后，我家就在闹邪，白天的时候，总能看见一只没了皮的狐狸在我家房前屋后惨叫。到了晚上，就能看见一个浑身是血的女人，堵在我家门口哭。\n这事儿，一直持续了七天，那只狐狸才死在了我家门口。\n那只狐狸断气的那天，正好是十月初九，我也出生在十月初九。这不是当年那只狐狸找上门了，又是什么？\n我爸听着这些话，也觉得心里没底。\n他知道我爷干过皮匠，也知道我爷忽然封了剥皮刀，发誓这辈子不干剥皮的买卖，却不知道，我爷为什么要这么做？\n现在想想，说不定真跟那白狐狸有关！\n那时候，就连我妈都劝我爸：要不，别等了，没有皮孩子肯定活不成，就别跟咱爹瞎折腾了。再说，咱爹都把孩子抱进屋里三天了，孩子连口奶都没吃，还能活么？\n我爸一开始还不听劝，说的人多了，他心里也没底了。\n犹豫再三后，我爸咋着胆子去敲我爷窗户，他敲了好半天都没见屋里有动静，心里也慌了，顾不上我爷当时嘱咐过他什么，从仓库里抽了把镐头就要去砸门，他还没跑到门口儿，我爷就推门走了出来。\n那时候，我爷走路都在打晃，扶着墙强撑说了一句：孩子暂时保住了。\n我爸一听孩子保住了，都顾不上去跟我爷说别的，推门就往往里冲。可他看见我的时候，却被吓得一屁股坐在了地上。\n那时候，我被裹在一张白狐狸皮里，只露着一张脸在外面。\n白色的狐皮，带着一张血糊糊的人脸，谁看了都觉得害怕。\n我爸好半天才缓过神来，把外面想看热闹的人撵了个干净，才把我爷扶进了屋里，小心翼翼地问道：爹，你以前真剥过白狐狸。\n那是它求着我，剥了它的皮！我爷竟然一口承认了下来。\n我爸顿时懵了：爹，狐狸能来找人，那是成气候了啊！她怎么还能让你剥她的皮呢？\n我爷说道：那只狐狸没说因为什么？我觉着，她是一直都化不了形，才让我把她的皮给剥下来，想要化人。\n当时，我也害怕她再找咱家麻烦，让她发誓不碰咱们陈家人，还得把她的皮抵押在我手里，我才动了手。\n我爸说道：那不一定就是那狐狸祸害的咱家，爹，你能找到那狐狸吗？要不，你去求求她救救咱家孩子？\n我爷说了一句：我找她去！就要收拾东西出门，我爸好说歹说，才让我爷休息了一晚上，等他第二天起来的时候，我爷已经不知道哪儿去了。\n我家那边有个石狐庙的传说，据说在岭子里，藏着一座常人看不见的大庙，那座庙就是石狐娘娘的山门。\n石狐娘娘，轻易不会让人进庙给自己磕头，跟她无缘的人找不到石狐庙；有缘人进庙，石狐娘娘有求必应。\n我爷去的就是那座石狐庙。\n我爷进门之后，犹豫了好一会儿才点上了三炷香，恭恭敬敬地给石狐娘娘的磕了头：石狐娘娘，我是山下的皮匠陈和。我来找你问点事儿。\n那尊人身狐狸脑袋的石狐像，虽然一动没动，却像是在居高临下的盯着我爷。\n我爷也觉得是有人站在高处看着的脊梁，忍不住抬起了头来。等他看到那石像的时候，石狐的咽喉上已经出现了一道鲜红的血痕。\n我爷当即愣在了那里，眼睁睁的看着血腥的鲜红在石狐身上扩散开来。没一会儿的工夫，那只石狐就变得全身是血，看上就像是被人给剥了皮。\n我爷当时就心凉半截，石狐脖子上那条血痕，就是当年他剥皮下刀时的位置。\n山里仙家善形见人，是报恩。恶形见人，是报仇。\n石狐分明是告诉我爷，跟他有仇啊！\n我爷一下急了！\n当年，分明是对方求着我爷剥它的皮，如今没能化形成功又找上门来，可这也不能赖我爷啊！\n于是我爷在盛怒之下，也管不了对方是不是仙家了，指着石狐破口大骂。\n石狐一开始只是用她没有被血盖住的眼珠，冷漠地注视着我爷。没过多久，石狐庙就传出了一阵像是恶鬼一样时哭时笑的声响。\n这声音，简直跟当年没皮狐狸守着门口哭家的动静一模一样！\n不仅听着就瘆人，还能让人胡思乱想。\n后来我爷也不骂了，满脑子都是我将来能怎么样？\n是跟那张狐狸皮长在一起，变成一只人狐？\n还是这辈子都全身通红地活着，见不了人？\n说不定，最后我还会变成一只专门找皮匠报仇的恶鬼血戾，在半夜里剥了我们全家的人皮。\n我爷越想越害怕，双腿一软瘫坐在了地上。\n......\n过了好半天，我爷缓过神来，指着石狐大骂道：你你凭什么这么欺负人？\n就凭你是仙家？\n你给我等着，我们老陈家也不是好惹的。\n我爷扔下了一句狠话，就跌跌撞撞地往庙外边走。\n如果，当时还有别人在庙里，肯定得问我爷一句：你一个皮匠能做得了什么？\n我爷敢去石狐庙，是因为石狐当年发过誓，不会伤害我爷。\n石狐，不讲理的时候，陈家人就只能眼睁睁地看着它张狂，也只能乖乖认命。\n我爷回到家里，第一件事儿就是把家产给了我爸一半，让他带着我妈远走高飞，从此隐姓埋名，跟我们爷孙老死不相往来。\n我爸当然不会同意，我爷却说，他要带着我玩儿命，老陈家的人，不能都死在一起。\n最后，我爸被逼得没办法，只能带着我妈远走他乡。\n我爷等他们走了，才抱着我进了祖屋，锁上大门，搬出了祖师牌位。\n天下三百六十行，行行都有祖师爷，没拜过祖师的匠人，得不到古法传承，成不了真正的大匠。\n我们老陈家，就是拜过皮匠的祖师爷商朝丞相比干的大匠，老陈家才能几代人都坐着皮匠这行的第一把交椅。\n我爷拿出牌位看了好半天，一咬牙把牌位给倒着插进了底座里面，又拿起剥皮刀，一刀削掉了自己左手食指，举着血淋淋的手指，对着牌位磕头道：不孝徒孙陈和，今遭大难，不得已重拜祖师，遇劫不怨，遇祸不恨！\n我爷连着磕了几个头之后，祖师牌位下面忽然迸出一串子火苗，牌位上转眼间就冒出了一尺多高的火焰。\n我爷就对着牌位直挺挺地跪着，直到火焰熄灭，才抬起头来。\n祖师牌位毁了，冒着火星子的木炭却立在了供桌上。\n我爷的眼泪当场就流了下来，对着木炭一边哭一边磕头，脑袋都磕破了还是不肯停下来：祖师爷，我陈家几代人供奉祖师。现在就这么一个香火独苗了，求祖师爷开恩，求祖师爷开恩呐！\n皮匠，其实有一正一邪两个祖师。陈家祖上有过明训：不可拜邪门祖师。\n现在，比干留下的本事，只能暂时保我不死，却救不了我的命，我爷只能拜邪门祖师，去给我搏一条命。\n我爷倒插祖师牌位，就是要自逐师门，另投祖师。\n结果，祖师没显灵。\n这是邪祖不收我爷啊！\n我爷心里明白：石狐能剥了一个陈家子孙的人皮，就能再剥下一个。我爸妈隐姓埋名又能如何？他们跟陈家的血脉断不了，石狐早晚得找过去。\n他救不了我，陈家香火可真就要断了。\n我爷也不知道磕了多少个头，直到地上被他磕得全都是血，他才坚持不住昏了过去。\n等我爷醒过来之后，就抱着我上了山，一待就是七天。\n那几天，看见过我爷的人都说我爷疯了，他也不知道用了什么办法，把山里的狐狸都给引了过来，那些狐狸只要被他抓着，就是活活剥皮。狐狸皮挂满了一树，死狐狸直接扔进山溪里，把溪水都给染红了。\n村里人，一开始还想去劝劝我爷，等看见他疯了一样地杀狐狸之后，谁也不敢往前凑合了。\n那些天，村里人除了知道我爷在剥狐狸之外，谁都不知道他究竟是干过别的什么？但是，我爷带着我从山上下来之后，我身上却慢慢地长出了皮肤。\n也不知道是为什么，我的皮肤居然比女生还要白，却白得不正常，看上去一点都不鲜活。村里人都说，我身上的皮根本就不是我的，是我爷给我披了一张死人皮。\n我爷也总跟我说，出门一定要打伞，别让太阳晒着。\n我有次出门忘了带伞，结果还没走出去多远，露在外面的皮肤就像是被火烧了一样的疼，连着红肿了好几天，那之后，我出门再也不敢不打伞了。\n也就是那次之后，我才信了村里人的话，试探着问我爷：我身上是不是披着死人皮？\n我爷跟我说：当年，他另投祖师爷的时候，邪祖不知道为什么不肯收他，却在我爷昏过去后告诉他，我还有救。但是，他想救我，最少也得赌两次命。\n我爷就是按照祖师爷教他的办法，杀了一百多只狐狸，用狐狸的心头血泡开了石狐留下的狐皮，把石狐皮最里面那一层薄膜剥下来贴在了我身上。\n不是顶尖皮匠，根本剥不下来那层薄膜，只要剥坏了一刀，我就再也没救了。加上我爷少了一根手指头，想要完整地把皮剥下来，不仅得看手艺，还得看运气。\n那就是，第一次赌命。\n第二次赌命，是在我十二岁生日的时候。\n我被石狐剥掉的人皮，肯定还在它手里。等我十二岁生日那天，它还会来找我。\n那时候，要是我爷能跟它说通，把我的人皮给换回来，我这辈子的劫数就算是过去了。\n但是，我爷只是个皮匠，根本不是石狐的对手。最多就是仗着石狐当年的誓言，有机会跟它对话。\n要是，石狐发了狠，想要当场把我弄死，我爷想拦都拦不住。\n所以，这第二回赌命更为凶险。\n如果，石狐不肯把我的皮换回来的话，我十六岁的时候，它还得过来。\n因为，它不在我十六岁时动手再剥我一次皮，那身狐皮就长在我身上了。\n那就等于我跟它换了一身皮，一报还一报，我们之间的因果也就算了解了。\n以石狐的性格，不会这么轻易放过我。\n我爷还得带着我再赌一次命。\n不过，祖师没说第三回怎么赌。\n他只是说：如果你们爷孙连第二次劫数都躲不过去，后面的事情，告诉你们也没有用！\n我听完之后，忍不住说了一句：咱家祖师是不是怕那只狐狸？\n我爷吓得差点要捂我的嘴：可不敢瞎说。小心祖师怪罪！\n我嘴上没说什么，可我心里就是觉得，祖师肯定是害怕那只狐狸。\n他要是能斗过那只狐狸，怎么一直都不露面？\n我爷却对祖师爷的话深信不疑，他跟我说这些话的时候，距离我十二岁生日也没有几天了。\n我提心吊胆地等到了我生日那天，我爷特意做了一桌子菜，还给我喝了两杯酒。\n那天，我爷特意把我的床给调了一个方向，在床头上点了一根白蜡，才让我睡觉。\n按理说，我明知道狐狸要来，哪还睡得着哇？\n可是，没一会儿的工夫，我就迷迷糊糊地睡了过去。\n我睡到半夜的时候，忽然觉得有人在摸我的脚，等我睁开眼睛，却看见一个一身大红的女人，坐在床尾的栏杆上，弯着腰在那儿摸什么东西。\n我吓得差点喊出声来，双手死死抓着被子想往被窝里躲，却把棉被拽得往上窜出去一截，两只脚全都露在了外面。那个女人也顺势踩住了被边儿，仰头往我脸上看了过来。\n原本盖在她脸上的头发，顿时分向了两边儿，露出一张血淋淋的面孔。\n那个女人没有皮！\n她那两颗眼珠子，就像是被扔在眼眶里的玻璃球，挂在眼眶上来回乱晃。\n我吓得连喊都喊不出来，人就像是魇住了一样，想动都动不了，就那么眼睁睁地看着那女人，顺着棉被爬到了我的床上，跟我脸对脸地停在了我眼前。\n那女人的目光一直在我脸上转，就像是在看一件原本属于自己的东西，又像是在考虑着什么事情。\n那个女人看了我好一会儿，忽然伸手捧着我的脸，吻上了我的嘴唇。\n我只觉得，一股带着血腥味的冰冷的液体涌进了我嘴里，灌进了喉咙。\n我想吐，吐不出来，全身被冻得直打冷战。那个女人却从床上跳下去，弯腰在地上捡起了什么东西，拎着那东西站到床边上。\n我下意识地转头一看，却看见那女人手里拽着一个跟我一般大小，像是布娃娃一样的东西。\n对方好像也知道我在看她，慢慢转过身来把手里的东西提在了半空。\n那分明就是一张被塞了草的人皮，虽然那人皮的七窍上全是支棱出来的枯草，我却看得出来，那张人皮的五官跟我几乎一模一样。\n女人对着我笑了一下，抓起我的手来，咬破了我的指尖，往人皮的眉心上按了下去。\n我的手指还没碰到人皮，我就听见我爷喊了一声：住手！\n那个女人甚至看都没看我爷一眼，冷笑着把我的手指按在了人皮上。\n那时候，我被那口血给冻得全身打颤，哪还顾得上那个女人对我做了什么？\n女人拎着人皮转身就往外走，我爷想要去拦着她，却被她随手给推到了一边儿，等我爷爬起来的时候，那个女人已经推开门走了。\n我爷拼了命的往出追，一直追了大半夜才回了家，连话都没顾得上跟我说一句，就跑进祖屋给祖师爷上香去了，过了好半天才失魂落魄地走了出来。\n我小心翼翼地问了一句：爷，你怎么啦？我爷就再也绷不住了，抱着我失声痛哭。\n我也不知道是因为刚才那一下被吓得太狠，还是被我爷的情绪感染，也跟着我爷一起哭了起来。\n我们爷孙两个抱头痛哭了好一阵子，我爷才慢慢平静了下来。\n等我再问我爷的时候，他才语无伦次地说道：孩子别怕，有爷在，有爷在呢！爷，只要还剩下一口气，就不能让那狐狸伤了你。\n我爷说了半天，才算捋清了思路，咬牙切齿地跟我说：那只狐狸太狠了。她拿你的血点了你的人皮，从今往后人皮就得像鬼一样缠着你不放，你想要你的皮，它也想要它的身子！\n石狐这是想要慢慢弄死你啊！就算你不让人皮给吓死，它也得处处给你使绊子，弄不好什么时候就得把你往死路上推。\n我听我爷说完，头皮就是一阵发麻，屋里明明只有我们爷孙两个人，我却觉得背后有双眼睛在盯着我看。\n我试探着转了下头，却只能隔着窗户看见空荡荡的院子，等我把头转回来，还是觉得有人在盯着我不放。\n我爷看我一个劲儿转头，立刻抽出刀来：孩子，你是不是看见什么了？\n我颤着声音摇头道：没我觉着有人，可我什么都看不见。\n我爷跑过去拉上了窗帘：孩子，你听我说。刚才，我没追上那个女人，就去求祖师爷救你的命。\n祖师爷告诉我，你已经被那狐狸给缠上了，咱们得想办法自救哇！\n又是祖师爷？\n我不知道为什么，总是觉得我爷说的那个祖师爷不太靠谱。\n我爷不知道我在想什么，自顾自地往下说道：祖师爷说了，你想摆脱石狐，就得拿回自己的皮，把它的皮换下来，而想压住你自己的那张皮，就得在五行上想办法。\n人皮怕金，惧火。有火，有金的地方不能去。我们得想办法，把它往木，土，水的地方引。这样才能抓住那张皮。\n咱们把人皮给抓住了，祖师爷就有办法，把你的皮给换回来。\n你今晚好好休息，天一亮，我就去买东西，明晚上咱们就抓人皮。\n我爷让我好好休息，我却做了一晚上的噩梦。\n一会儿，梦见那个全身是血的女人，拉着一张穿着我衣服，但内里却塞满了干草的人皮对着我招手，让我赶紧过去。\n一会儿，又梦见那张人皮站在我面前，嘴巴一张一合的跟我说话。可我只能看见他嘴在动，却不知道，他在跟我说什么？\n一会儿，我又梦见我爷拜的那个祖师爷的牌位在供桌上来回直晃，牌位后面就像是坐着个黑漆漆的人在盯着我看。\n我看不清他长什么样儿，却看见他脸上有一双像是蛇一样冷冰冰的眼睛。我一看见那人的目光就觉得身上直发冷。\n我一晚上被吓醒了四五次，就这么睡睡醒醒的折腾了多半夜，天快亮的时候才睡了那么一会儿，等我醒过来的时候，我爷都已经出门去了。\n我一边吃着我爷给我留的早饭，一边在想这几天的事情。\n我爷说要护着我，可他都那么大岁数了，身手跟不上，人又有些老实。除了能传点祖师爷的话，也没有降妖抓鬼的本事，我们只能按照祖师爷的话去赌命。\n我对那人皮，也是打心里害怕。去求厉鬼救命，先不说厉鬼跟我非亲非故，凭什么帮我？单就是厉鬼站在我身前了，我敢不敢跟他说话都是个问题。\n真要让我去对付那些事情，我怕自己应付不了。\n可是。\n人往往是越怕什么，就越来什么！\n终于，快到晚上的时候，我爷回来了。\n他一进来就把我给拽进了祖屋，插上房门跟我说道：小九，你今晚去后山的坟井子，把井上的石板给掀了。\n我一听这话就傻了：爷，你没说错吧？\n我听人说过坟井子，那是一口埋着死人的井，就在我们村东边的荒地里。\n很多年前，村里有个漂亮女人被冤枉成跟人私通的破烂货，天天往家里招男人，这女人解释不通后也是个烈性子，为了自证清白，一气之下就去投了井。\n村里人顿时就吓坏了，没人敢上前一步。\n后来，这事被翻了案。\n有人就打算把她捞上来好好下葬，可放下去的铁钩子却怎么也碰不着尸首。\n当时，在场的人就说，井里那尸首是嫌大家伙脏，是在故意躲钩子，想把尸首弄出来，除非是再派个人下去，往尸首上绑绳子。\n村里没有敢下井的人，只能去找白事先生帮忙。那先生来看过之后，说了一句：这尸首怨气太重，不出井都能杀人，出井就更了不得，得赶紧用白镇石压上。\n村里人听了白事儿先生的话，用青石板把井口盖住，直接在井盖上面起了坟包。\n那地方，也就改名叫坟井子了。\n我爷这是要让我扒鬼坟啊！\n我爷看我害怕，赶紧安慰道：别怕，有祖师爷护着，出不了事儿。厉鬼出棺，不是报恩，就是索命！你帮她一次，她就承你一次恩情！关键时刻能救你的命！\n说着，我爷又从兜里摸出几块用红绳绑好的石头，交给我：你掀井盖之前，先把这六块石头绑在自己脚脖子上，有压身石坠着，井里那女人就拽不动你。\n等她拿你没有办法的时候，你就往她手上绑红绳。把她拉出来。\n我爷又补充道：祖师爷说了，那狐狸肯定会去想办法拦着你。但是，现在时候不到，它不会动你，只能骗你，它说什么你都别信，该干什么就干什么！\n你听懂了没？\n我听是听懂了，可是真让我去做，我还是心里打怵。\n我爷看出我在害怕，伸手在我头上摸了摸：别怕，爷陪你去。\n我爷收拾好东西，带着我出了门，我们两个还没走到村口就被村里人给拦了下来。带头那人开口就说：老陈头，我知道，你想救你孙子。但是，你不能祸害咱们村！\n有人道：老陈头，你把坟井子给扒了是几个意思？是不是想要捞死人给你孙子换皮？\n孩子，你先回家！我爷悄悄推了我一下才说道：我乐意干啥就干啥，关你们个屁事？\n一群人三言两语就吵成一团，我知道，我爷刚才推我一下，是让我自己去喊井。\n我悄悄贴着路边那家人的院墙绕到了村外，撒腿就往荒地那边跑。\n没一会儿，我就看见了被我爷给挖开的坟茔。\n原先立在荒地里的坟茔，被人从中间给破成了两半，盖在井口上的青石板也被掀到一边儿，一米多高的井沿子露在两堆土中间，往外翻着水汽。\n我爷跟我说，让我自己把盖井的石板给拽开。我却因为太过紧张，没注意去细想为什么我还没到地方，井口上的青石板自己就没了！\n我按照我爷的吩咐，手忙脚乱地把压身石绑在脚脖子上，两只手压着井沿儿，探着身子看向了井里。\n子木子木我只是对着井口喊了一声，井里却传出了无数回音，那声音听上去就像是，有人从井口一直喊着子木的名字，一路跌向井底。\n我喊过一声，就不敢再喊了我发现自己在毫无知觉的情况下，往前探出去多半个身子，脑袋都已经低进井口里去了。\n我赶紧把身子缩了回来，却听见我爷在我背后说道：别害怕，继续喊。\n爷！\n我回过身来，顺势往后看了一眼，却看见我爷的棉鞋边上拖着一条狐狸尾巴。\n我的脑袋顿时就是嗡的一声。\n我背后站着的究竟是我爷，还是一双踩着棉鞋的狐狸？\n可如果是狐狸的话，那它不应该拦着我救水鬼的吗？又怎么会帮着我，让我喊话？\n我想再往后面看一眼，又不敢使劲回头，只能用手顶着井沿悄悄把身子往后面挪动。我爷的声音又从后面传了过来：再喊，赶紧喊！你不把井里的人喊出来，谁也救不了你！\n我心里忽然一颤，来不及多想，拿着手电往井沿子上敲了一下，就接着喊名字。\n可就耽搁了这么一会儿工夫，井水就已经涨到了快要跟井沿一齐的位置上去了，一漾漾的井水距离我还不到一尺，水里涌出来的寒气，冻得我双手生疼。\n这下我真害怕了，用手推着井沿就想往起站，谁知道，没等我站起来，井里忽然伸出两只手抓住了我的手腕，拽着我就想要往井里拖。\n我是趴在井沿上喊人，手又被人拽住，身上根本就使不上劲儿，只能眼睁睁看着两只手把我往水里拽。\n对方只是那么三两下的工夫，就把我双手给拽进了水里。我被水一激，浑身打起了冷战，身上更使不上劲儿，当即被对方给拽进了井口。\n就在我以为自己要被拖进井里的时候，我的双脚就像是被人扯住了一样，把我拖在了原地。\n那是，我爷让我绑在脚上的压身石起作用了。\n有石头坠着我落不了井，但也用不上力，整个人就这么被两边的力量拉扯着挂在井沿上。\n仅仅是那么一会儿的工夫，我就觉得自己双手上传来一阵撕裂般的剧痛，手上的皮就像是在脱手套一样被人往下拽。\n很快，那种剧痛就从我手上传到了身上，我感觉自己身上的皮，像是被人抻着往下脱。\n井里有人要剥我的皮？\n这个念头从我脑袋里一闪而过，我顿时心凉了半截。\n我爷跟我说过，给活物剥皮的时候，最好是先用凉水激他一下，等他身上血气退下去才好下刀。\n难怪，我过来的时候，压井口的石头已经被人给推开了，那是有东西提前躲进了井里准备剥我的皮啊！\n我爷没过来，我的手被对方拽着，身后还有只狐狸看着，除了等死，我还有路可走么？\n就在我闭着眼等死的时候，好像有什么人从井里游了上来，对方朝着那道黑影冲了过去，躲在井里的黑影霎时松开了我的手。\n终于，没人拽着我以后，压身石发挥了作用，直接把我拖回了地面。\n我一边喘着粗气，一边再往井里面看。\n忽然，白花花的水珠子正在一股跟着一股地往天上迸，看样子，肯定是有人在水底下打起来了。\n看着我的那只狐狸也不知道哪儿去了。\n我也顾不上去看他们谁输谁赢了，撒开腿玩了命的就往家里跑，一直跑到家里锁上了房门才算松了口气。\n而这时，我刚到家，门外便又传来了我小时候那只白狐狸的叫声。\n尖锐而凄厉的声音传来，仿佛下一秒就要冲进屋来，将我的皮扒掉。\n我吓得一口气没喘上来，眼前顿时一黑，晕了过去。\n....\n等我再次醒来的时候，天已经亮了，我坐在床上一阵阵的后怕。\n昨天晚上，我不但没拴住那个女鬼，还差点被人拖进井里扒了人皮。\n祖师爷安排的这些事情，到底靠不靠谱？\n说实话，我对祖师爷安排的这些事情半点都信不着，唯一能信得着，靠得住的就是我爷了。\n等我爷回来，我得好好跟他说说，不能什么事儿都听祖师爷的话。兴许，祖师爷根本就没有对付狐狸的办法，才让我去找女鬼。\n我正胡思乱想的工夫，忽然听见外面有人敲门。我还以为是我爷回来了，连忙去开门。\n结果一开门，村长拽着我就往出跑，边跑边说道：小九，快点跟我走，你爷出事儿了！\n啊？\n我一听我爷出事了，就像是听到一道晴天霹雳一样，震得脑袋里一片空白：我爷咋啦？\n村长急道：快走吧！再不走连最后一面都见不上了。\n我只觉得眼前一阵天旋地转，差点摔在地上，等我回过神来，发疯似的跟着村长往出跑。\n等我跑到昨晚上跟我爷分开的地方，那里已经站满了看热闹的人，村里人看我来了，自动给我让出了一条路。\n我这才看见我爷全身是血的躺在地上，脚上的鞋已经没了，脸上还带着好几道刀口，要不是他身上的衣服，我都认不出那是我爷。\n村长一手拽着我，一手推着我爷：陈叔陈叔我把小九带来了，你有什么话就跟他说吧！\n我爷勉强睁开了眼睛，挣扎着跟我说了一句：回去！拜祖师爷！就圆睁双眼断了气。\n我爷那是放心不下我，才不肯闭眼，我摸了几次，都没能把他眼睛给合上。\n村里人帮着我给我爷办了丧事，我也打听明白了我爷的死因。\n我爷出事儿的那天晚上，住在村头那家人听见我爷在外面跟什么人吵架，以为是村里人闹了矛盾，就想出来劝劝。结果，他往外面一看，差点被吓得背过气去。\n那人看见一群狐狸穿着人的衣服，把我爷给堵在道上，一声接着一声地对着我爷叫唤，我爷却像是跟人吵架一样，连比带划地跟一群狐狸吵个不停。\n那人知道，我爷这是被狐狸给迷了，把他们都给当成人了。\n一般人遇上这种事儿，哪敢靠前啊？\n那人倒退着身子就想要往屋里跑，谁知道一脚绊在了靠在门口的铁锹上，铁锹一落地，一大半的狐狸，全都转头看向了院子。\n我爷这一下也清醒了过来，从身上抽出刀来就跟狐狸打成了一团。\n我爷一边挥着刀砍狐狸，一边喊祖师爷救命，救我孙子！\n我爷都已经快要八十了，早就没了十多年前的身手，这次出去又没有太多准备，哪是一群狐狸的对手，没过一会儿就被咬得全身是血。\n我爷被狐狸给咬断了脚筋，坐在地上拿着刀使劲往自己的脸上划。\n住在山里的人都知道，黄皮子，狐狸都能把人肚子掏空了之后，钻进死人腔子，控制着死人往有人的地方去，借着死人壳子骗活人。\n我爷是怕狐狸掏了他肚子，穿着死人壳子去骗我，才划开了自己的脸。\n那些狐狸没掏我爷的腔子，却叼走了我爷的棉鞋。\n昨晚上，站在我后面的，就是一只穿了棉鞋的狐狸。\n村里人都知道，我家是被狐狸给缠上了，简简单单的给我爷办了个丧事就都走光了，我爷下葬那天，除了几个实在躲不了的亲戚，一个送葬的人都没来。\n我送走了我爷之后，就回到祖屋给祖师爷上了香。\n我爷只是告诉我回去拜祖师爷，却没来得及告诉我怎么拜？村里别说是没有人知道怎么拜祖师，就算是有人知道，也不会在这个时候上门来，带着我去跟狐狸较劲。\n我只能学着我爷的样子，给祖师磕头，嘴里一个劲儿地念叨着：弟子陈九拜见祖师爷！\n这拜祖师入门，有一整套的规矩，少了哪一步都不行。\n我爷以前拜过祖师爷，才在没走入门过程的情况下，把邪祖给拜出来了。\n我不知道规矩，就算是磕头磕死了，祖师爷也不会出来收我入门。\n我也不知道磕了多少个头，还是不见祖师牌位有什么动静？\n我再一想起我爷给我讲，他当年拜祖师磕得满脸是血的事情，这心里的火气就再也压不住了。站起身子指着牌位破口大骂：你特么算什么祖师爷？我们老陈家恭恭敬敬地供着你，你不保佑着徒子徒孙也就算了，现在传人遭了大难，你在那儿拿五做六，出都不出来。我拜你，还不如拜鬼当祖师。\n我越骂越生气，抓起给祖师爷上香的香炉子就给摔了个粉碎，把祖师牌位给扔在地上一脚踹成了两节，供祖师的地方也给我砸了稀烂，直到砸得累了，才在祖屋里坐了下来。\n我还没坐多一会儿，就看见祖屋的门缝底下渗出一片腥红的血迹。\n我猛地打了一个激灵那狐狸过来找我了。\n我爷走了，祖师爷拜不出来，我又被狐狸给堵在了屋里，还有谁能救我？\n我慌忙站起来到处找东西，不管怎么说，手里有点家伙，也比空着手对上那狐狸强啊！\n可是，祖屋都已经被我给砸烂了，哪还有什么趁手的东西？\n我好不容易掰下来一条桌子腿儿拿在了手里，祖屋的大门已经被推开了一条缝子，狐狸那只圆溜溜的眼珠子，隔着一条门缝瞄向我的面孔，眼珠里的冷意看得人头皮发麻。\n我也不知道，哪儿来的胆子，上前一步推上了大门。\n我弓着身子，双手死死顶着门不动，一门心思的想把狐狸挡在外面，没曾想，外面却传来了有人在拆门槛的动静。\n没一会儿，我就听见咣当一声响，那是有人把门槛子给拆下来，扔到了一边儿的动静。\n门槛没了，门和地之间肯定得露出两指多宽的缝子，狐狸是要从门底下钻进来？\n我低头往脚底下一看，就见到门缝下面钻进来一张发黄的人皮。\n人皮十指平张着，像是一张纸一样，被人从门缝下面一点点地给推了进来。\n人皮的两只手刚一伸进屋里，就像是被充了气似的鼓了起来。原本还是平平整整的一张皮，眨眼的工夫就变得像是充了气的塑胶手套，中间圆滚滚的一球，前面就是撑开的五根手指。\n人皮钻进来了！\n我想撒手，又怕狐狸从门外冲进来，正在不知道如何是好的时候，人皮忽然抓住我的脚腕，把我掀翻了出去。\n我还没爬起来，祖屋大门就被撞得大敞四开，那个没了人皮的女人，血淋淋地站在门口，目光阴冷的盯住了我的面孔。\n"}]}
result----------------------------------
{"id":"chatcmpl-A6b8rviTz2TO3YyeQzxRfgHTniFTa","object":"chat.completion","created":1726136105,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"阴历十月初九，宜安葬，忌诸事不宜，百鬼退避。据说这一天生的人，命中带煞，而我，就是出生在这天。\n\n我生下来的那一刻，竟遇上了传说中的鬼剥皮，全身上下血淋淋的，连一块皮都没有，把接生的大夫吓昏过去。我爸妈被吓得手足无措，而爷爷则一声不吭地用衣服把我包起来，带回了家。\n\n当爸妈赶回到家时，只见爷爷用木板钉死了房门和窗户，我爸爸在外面喊了好半天，爷爷才回了一句：“我不出来，谁也别进来。你给我把门守好了，谁特么敢进来，老子活劈了他。”\n\n爷爷那一句话后，屋子里变得寂静无声，我爸就这么守着屋子，不敢挪步。一夜过去，恐惧和疑惑满盈着整个村子。我的生世，更是成了村里人人津津乐道的话题。\n\n有人说，我们陈家做皮匠世代相传，一次爷爷剥了一只白狐狸的皮，那狐狸来报仇了。而那只白狐狸皮还被他当作展示品，摆在家中的剥皮案子上。当那个顾客往狐狸身上一摸，那狐狸皮立刻瘪了，把那人吓得险些尿裤子。然而，自那天起，我家便开始闹邪事。白天，总能见到没有皮的狐狸在家周围惨叫。到了晚上，一个浑身是血的女人堵在我家门前哭。\n\n到了第七天，那只狐狸呜咽着死在了我家门口。而那天，正是阴历十月初九，我出生的日子。\n\n听着村里人愈发离谱的传言，我爸心里没底，渐渐接受这种说法，甚至开始质问爷爷：“是不是当年剥了狐狸皮？”\n\n爷爷冷冷地回答：“它求我，剥了它的皮！”原来，那只狐狸是请求爷爷帮它剥皮以化人形，但爷爷怕惹祸上身，于是让它发誓不会害陈家人，才动的手。\n\n但狐狸的誓言在我出生后，显得毫无分量。村里人也说“没有皮的孩子活不成”，连妈妈都劝爸爸放弃我。但我爸坚持了三天，直到爷爷推门而出：“孩子暂时保住了。”我被裹在一张白狐狸皮里，只有我的脸露在外面，那张覆满血糊糊的人脸，吓得我爸一屁股坐在地上。\n\n我爷再三解释：“狐狸皮内那层薄膜是救命的关键，若剥坏一刀，你就再也没救了。”但这仅仅是第一次赌命，第二次该在我十二岁生日，狐狸将再来索命。\n\n日渐长大的我，皮肤白得不自然，村里人纷纷说那是爷爷给我披了死人皮。我小心翼翼地在这个世界生存，但从未忘记自己与狐狸的宿命纠葛。\n\n爷爷不断传授我的求生之道。十二岁生日那天，爷爷叮嘱我：“我们去坟井子掀井盖，拜邪祖，你有恩于那女鬼，它该护你一命。”\n\n我颤抖着去掀那压井口的石板，井里居然真的出现了两只手抓住了我，我被迅速拉进井里，却忽然被紧扯住。原来，在井口先一步绑好的六块石头救了我，但更恐怖的在后面。\n\n“快喊小九！”爷爷在身后催促。我双手压在井沿上大喊：“井里的，出来！”\n\n忽然，一条沉闷的声音从井底传来：“再喊——”\n\n“爷爷，后面有鬼！”我大叫，脚下却被拽住。抬眼看到，一个身穿大红，脸色血淋淋的女人正俯在我脸前，她没有皮，双眼如玻璃球般死死地盯住我。接着，她挖破我的指尖，将血印在我的皮上，那皮竟立刻消失，成为灰飞。\n\n辛苦逃回家中，我告诉爷爷这次没能拴住女鬼，却见爷爷惊恐道：“你已经被饿死鬼缠上，它要的是你的命。”随即他踉踉跄跄走向祖师爷牌位求助。\n\n几日后瘦弱的爷爷突然倒在地上，村长赶来时，只见他说：“拜祖师爷！”便圆睁双眼断气。\n\n带着爷爷最后的嘱托，我跪在祖屋祈求祖师爷救命。连磕无数个头后，实在气不过的我破口大骂，只听门外有“咔嚓”的声音，我低头去看——门下那黄色的人皮正慢慢钻入，女人站在屋外，眼珠如玻璃球般亮在门缝间，凄冷地注视着我……","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":10080,"completion_tokens":1230,"total_tokens":11310},"system_fingerprint":"fp_992d1ea92d","code":0,"msg":"ok"}

[2024-09-12 18:15:31] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.不知道大家还记不记得那个通信基站维护员阿成\n2.今天我们要说的这事，也是他分享的\n3.他们的基站在城市里遍布大街小巷，在乡镇里，遍布每个山头\n4.他特别戴了一串手串，说讨个吉利\n5.毕竟整天在外面忙，遇到的诡异事也多\n6.他说，有一次他们被投诉了\n7.投诉的理由是，山顶上的大石头滚下山\n8.把一户人家的屋顶砸出了两个大窟窿\n9.他觉得挺冤枉的\n10.他们建基站的那山，不是什么大山，就一个小山坡\n11.那村子一两百户人，都在那小山坡下住着\n12.而且那基站在那十年都有了，往年也没听说有大石头滚下山的\n13.接到投诉，他们联系了那户人家，那家人让他们赶紧过来看看，赔多少钱\n14.阿成心里挺气愤\n15.到底怎么回事都还不清楚，怎么就咬定他们赔钱了呢\n16.开车到了那地方一看\n17.村里大部分人家都是两层，三层农村小平房，就他们家还是瓦房\n18.听说，他们家也建了新房子，在村头路边\n19.这次被砸了屋顶的是他们家的老房子，老房子已经不住人了，是用来养鸡的\n20.好家伙，一屋子的鸡，到处是鸡屎，落脚的地都没有\n21.呼啦啦至少一百多只鸡\n22.这家人在院子角落给鸡搭了个窝棚\n23.这种老瓦房，以后也不可能住人了，他们没舍得让鸡进屋子里，还是坚持在院子里搭了窝棚\n24.只是那窝棚看着，应该是刚搭没几天的，用的树叶树枝都还没干透呢\n25.阿成他们进屋看了那大石头，应该是从山上滚下来的\n26.只是他们基站最近没动工，不可能有石块滚下来\n27.那户人家咬定是他们基站建设的时候，乱堆放石块，才让石块滚下来\n28.阿成没好气地说：十年前建的基站，十年了都没滚\n29.这几天不刮风不下雨的，偏偏滚下来砸你家屋顶\n30.你别怪我们，看看是不是你的原因\n31.这家人能有什么原因？这房子他们都已经不住了\n32.阿成也就是这么个说，一时间也不知道怎么办好\n33.就想着，处理不了，往上报，让领导头痛去吧\n34.但是没想到，他这么一说，那家人一个个皱眉低头，好像有什么事\n35.难道让他猜对了，他们真的有原因\n36.他们家的两个男人在那窝棚边用方言低声说着话\n37.估计他们是以为阿成听不懂他们的方言，也没避讳着什么\n38.偏偏阿成听得懂\n39.他听着这两个男人说\n40.小弟：哥，不会真像老人说的那样，是因为那个财神庙吧\n41.大哥：砍点树杈能怎么样\n42.小弟：感觉这事确实挺邪门的\n43.这几天也没刮风下雨，那石头滚下来，偏偏砸了屋顶\n44.这一排，好几家，就砸我们家的\n45.大哥：别乱说话\n46.就让他们赔钱\n47.他们有钱，出点能怎么样\n48.看来还真是事出有因，而且这个因跟他们村的财神庙有关\n49.事情报了上去，具体的操作，阿成这种维修员不用管，自然有他们的领导处理\n50.好像是没赔钱，一直在扯皮\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
result----------------------------------
{"id":"chatcmpl-A6b8qrqeQKWKiFZPMlqOm9UijXOB1","object":"chat.completion","created":1726136104,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: Inside a cluttered service van, A is adjusting a toolkit while talking animatedly to a fellow worker, the van filled with various maintenance equipment.\n2. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A standing next to the service van, gesturing with his hands as he recounts a recent event to a small group of curious onlookers, their expressions a mix of interest and surprise.\n3. (no humans), background: A cityscape with numerous tall buildings, narrow streets, and alleys, with the faint outline of communication towers visible on rooftops and hilltops in the distance.\n4. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A inside the service van, carefully examining a string of wooden beads, then putting them on his wrist with a satisfied nod.\n5. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A walking through a secluded, foggy rural path, carrying a toolkit and occasionally looking over his shoulder with a wary expression.\n6. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: In a dimly lit maintenance office, A answering a phone call with a concerned look, jotting down notes hurriedly.\n7. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A pacing in front of the service van parked near a small rural house, scratching his head in disbelief as he listens to the resident's complaints.\n8. (no humans), background: A large, heavy boulder resting at the base of a small hillside, next to a rural house with a damaged roof.\n9. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A standing beside the damaged house, arms crossed, looking both baffled and defensive about the situation.\n10. (no humans), background: A small hillside covered with sparse vegetation, with a communication tower visible in the background and a few scattered stones around.\n11. (no humans), background: A small rural village with about a hundred houses, mostly single-story dwellings, clustered around the base of a small hill.\n12. (no humans), background: A close-up of the communication tower on the hill, surrounded by wild grass and shrubs, implying that it has been there undisturbed for years.\n13. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A dialing a number on his phone while standing in front of the damaged house, preparing to talk to his supervisor with an anxious expression.\n14. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A standing beside the service van, venting his frustration to his colleague about the situation, his face flushed with anger.\n15. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: In the manager's office, A talking animatedly to his supervisor, relaying the complaints and expressing exasperation over the insistence on compensation.\n16. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A driving the service van up a narrow dirt road towards the village, his expression tense and focused on the task at hand.\n17. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A standing in front of a small rural house with a damaged roof, surrounded by several multi-story houses, studying the damage and looking perplexed.\n18. (C)(1woman) (40 years old) (floral dress) (long black hair), background: In a small rural courtyard, C pointing towards the roof of the damaged house, explaining to A the extent of the damage.\n19. (C)(1woman) (40 years old) (floral dress) (long black hair), background: C leading A through a narrow village street, pointing out their newly built house at the village’s edge.\n20. (no humans), background: Inside the old house, a wooden floor covered in straw and chicken droppings, with over a hundred chickens clucking and moving around.\n21. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: In the courtyard of the old house, A carefully navigating through a mass of chickens, trying not to step on them while examining the damage.\n22. (no humans), background: A makeshift chicken coop made of fresh tree branches and leaves in a corner of the courtyard, chickens pecking at the ground nearby.\n23. (no humans), background: The makeshift chicken coop in a dilapidated courtyard, with the old house in the background, clearly unused for living.\n24. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A studying the fresh leaves and branches used to construct the makeshift chicken coop, noting that it has only been recently built.\n25. (no humans), background: Inside the old house, a large, heavy stone lying amid broken roof tiles and scattered straw.\n26. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: Outside the old house, A shaking his head in frustration, speaking into his phone to report back that recent construction work at the base station did not cause the stone to fall.\n27. (C)(1woman) (40 years old) (floral dress) (long black hair), background: In the courtyard, C speaking adamantly to A, insisting that the construction activities around the communication tower are responsible for the falling stone.\n28. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A raising his voice, arguing that the communication tower has been standing for ten years without any issues, gesturing with his hands to emphasize his point.\n29. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A pointing towards the clear sky, emphasizing that no recent natural events like wind or rain could have caused the stone to roll down and damage the roof.\n30. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A standing with arms on his hips, directing C to reconsider and check if there's something they did themselves that caused the stone to fall.\n31. (C)(1woman) (40 years old) (floral dress) (long black hair), background: C speaking defensively in the courtyard, suggesting that since they haven't lived there, it couldn't be something they did, pointing towards the coop.\n32. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A shrugging his shoulders, clearly at a loss for a solution, suggesting they escalate the issue to higher management.\n33. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A making a call from the courtyard, prepared to report the complaint to his superiors, looking resigned.\n34. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: In the courtyard, A noticing the family's sudden change in demeanor, with everyone looking anxious and avoiding eye contact.\n35. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A standing nearby observing the family, who seem troubled and are whispering among themselves, creating a sense of mystery.\n36. (D)(1man) (30 years old) (blue shirt) (short black hair) and (E)(1man) (41 years old) (white shirt) (bald), background: In the corner of the courtyard, D and E speaking in low voices, glancing occasionally at A, unaware that A comprehends their dialect.\n37. (D)(1man) (30 years old) (blue shirt) (short black hair) and (E)(1man) (41 years old) (white shirt) (bald), background: D leaning in to speak more quietly to E, both of them standing beside the freshly built chicken coop.\n38. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A standing by the courtyard entrance, listening intently while pretending to be busy with his phone, trying not to reveal his understanding of their conversation.\n39. (D)(1man) (30 years old) (blue shirt) (short black hair) and (E)(1man) (41 years old) (white shirt) (bald), background: D speaking in hushed tones, referring to the supposed curse related to the village's财神庙(Caishen Temple), looking anxiously at E.\n40. (E)(1man) (41 years old) (white shirt) (bald), background: E brushing off D’s concerns with a dismissive wave, insisting that cutting some branches wouldn’t cause any supernatural events.\n41. (D)(1man) (30 years old) (blue shirt) (short black hair), background: D looking increasingly worried, noting the strange occurrences and connecting them to the recent event of the stone falling and damaging their house.\n42. (E)(1man) (41 years old) (white shirt) (bald), background: E silencing D with a stern look, emphasizing that they shouldn't draw any undue attention by discussing the supposed curse.\n43. (E)(1man) (41 years old) (white shirt) (bald), background: E stating confidently that they should continue pressing for compensation, ignoring D’s misgivings and looking towards the house with determination.\n44. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A turned away, digesting the overheard conversation with a look of realization about the potential connection to the财神庙(Caishen Temple).\n45. (no humans), background: A narrow village path with stone steps leading up to a small shrine partially obscured by thick foliage, creating an eerie, mystical atmosphere.\n46. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A in the maintenance office, back at headquarters, briefing his supervisor about the overheard conversation and the suspicion regarding the财神庙(Caishen Temple).\n47. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: Inside the maintenance office, A sitting back in his chair, relieved that the issue is now with the higher-ups, peering over at a stack of paperwork on his desk.\n48. (A)(1man) (35 years old) (gray work jacket) (crew cut), background: A walking out of the office, ready for another day of fieldwork, with the incident still lingering in the back of his mind.\n49. (no humans), background: Administrative office with a conference table cluttered with reports, a couple of chairs pulled back, indicating a recent meeting about the unresolved complaint.\n50. (no humans), background: A notice board inside the administrative office, with documents pinned about ongoing disputes, including the case involving the ruined roof and the mysterious stone.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2172,"completion_tokens":2410,"total_tokens":4582},"system_fingerprint":"fp_25624ae3a5","code":0,"msg":"ok"}

[2024-09-12 18:15:55] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.那家人还时不时到他们维修站骂上几句\n2.从村里人那儿得知，这户人家在出事的几天前，去村里财神庙后面那大树砍了不少枝丫回来，给鸡搭窝棚\n3.当时，有村里的老人看到了，劝他们不要砍那棵树\n4.村里的财神庙很小，占地不到十平米\n5.那棵大树正好长在财神庙后面，大大的树冠给财神爷遮风挡雨了\n6.这两兄弟不听老人的话，坚持把那树枝丫砍去一部分\n7.村里很多树都是有主人的\n8.一些没主的树，也都挂着农业局保护林木的牌子\n9.只有这棵大树是没牌子的\n10.兄弟俩才选了这棵树\n11.两人拉着树枝回家搭窝棚后，老人站在财神庙，看向头顶的树冠\n12.老人吼道：两个烂仔！看看你们把财神爷的屋顶给砍出两个窟窿来了\n13.可不是！本来遮风挡雨挡阳光的大树冠，现在多了两个洞，阳光正好照下来，晒到财神爷的腿上\n14.所以，在阿成说，让他们找找自己的原因时，他们才会说出那样的话\n15.估计啊，正是财神爷惩罚他们，让山坡上的大石头滚下来，砸了他们家屋顶两个大窟窿\n16.阿成他们这工作，有时候需要晚上十点到山上去关基站发电机\n17.那为什么晚上十点去，他们这行业的规矩，大家都不太了解\n18.有一次，他给大海打电话，说他的搭档请假回家看老人，他需要一个人上山关发电机\n19.让大海陪他跑一趟\n20.大海说，他也不会做他们的活\n21.但是阿成说，他不需要大海做什么，只要大海坐在副驾驶上跟他上山，给他壮胆就行\n22.大海笑话他，一个大男人，怎么还怕跑夜路呢\n23.大海就陪他去了一趟\n24.皮卡车开进山，那山路跑得，大海不怕鬼，他怕车冲下山\n25.车开到地方，停好车\n26.接下来需要步行二三十米，到达基站旁\n27.这二三十米是皮卡开不上去的陡坡\n28.到了地方，阿成拿着当天的报纸，对着发电机拍照\n29.这是用图片说明，这大晚上的他确实来干活了\n30.图片也不是p的，有当天的报纸作证\n31.你看，每个行业都有它的辛苦\n32.他拍照的时候，大海无聊地用手电筒扫扫四周\n33.在他们不远处，一个老头正缓缓走过\n34.大家注意了，小路是从他们停车的地方，向上，到达发电机这\n35.但是那老头是横过小路，走向一旁的草丛\n36.大海喊了一句：大爷！看路啊\n37.那大爷脚步顿了一下，似乎是想转头看向他，但是动作僵住\n38.没让大海看到他的脸\n39.大爷用一种很古怪的语调说：看着呢。我看得见\n40.大海打着手电筒，晃晃前面的草丛\n41.大海喊：前面没路了\n42.大爷：我家在前面点\n43.大海的手电筒扫回到发电机这边\n44.发电机隆隆的声音停了，阿成关了发电机\n45.大海对阿成说：那边的老头无儿无女吗\n46.怎么大晚上的还上山，也不打个手电筒，能看到什么\n47.阿成抬头看着他，一脸的疑惑\n48.阿成略带害怕地说着：你刚才一个人喊什么？有，有人？你看到了\n49.大海把手电筒又晃到那边草丛，就是刚才老头出现的地方\n50.老头不见了\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
result----------------------------------
{"id":"chatcmpl-A6b9H5DLBnudAkOwKaAuv3pUXTBsd","object":"chat.completion","created":1726136131,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (B) (1man) (55 years old) (grey jacket) (black pants) (short grey hair), background: B standing in the dimly-lit, cluttered repair station, B's face contorted with anger as B shouts at the staff.\n2. (no humans), background: Late afternoon sun filtering through the leaves of the large tree near the small, weathered财神庙, with broken branches scattered around the base of the tree.\n3. (C) (1 old man) (70 years old) (white shirt) (black pants) (grey hair), background: C standing on a cobblestone path near the大树, gesturing with concern toward the family cutting the branches.\n4. (no humans), background: Shrines and incense sticks surrounding the modest财神庙, with a dusty courtyard about ten square meters in size.\n5. (no humans), background: The large tree spreading its branches protectively over the back of the财神庙, its dense foliage providing shade.\n6. (A) (1man) (45 years old) (blue shirt) (brown pants) (short black hair) and (B) (1man) (43 years old) (green shirt) (grey pants) (short black hair), background: A and B determinedly chopping branches from the large tree, ignoring the warnings from the village elder.\n7. (no humans), background: A quaint village with various trees that have tags indicating ownership or protection, some wearing official agricultural protection tags.\n8. (no humans), background: A view of an unmarked tree, standing isolated without a tag or plaque indicating its protection status.\n9. (C) (1old man) (70 years old) (white shirt) (black pants) (grey hair), background: C shaking his head disapprovingly near a tree with no protective tag.\n10. (A) (1man) (45 years old) (blue shirt) (brown pants) (short black hair) and (B) (1man) (43 years old) (green shirt) (grey pants) (short black hair), background: A and B discussing and deciding to cut branches from the unmarked tree.\n11. (no humans), background: A dirt path leading to a humble home, with freshly cut branches piled outside forming a makeshift chicken shelter.\n12. (C) (1old man) (70 years old) (white shirt) (black pants) (grey hair), background: C standing at the 财神庙, looking up at the damaged tree canopy with a frustrated expression.\n13. (no humans), background: The large tree now with two noticeable gaps in its canopy, sunlight glaring through onto the财神庙's statue.\n14. (A) (1man) (45 years old) (blue shirt) (brown pants) (short black hair) and (B) (1man) (43 years old) (green shirt) (grey pants) (short black hair), background: A and B standing defensively in their yard, responding to remarks from off-screen.\n15. (no humans), background: A view of a steep mountain slope, with large rocks precariously positioned, hinting at a possible recent landslide.\n16. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair), background: A driving his pick-up truck up a narrow mountain road, his eyes focused and brow furrowed with determination.\n17. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair), background: A explaining to an unseen listener about the industry's late-night schedule, his demeanor serious under the moonlit night.\n18. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair), background: A making a phone call, his voice urgent as he stands by his pick-up truck at the base of a mountain.\n19. (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: B receiving the phone call at home, agreeing to accompany A with a hint of reluctance.\n20. (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: B talking on the phone, expressing confusion about the tasks ahead, the room dimly lit.\n21. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A driving with a tense expression while B sits in the passenger seat, nervously joking about their late-night task.\n22. (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: B laughing, playfully mocking A about his fear of late-night drives, in the dimly lit truck cabin.\n23. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A and B driving along a twisting mountain road, tension evident in their expressions as the truck navigates the difficult terrain.\n24. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A maneuvering the truck cautiously up a steep, rocky path, while B grips the door handle nervously.\n25. (no humans), background: The truck parked at an isolated spot on the mountain, with surrounding dense vegetation and the distant hum of a generator.\n26. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A and B stepping out of the truck, facing a steep incline that they need to climb to reach the generator.\n27. (no humans), background: A narrow, rocky path leading uphill, too steep for the truck, surrounded by dark, looming trees.\n28. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair), background: A holding a newspaper in one hand and his phone in the other, documenting his presence at the generator site with a somber expression.\n29. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair), background: A taking a picture of the turned-off generator, making sure the date on the newspaper is visible, under the dim flashlight.\n30. (no humans), background: A close-up of a photograph showing A holding the newspaper next to the generator, timestamp and date clearly visible.\n31. (no humans), background: An expansive mountain view, under a starry night sky, emphasizing the solitude and hardship of the job.\n32. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A focuses on taking pictures while B shines a flashlight around, looking bored.\n33. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B)(1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A photographing the generator while B notices movement in the distance and watches curiously.\n34. (no humans), background: A narrow, moonlit path with an old man slowly making his way across the slopes, his silhouette just visible in the darkness.\n35. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A and B watching the old man crossing the small path towards the草丛with puzzled expressions.\n36. (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: B raising his voice to alert the old man about the uneven path ahead.\n37. (C) (1old man) (75 years old) (dark robe) (white beard), background: C stopping in his tracks for a flicker of a second, his head turning slightly without clearly revealing his face.\n38. (C) (1old man) (75 years old) (dark robe) (white beard), background: C speaking in a low, raspy tone, his movements slow and deliberate, keeping his face hidden.\n39. (no humans), background: A small, shadowy clearing with dense草丛, touched only by the weak beam of B’s flashlight.\n40. (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: B confusedly shining his flashlight towards the草丛where the old man disappeared, trying to understand the situation.\n41. (C) (1old man) (75 years old) (dark robe) (white beard), background: C speaking softly but audibly, gesturing vaguely towards an unseen location beyond the草丛.\n42. (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: B cautiously inspecting the area lit by his flashlight, his expression filled with uncertainty.\n43. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A turning off the generator while B’s flashlight sways back to where A is standing.\n44. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair) and (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: A looking exhausted, while B comments on the oddity of an elderly man wandering the mountain alone at night.\n45. (A) (1man) (40 years old) (grey jacket) (blue jeans) (short black hair), background: A reacting with confusion and fear to B’s observations, his eyes wide and stance defensive.\n46. (B) (1man) (38 years old) (white t-shirt) (blue jeans) (short black hair), background: B looking back at where he saw the old man, his flashlight revealing nothing but tall grass and shadows.\n47. (no humans), background: The dense草丛where the old man was last seen, now empty and undisturbed under the pale light of the flashlight.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2255,"completion_tokens":2376,"total_tokens":4631},"system_fingerprint":"fp_992d1ea92d","code":0,"msg":"ok"}

[2024-09-12 18:16:23] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.那家人还时不时到他们维修站骂上几句\n2.从村里人那儿得知，这户人家在出事的几天前，去村里财神庙后面那大树砍了不少枝丫回来，给鸡搭窝棚\n3.当时，有村里的老人看到了，劝他们不要砍那棵树\n4.村里的财神庙很小，占地不到十平米\n5.那棵大树正好长在财神庙后面，大大的树冠给财神爷遮风挡雨了\n6.这两兄弟不听老人的话，坚持把那树枝丫砍去一部分\n7.村里很多树都是有主人的\n8.一些没主的树，也都挂着农业局保护林木的牌子\n9.只有这棵大树是没牌子的\n10.兄弟俩才选了这棵树\n11.两人拉着树枝回家搭窝棚后，老人站在财神庙，看向头顶的树冠\n12.老人吼道：两个烂仔！看看你们把财神爷的屋顶给砍出两个窟窿来了\n13.可不是！本来遮风挡雨挡阳光的大树冠，现在多了两个洞，阳光正好照下来，晒到财神爷的腿上\n14.所以，在阿成说，让他们找找自己的原因时，他们才会说出那样的话\n15.估计啊，正是财神爷惩罚他们，让山坡上的大石头滚下来，砸了他们家屋顶两个大窟窿\n16.阿成他们这工作，有时候需要晚上十点到山上去关基站发电机\n17.那为什么晚上十点去，他们这行业的规矩，大家都不太了解\n18.有一次，他给大海打电话，说他的搭档请假回家看老人，他需要一个人上山关发电机\n19.让大海陪他跑一趟\n20.大海说，他也不会做他们的活\n21.但是阿成说，他不需要大海做什么，只要大海坐在副驾驶上跟他上山，给他壮胆就行\n22.大海笑话他，一个大男人，怎么还怕跑夜路呢\n23.大海就陪他去了一趟\n24.皮卡车开进山，那山路跑得，大海不怕鬼，他怕车冲下山\n25.车开到地方，停好车\n26.接下来需要步行二三十米，到达基站旁\n27.这二三十米是皮卡开不上去的陡坡\n28.到了地方，阿成拿着当天的报纸，对着发电机拍照\n29.这是用图片说明，这大晚上的他确实来干活了\n30.图片也不是p的，有当天的报纸作证\n31.你看，每个行业都有它的辛苦\n32.他拍照的时候，大海无聊地用手电筒扫扫四周\n33.在他们不远处，一个老头正缓缓走过\n34.大家注意了，小路是从他们停车的地方，向上，到达发电机这\n35.但是那老头是横过小路，走向一旁的草丛\n36.大海喊了一句：大爷！看路啊\n37.那大爷脚步顿了一下，似乎是想转头看向他，但是动作僵住\n38.没让大海看到他的脸\n39.大爷用一种很古怪的语调说：看着呢。我看得见\n40.大海打着手电筒，晃晃前面的草丛\n41.大海喊：前面没路了\n42.大爷：我家在前面点\n43.大海的手电筒扫回到发电机这边\n44.发电机隆隆的声音停了，阿成关了发电机\n45.大海对阿成说：那边的老头无儿无女吗\n46.怎么大晚上的还上山，也不打个手电筒，能看到什么\n47.阿成抬头看着他，一脸的疑惑\n48.阿成略带害怕地说着：你刚才一个人喊什么？有，有人？你看到了\n49.大海把手电筒又晃到那边草丛，就是刚才老头出现的地方\n50.老头不见了\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
result----------------------------------
{"id":"chatcmpl-A6b9hnBwM1DvnSIN97AEIihYHMfXZ","object":"chat.completion","created":1726136157,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (A) (1old man) (60 years old) (green jacket) (grey hair) and (B) (1man) (35 years old) (blue hoodie) (black hat), background: A and B standing in front of a small, rundown auto repair shop, A shouting angrily at B while gesturing towards the building, B standing with a frustrated expression.\n2. (no humans), background: A densely foliaged area behind a small temple, an ancient large tree with some of its branches freshly chopped off, leaves scattered on the ground.\n3. (C) (1old man) (70 years old) (brown sweater) (white hair), background: C standing near the ancient tree, pointing to it and talking sternly, with an exasperated expression on his face.\n4. (no humans), background: A tiny temple, occupying less than ten square meters, with worn-out walls and a modest door, nestled within a quaint village.\n5. (no humans), background: A large, leafy tree situated directly behind the small temple, its broad canopy offering shade and protection to the temple roof from the elements.\n6. (D) (1man) (25 years old) (red shirt) (short black hair) and (E) (1man) (27 years old) (grey t-shirt) (short black hair), background: D and E vigorously chopping branches off the tree despite the warnings, their faces set with stubborn determination.\n7. (no humans), background: A variety of trees spread across the village landscape, some with visible tags indicating ownership, and others with protected status signs from the agricultural bureau.\n8. (no humans), background: Several trees marked with signs from the agricultural bureau indicating that they are protected forestry, under a clear blue sky.\n9. (no humans), background: The large tree behind the temple, conspicuously missing any identification or protective tags, standing alone amidst dense underbrush.\n10. (D) (1man) (25 years old) (red shirt) (short black hair) and (E) (1man) (27 years old) (grey t-shirt) (short black hair), background: D and E selecting the untagged large tree to cut branches from, their faces looking relieved and focused on chopping.\n11. (no humans), background: D and E hauling chopped branches back to their house, creating a makeshift chicken coop from the freshly cut wood.\n12. (C) (1old man) (70 years old) (brown sweater) (white hair), background: C standing near the temple, looking up at the tree canopy with a disapproving and angry expression, shaking his head.\n13. (C) (1old man) (70 years old) (brown sweater) (white hair), background: C shouting up towards the tree with anger: \"You two bastards! Look at the holes you've left in the god's roof!\"\n14. (no humans), background: The temple roof under the now sparse canopy of the large tree, sunlight streaming through the holes created by the removed branches.\n15. (B) (1man) (35 years old) (blue hoodie) (black hat) background: B speaking to a sympathetic listener about their frustration, explaining how two large holes appeared in their roof after the incident.\n16. (B) (1man) (35 years old) (blue hoodie) (black hat) background: B debating with another villager, explaining how their family's house got damaged by the falling rocks from the hillside, blaming it on the tree cutting incident.\n17. (F) (1man) (30 years old) (black jacket) (short black hair), background: F dressed for work in the evening, facing a rugged path leading up the hillside as the sky darkens.\n18. (F) (1man) (30 years old) (black jacket) (short black hair), background: F on a phone call, explaining his partner’s absence and request for backup for the night shift on the hill.\n19. (G) (1man) (28 years old) (green coat) (short brown hair), background: G agreeing to help F, looking reluctantly determined on the other end of the phone in his kitchen.\n20. (G) (1man) (28 years old) (green coat) (short brown hair), background: G expressing doubt to F over his abilities, standing in his living room with a mildly anxious look.\n21. (F) (1man) (30 years old) (black jacket) (short black hair), background: F driving up a dark, narrow mountain road in his pickup truck, explaining to G that he just needs company for courage.\n22. (G) (1man) (28 years old) (green coat) (short brown hair), background: G laughing and teasing F about his fear, seated in the truck’s passenger seat.\n23. (F) (1man) (30 years old) (black jacket) (short black hair) and (G) (1man) (28 years old) (green coat) (short brown hair), background: F and G arriving at the location, parking the truck carefully, their expressions tense but determined.\n24. (no humans), background: A steep, unpaved slope ahead of the parked truck, littered with rocks and loose soil, leading up to a small building housing the generator.\n25. (F) (1man) (30 years old) (black jacket) (short black hair) and (G) (1man) (28 years old) (green coat) (short brown hair), background: F leading the way with a flashlight, G walking a few steps behind, both navigating carefully up the steep incline.\n26. (F) (1man) (30 years old) (black jacket) (short black hair), background: F reaching the generator, pulling out a camera and a newspaper from his bag, ready to document his presence.\n27. (no humans), background: A close-up of the generator and the newspaper placed next to it, with F’s camera in the shot, capturing the scene as proof.\n28. (no humans), background: The camera snap flash illuminating the rusty, old generator which is surrounded by dense foliage and shadows.\n29. (G) (1man) (28 years old) (green coat) (short brown hair), background: G idly sweeping the flashlight beam around the vicinity while F continues taking photos, looking bored.\n30. (no humans), background: A lonely, rugged path that stretches from where their truck is parked up to the generator’s location, dimly lit by G's flashlight.\n31. (F) (1man) (30 years old) (black jacket) (short black hair), background: F, with a focused face, finishing up the photo-taking and checking the camera to ensure the newspaper is visible in the shots.\n32. (G) (1man) (28 years old) (green coat) (short brown hair), background: G freezing in place, his flashlight catching the subtle movement of an old man walking slowly across the path.\n33. (no humans), background: The dimly lit narrow path with wild grass on either side, flat and weedy, leading from the parked truck to the generator area.\n34. (F) (1old man) (75 years old) (tattered blue coat) (messy white hair), background: F slowly walking into the grassy field adjacent to the path, his steps deliberate yet his expression vacant.\n35. (G) (1man) (28 years old) (green coat) (short brown hair), background: G shouting a warning to the old man, waving his flashlight to get his attention, his face showing concern.\n36. (F) (1old man) (75 years old) (tattered blue coat) (messy white hair), background: F pausing momentarily on hearing G, leaning slightly forward but not completely turning around, his movements stiff.\n37. (F) (1old man) (75 years old) (tattered blue coat) (messy white hair), background: F continuing to walk into the darkness of the grassy area, speaking in a peculiar, eerie tone: \"I can see, don’t worry.\"\n38. (G) (1man) (28 years old) (green coat) (short brown hair), background: G shining his flashlight ahead, shouting that there is no path visible, worry etched on his face.\n39. (F) (1old man) (75 years old) (tattered blue coat) (messy white hair), background: F pausing again, then affirming softly: \"My home is near.\"\n40. (G) (1man) (28 years old) (green coat) (short brown hair), background: G looking confused, moving the flashlight beam back towards the generator area and squinting into the darkness.\n41. (F) (1man) (30 years old) (black jacket) (short black hair), background: F finishing shutting down the generator, its loud hum dying down, signaling that his work is done.\n42. (G) (1man) (28 years old) (green coat) (short brown hair), background: G turning to F, asking him why the old man is up the hill so late without any light source, a puzzled look on his face.\n43. (F) (1man) (30 years old) (black jacket) (short black hair), background: F looking perplexed and slightly frightened, asking G why he was talking to someone as there was nobody around.\n44. (G) (1man) (28 years old) (green coat) (short brown hair), background: G pointing the flashlight back to the grassy area where the old man was last seen, reluctance and confusion evident.\n45. (no humans), background: The grassy area and adjacent tree line, appearing eerily quiet and devoid of any human presence or path, intensified by the focused beam of G's flashlight.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2255,"completion_tokens":2090,"total_tokens":4345},"system_fingerprint":"fp_992d1ea92d","code":0,"msg":"ok"}

[2024-09-12 18:16:46] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be 55,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.雪都的冬夜，像极了一场未曾落幕的舞台剧\n2.而这一切的主角，竟是在陆家举办的商务酒会中苏醒的陆程文\n3.他的眉头紧锁，心中愤懑不已\n4.无数次的轮回里，他已经习惯了穿越到各种网络爽文中扮演反派角色，等待主角的无情虐杀\n5.活下来，已经成了他的唯一目标\n6.陆程文知道，苟到最后，他就能回到现实世界，为母亲治病\n7.然而，这个第七次的穿越，似乎比以往任何一次都来得更为严苛\n8.酒会的热闹声充斥耳边，他苍白的脸映在金色的吊灯下\n9.这是个属于名流的世界，与他格格不入\n10.他喘了一口气，迅速跑向了卫生间，现实中的生死未卜让他倍感压力\n11.看着镜子里的自己，他暗下决心：这一次，我一定要活下去\n12.陆程文刚踏出卫生间的门，就看见冷清秋站在门外\n13.她冷艳的模样，宛若不食人间烟火的仙子\n14.那是曾经三年里无数次让他感到心碎的女人，也是这次网文世界里必须避开的灾厄\n15.冷清秋甩下一句：陆程文，我不会和你订婚的，你死了这条心吧！\n16.陆程文笑了笑，抑制住内心的复杂情感，尽量平静地说：我同意\n17.冷清秋讶异地瞪大眼睛，不明白这个整日痴缠自己的男人，今天为何突然放手\n18.然而，她马上从陆程文心中听到了内心独白，我哪还敢联姻了，你可是主角龙傲天的女人。\n19.她骇然又愤怒，冷冷地逼问：你说什么？\n20.陆程文没再多言，只道，取消婚约的事，我们去和长辈说清楚\n21.他如释重负地转身，打算藉此脱离这个危险的牵绊\n22.心下想着，这次订婚肯定会遭受龙傲天的阻挠，与其让他对我下手，不如我自己取消这个荒唐的婚约\n23.身后的冷清秋眯起眼睛，她似乎能听到她订婚对象的心声\n24.她的心中既疑惑又愤怒，但依旧在静观其变\n25.陆程文走进包厢，两家人都在屋里等待\n26.陆程文走上台刚准备开口宣布，打算将婚约的事情了结\n27.却没料到，冷清秋突然道：我同意和程文哥订婚。她倒要看看这件事是不是真如陆程文心中所料。\n28.这突如其来的反转，把陆程文震得说不出话来\n29.周围人纷纷哗然，议论声四起，陆程文面上阴云密布，心想，完球了。\n30.站在不远处的人群里，英俊刚毅的龙傲天显得格外瞩目\n31.他就是这本网文中的绝对主角，穿越而来的陆程文对这一点了然于胸\n32.龙傲天走上前来，大喝一声：我反对！\n33.场面顿时陷入了死寂\n34.陆程文心中一惊，脑海中闪过无数前几次被虐的场景，该来的总算来了。\n35.他深知，任何一丝反抗，都会让自己葬身在这个近乎无敌的大男主手里\n36.龙傲天站在台下，气势逼人，指责陆家和冷家为了利益联姻，把冷清秋推入火坑\n37.他走上舞台，面对所有人高声说道，清秋，请你放心，我不会允许别人强迫你，这场婚约是对你最大的伤害\n38.陆程文心想，果然不出所料，这正是属于主角的戏码\n39.陆程文的心声被证实，冷清秋的心绪变得极其复杂\n40.她看着龙傲天，反唇相讥：我的事，轮不到你来管\n41.场面一度紧张，陆家的保镖和龙傲天的对峙几乎一触即发\n42.面对一个个高喊着口号的保镖们，陆程文心里打颤，却强装镇静，大哥们，冷静，冷静！\n43.他只能硬着头皮去维护眼前的局面\n44.最终，冷清秋的一声令下：龙傲天，你被解雇了，离开这里！\n45.这话一出，龙傲天脸色铁青，却也无可奈何\n46.他作为北国战神，从没有受过这么大的侮辱\n47.今时不同往日，他被奸人所还，从北境遁逃隐姓埋名回到京都\n48.暂时留在冷家积蓄力量，给冷清秋做保镖\n49.为了不过早暴露身份，他只好藏起无尽的愤怒和不甘，短暂离场\n50.而陆程文心中暗暗松了一口气，今日的劫难总算是暂时避过\n51.可他知道，对于这个变态的主角而言，这仅仅是一个小小的开始\n52.未来的危机重重，还得走一步看一步\n53.陆程文明白，自己的命运正一步步在这个虚假的世界里挣扎，试图找到那一线生机\n54.为了后续的成功，陆程文暗自下决心，一定要苟到最后\n55.只有这样，他才能带着系统的奖励，回到现实，治好母亲的病。那将是他的最终胜利！\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be 55,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
result----------------------------------
{"id":"chatcmpl-A6b9v5klW0Y1vBVwU47i7vPrPQNJL","object":"chat.completion","created":1726136171,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (no humans), background: A cold, snow-covered cityscape at night, streetlights casting long shadows on the empty, silent streets.\n2. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In a luxurious mansion's grand ballroom, the chandelier light reflecting off the polished marble floors, A waking up confused amid a bustling crowd at a business banquet.\n3. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In the grand ballroom, with guests mingling around, A standing alone near the bar, frowning deeply.\n4. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In a small, dimly lit study filled with books and papers, A sitting at a desk, staring at a computer screen filled with web novel pages, looking resigned.\n5. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In the grand ballroom, surrounded by laughing and talking guests, A clutching his glass tightly, looking determined.\n6. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A modest, cozy living room with family photos on the walls, A sitting on an old couch, looking at a photo of a woman in his hands.\n7. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: Back in the grand ballroom, A looking pale and anxious under the bright, golden chandelier light.\n8. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In a luxurious restroom with marble countertops and ornate mirrors, A briskly walking in, his face reflecting exhaustion and stress.\n9. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In the ballroom, among well-dressed guests, A looking out of place, with a disheartened expression.\n10. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: Inside a dimly lit restroom, A leaning over the sink, taking deep breaths, looking at his reflection in the mirror.\n11. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A determined look on his face in front of the restroom mirror, A clenching his fists, silently motivating himself.\n12. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: At the restroom entrance, A stopping abruptly as (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair) stands waiting.\n13. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: B standing elegantly by the restroom door, her distant and cold demeanor evident.\n14. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A remembering numerous past heart-breaking experiences with B, his face reflecting a mix of pain and fear.\n15. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: In the hallway outside the restroom, B throwing a sharp glance at A, delivering her message with a cold, firm voice.\n16. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A giving a bittersweet smile, suppressing his emotions, responding calmly to B.\n17. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: B looking shocked and bewildered in the hallway, not understanding A’s sudden change in attitude.\n18. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: In the same hallway, B hearing A's inner thoughts, her face turning from shock to anger.\n19. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: B’s eyes narrowing with suspicion and anger, she asks her demanding question.\n20. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A trying to maintain his composure, he gestures towards the grand ballroom, suggesting they speak with their elders.\n21. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A visibly relieved, turning away and heading back towards the grand ballroom.\n22. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: Walking through the opulent ballroom, A calculating his situation, thinking about his next move.\n23. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: B standing in the hallway, a look of intense contemplation on her face, seemingly able to hear A's thoughts.\n24. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: B watching A leave, her expression a mix of curiosity and frustration, deciding to wait and see what happens.\n25. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In a private dining room, both families seated at a long, elaborately set table, A entering the room with purpose.\n26. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A approached the head of the table, preparing to speak as all eyes in the room turn to him.\n27. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: Unexpectedly, B stands up, her voice clear and steady as she agrees to the engagement, challenging A's expectations.\n28. (A)(1man) (30 years old) (black suit) (neatly combed black hair), and (C)(Multiple people) (various formal wear), background: A standing speechless, surrounded by murmuring guests, confusion evident on his face.\n29. (C)(Multiple people) (various formal wear), background: The room filled with guests, all reacting with surprise and speculation to B's sudden announcement.\n30. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: In a corner of the room, D stands out, his strong presence and stern expression drawing attention.\n31. (A)(1man) (30 years old) (black suit) (neatly combed black hair), and (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: A recognizing D, understanding the danger he represents; both locked in a tense gaze.\n32. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: D stepping forward assertively, his voice booming as he loudly opposes the engagement.\n33. (C)(Multiple people) (various formal wear), background: The entire room falling into an uncomfortable silence, all eyes on D and the unfolding drama.\n34. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In the tense silence, A’s face shows a flash of fear, remembering past violent encounters.\n35. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: With D's overbearing presence nearby, A remains tense, aware that any resistance could be fatal.\n36. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: D standing defiantly on the stage, declaring that both families are wrong for forcing the engagement, his voice filled with righteous anger.\n37. (D)(1man) (27 years old) (dark green military uniform) (short black hair), and (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: D stepping closer to B on the stage, passionately promising her protection, his voice echoing through the room.\n38. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A thinking to himself, recognizing this as the pivotal moment where D’s heroic traits are highlighted.\n39. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: B’s expression becomes more conflicted as she processes D's interception and A's earlier inner thoughts.\n40. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: In a stand-off, B glaring at D with defiance, questioning his interference authoritatively.\n41. (C)(Multiple people) (various formal wear), background: The atmosphere growing more charged as guests and security inch closer, sensing an imminent confrontation.\n42. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A trying to calm the escalating situation, addressing the agitated guards and asking them to stay calm.\n43. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A stepping back slightly, attempting to defuse the tension between the opposing sides.\n44. (B)(1woman) (25 years old) (elegant silver dress) (long flowing black hair), background: Breaking the standoff, B commands D to leave in a cold, authoritative voice, signaling an end to the confrontation.\n45. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: D’s face contorting with anger but forced to comply, reluctantly stepping down from the stage.\n46. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: In a flashback scene, D is seen as a revered war hero, unaccustomed to humiliation.\n47. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: In a war-torn landscape, D battling through treachery, eventually retreating under dire circumstances.\n48. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: Hidden in a modest, well-furnished room, D laying low while working for B’s family, plotting his return.\n49. (D)(1man) (27 years old) (dark green military uniform) (short black hair), background: In a small office corner of the mansion, D brooding over his situation, filled with rage and resentment.\n50. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A relaxing slightly, breathing a sigh of relief, feeling lucky to have avoided immediate danger for now.\n51. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A mentally preparing himself for the future battles, as he understands this is just a beginning of more conflicts.\n52. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: In a dream-like sequence, A seeing himself navigating through countless dangers and obstacles in this treacherous world.\n53. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: A lost in thought in the grand ballroom, wondering how to maneuver his fate and find a sliver of hope.\n54. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: With a steely determination in his eyes, A steels himself to survive till the very end to return home.\n55. (A)(1man) (30 years old) (black suit) (neatly combed black hair), background: Imagining a future back in his modest living room, A’s face softening as he envisions himself caring for his ill mother, holding onto that dream as his ultimate goal.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2668,"completion_tokens":2690,"total_tokens":5358},"system_fingerprint":"fp_25624ae3a5","code":0,"msg":"ok"}

[2024-09-12 18:16:59] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.那家人还时不时到他们维修站骂上几句\n2.从村里人那儿得知，这户人家在出事的几天前，去村里财神庙后面那大树砍了不少枝丫回来，给鸡搭窝棚\n3.当时，有村里的老人看到了，劝他们不要砍那棵树\n4.村里的财神庙很小，占地不到十平米\n5.那棵大树正好长在财神庙后面，大大的树冠给财神爷遮风挡雨了\n6.这两兄弟不听老人的话，坚持把那树枝丫砍去一部分\n7.村里很多树都是有主人的\n8.一些没主的树，也都挂着农业局保护林木的牌子\n9.只有这棵大树是没牌子的\n10.兄弟俩才选了这棵树\n11.两人拉着树枝回家搭窝棚后，老人站在财神庙，看向头顶的树冠\n12.老人吼道：两个烂仔！看看你们把财神爷的屋顶给砍出两个窟窿来了\n13.可不是！本来遮风挡雨挡阳光的大树冠，现在多了两个洞，阳光正好照下来，晒到财神爷的腿上\n14.所以，在阿成说，让他们找找自己的原因时，他们才会说出那样的话\n15.估计啊，正是财神爷惩罚他们，让山坡上的大石头滚下来，砸了他们家屋顶两个大窟窿\n16.阿成他们这工作，有时候需要晚上十点到山上去关基站发电机\n17.那为什么晚上十点去，他们这行业的规矩，大家都不太了解\n18.有一次，他给大海打电话，说他的搭档请假回家看老人，他需要一个人上山关发电机\n19.让大海陪他跑一趟\n20.大海说，他也不会做他们的活\n21.但是阿成说，他不需要大海做什么，只要大海坐在副驾驶上跟他上山，给他壮胆就行\n22.大海笑话他，一个大男人，怎么还怕跑夜路呢\n23.大海就陪他去了一趟\n24.皮卡车开进山，那山路跑得，大海不怕鬼，他怕车冲下山\n25.车开到地方，停好车\n26.接下来需要步行二三十米，到达基站旁\n27.这二三十米是皮卡开不上去的陡坡\n28.到了地方，阿成拿着当天的报纸，对着发电机拍照\n29.这是用图片说明，这大晚上的他确实来干活了\n30.图片也不是p的，有当天的报纸作证\n31.你看，每个行业都有它的辛苦\n32.他拍照的时候，大海无聊地用手电筒扫扫四周\n33.在他们不远处，一个老头正缓缓走过\n34.大家注意了，小路是从他们停车的地方，向上，到达发电机这\n35.但是那老头是横过小路，走向一旁的草丛\n36.大海喊了一句：大爷！看路啊\n37.那大爷脚步顿了一下，似乎是想转头看向他，但是动作僵住\n38.没让大海看到他的脸\n39.大爷用一种很古怪的语调说：看着呢。我看得见\n40.大海打着手电筒，晃晃前面的草丛\n41.大海喊：前面没路了\n42.大爷：我家在前面点\n43.大海的手电筒扫回到发电机这边\n44.发电机隆隆的声音停了，阿成关了发电机\n45.大海对阿成说：那边的老头无儿无女吗\n46.怎么大晚上的还上山，也不打个手电筒，能看到什么\n47.阿成抬头看着他，一脸的疑惑\n48.阿成略带害怕地说着：你刚才一个人喊什么？有，有人？你看到了\n49.大海把手电筒又晃到那边草丛，就是刚才老头出现的地方\n50.老头不见了\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
result----------------------------------
{"id":"chatcmpl-A6bA8O4kHMbaQ7myO34ODV5Q1pn2p","object":"chat.completion","created":1726136184,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (A)(1man) (35 years old) (blue overalls) (short black hair), background: A standing in front of a worn-out auto repair shop, the shadow of an old tree cast over the entrance. The man’s face is flushed with anger as he raises his hand, seemingly shouting loudly.\n\n2. (no humans), background: A large ancient tree behind a small dilapidated temple in a rural village, with severed tree branches scattered around the base, creating an eerie atmosphere.\n\n3. (B)(1old man) (70 years old) (grey traditional clothes) (white hair), background: B standing under the large tree, frantically waving his hand and frowning, trying to persuade unseen people not to cut the tree.\n\n4. (no humans), background: A small, weathered temple less than ten square meters in size, nestled in the heart of the village, with the large ancient tree growing right behind it, its branches partially covering the temple.\n\n5. (no humans), background: The tree's extensive canopy casting a protective shadow over the tiny temple, its leaves rustling softly in the breeze, creating a serene and sacred ambiance.\n\n6. (B)(1old man) (70 years old) (grey traditional clothes) (white hair), background: B standing defiantly under the ancient tree, a determined look on his face as he watches two men chopping the tree branches, his desperation palpable.\n\n7. (no humans), background: Various trees in the village, each marked with signs stating the owner's name or an agricultural bureau's protection sign, swaying gently in the wind, covered in lush green foliage.\n\n8. (no humans), background: Several trees in the village with agricultural bureau protection signs hanging on them, shimmering under the bright sunlight, emphasizing their preserved status.\n\n9. (no humans), background: Close-up view of the ancient tree behind the temple without any protection sign, its gnarled bark and rugged branches giving it a timeless appearance.\n\n10. (C)(1man) (30 years old) (white shirt) (black pants) (short black hair) and (D)(1man) (28 years old) (green shirt) (blue jeans) (short brown hair), background: C and D, with determined expressions, chopping branches off the unmarked ancient tree behind the temple.\n\n11. (B)(1old man) (70 years old) (grey traditional clothes) (white hair), background: B standing beside the temple with a determined expression, looking at the freshly cut branches in C and D’s hands as they walk down the narrow path towards their home.\n\n12. (B)(1old man) (70 years old) (grey traditional clothes) (white hair), background: B angrily shouting with a raised arm towards the leaving men, his furrowed brows and tense posture indicating his frustration.\n\n13. (no humans), background: The ancient tree now with two visible gaps in its canopy, allowing a stream of sunlight to beam directly onto the small temple behind it, highlighting the statue of Caishen.\n\n14. (C)(1man) (30 years old) (white shirt) (black pants) (short black hair) and (D)(1man) (28 years old) (green shirt) (blue jeans) (short brown hair), background: C and D standing in front of their damaged house, angrily talking while gesturing at the collapsed roof.\n\n15. (no humans), background: Visualizing a large boulder on a steep mountainside, surrounded by debris, depicting the chaotic scene post-rockfall with a clear view of a damaged house at the foot.\n\n16. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E standing beside a telecom service van, looking up a hillside as twilight sets in, preparing his equipment to head up the mountain at night.\n\n17. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E is meticulously checking the tools inside the van at night with a look of determination, the distant mountains highlighted under the moonlight.\n\n18. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair) and (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: E holding his phone while leaning against the service van, speaking earnestly to F standing nearby under the streetlight.\n\n19. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F looking hesitant while standing next to a sleepy suburban street, frowning as he listens to E on the phone.\n\n20. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E in the driver’s seat of the van, speaking into the phone, with a determined yet pleading look on his face.\n\n21. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F laughing and shaking his head while standing beside his parked car, looking amused at E’s request.\n\n22. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair) and (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: E and F driving up a dark, winding mountain road in a dusty van, F nervously gripping the edge of his seat.\n\n23. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F looking out through the van’s window with a frown as the van navigates through the sharp curves of the mountain road, darkness enveloping the scene.\n\n24. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F gripping the door handle of the parked van tightly, his face pale as he peers down the steep drop-off beside the narrow road.\n\n25. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E stepping out of the driver’s side of the van, his expression tense as he readies himself to trudge up the steep path beside the parked vehicle.\n\n26. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E holding a flashlight and looking towards a steep, rugged path just ahead, his breath visible in the cold night air.\n\n27. (no humans), background: A steep, rocky incline covered in shadows, leading up to a dimly lit radio tower, creating an eerie, isolated atmosphere. E’s van is parked at the base of the incline.\n\n28. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E taking a photo of the generator with a newspaper in his hand, the flash illuminating the rusty machinery in the middle of the night.\n\n29. (no humans), background: Close-up of E’s hand holding a newspaper in front of the generator, the date clearly visible in the bright flashlight beam, the machinery slightly rusted but functional.\n\n30. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E turning the generator off while F illuminates the scene with his flashlight, the surrounding area plunged into deeper darkness.\n\n31. (no humans), background: The night-time mountain peak is bathed in silence, except for the distant sounds of the forest, the air chilly and the horizon barely visible.\n\n32. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair) and (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F idly shining his flashlight around, the beam revealing shadowy trees and bushes nearby while E continues his work.\n\n33. (no humans), background: A narrow, dimly lit path leading from where the van is parked up towards the generator, the surroundings dense with tall grass and shrubs.\n\n34. (G)(1old man) (70 years old) (brown coat) (brown pants) (white hair), background: G, slightly hunched and walking at a slow pace, moving across the narrow path toward the dense underbrush, illuminated by F’s flashlight beam.\n\n35. (no humans), background: The narrow mountain path illuminated by flashlights leads from the parked van up to the dark silhouette of the generator on a slight rise.\n\n36. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F cupping his mouth with one hand and shouting towards G, his expression both cautious and curious, flashlight beam directed at G.\n\n37. (G)(1old man) (70 years old) (brown coat) (brown pants) (white hair), background: G has paused mid-step, his head slightly turned, his body stiff, while the underbrush looms darkly beside him.\n\n38. (G)(1old man) (70 years old) (brown coat) (brown pants) (white hair), background: G standing still, partially turned towards the source of the flashlight, his face obscured in shadows; he maintains an unnatural, rigid posture.\n\n39. (G)(1old man) (70 years old) (brown coat) (brown pants) (white hair), background: G speaking in an eerie, monotonous tone, his face barely turned, with the dense foliage dark behind him.\n\n40. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F nervously sweeping the flashlight over the underbrush where G stands, the shadows creating unsettling shapes.\n\n41. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F shouting again, his brow furrowed with worry, the beam of light scanning just ahead.\n\n42. (G)(1old man) (70 years old) (brown coat) (brown pants) (white hair), background: G continuing to speak in a distant, almost otherworldly tone, his silhouette now growing fainter as he moves against the brush.\n\n43. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F slowly turns his flashlight back towards the generator, visibly uneasy, the darkness around seeming to deepen.\n\n44. (no humans), background: The loud hum of the generator ceases, and the night air fills with an oppressive silence as E finishes his task.\n\n45. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair) and (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F walks back towards E, expression puzzled and slightly disturbed, questioning E about G.\n\n46. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair), background: E looking confused and a little scared, standing near the now silent generator, the flashlight illuminating his bewildered expression.\n\n47. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F, puzzled and slightly alarmed, shines his flashlight back at the underbrush where G was last seen.\n\n48. (E)(1man) (32 years old) (red shirt) (blue jeans) (short black hair) and (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: E asking nervously if F really saw someone as F points his flashlight with a serious expression.\n\n49. (F)(1man) (30 years old) (black jacket) (grey pants) (short black hair), background: F shining his flashlight into the dense bushes, searching for any sign of G, his face tense and uneasy.\n\n50. (no humans), background: The area previously occupied by G is now empty, bathed in the dim, spectral light of F’s flashlight, the night eerily silent.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2255,"completion_tokens":2605,"total_tokens":4860},"system_fingerprint":"fp_992d1ea92d","code":0,"msg":"ok"}

[2024-09-12 18:17:15] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.从他移开手电筒到再次照过去，也就几秒钟时间\n2.那老头就算跑起来，也能看到个背影吧\n3.但是没有！一点影也没有\n4.大海也有点慌了，这大晚上的，还是在这样的山上\n5.不会是见鬼了吧！他只是有这个念头，但是也没肯定\n6.他大步走到那老头刚才站的地方，朝着草丛里照了照\n7.本以为，真有鬼的话，那至少会看到一座坟\n8.他都做好看到坟的心理准备了，但是那边除了草，什么也没有\n9.阿成收工过来，拍了拍大海的手臂\n10.阿成说：看到不干净的东西了。走走走，回去\n11.就在大海准备转身的时候，看到了草丛中一条大蜈蚣\n12.好大的蜈蚣，看着跟他小手臂差不多，长至少三十厘米\n13.蜈蚣被他的手电筒光圈住后，两秒钟，窜进草丛中，不见了\n14.大海一口气提起来，没敢呼吸\n15.阿成推着他，赶紧下山，回到车上\n16.当时大海被那大蜈蚣吓得挺厉害的，一句话说不出来\n17.阿成启动车，从驾驶座旁的储物格子里，抓了几个硬币，朝着车外砸\n18.砸完硬币，马上开车走人\n19.等车回到市区，他才说，他那把硬币是给附近小鬼的买路财\n20.让它们低头捡钱，别跟他们回来\n21.他问大海刚才到底看到什么，跟谁说话呢\n22.大海在明亮的城市路灯下，才敢跟他说出那老头的事\n23.从那以后，阿成再叫大海陪他大半夜上山，大海坚决不去\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
result----------------------------------
{"id":"chatcmpl-A6bAirMIUfSs5B5aawnwoodN5RooU","object":"chat.completion","created":1726136220,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: In a dark, dense forest at night, A holding a flashlight, momentarily moving it away before swiftly shining it back onto the same spot. Trees and bushes are silhouetted against the moonlight.\n\n2. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A's expression turns puzzled and worried as he scans the area with his flashlight, searching for any sign of movement in the dark forest.\n\n3. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: The camera captures A’s anxious face close-up in the dark forest; there is no sight of the old man or any shadows where he had just been standing.\n\n4. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A looking around nervously in the dark forest, with his flashlight beam shaking slightly in his hand, completely surrounded by tall trees and thick undergrowth.\n\n5. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A's face displays a mix of fear and uncertainty as he stands alone in the dark forest, gripping his flashlight tighter and considering the possibility of encountering a ghost.\n\n6. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A decisively walks towards the spot where the old man had been standing, his flashlight beam illuminating the ground and underbrush in the dark forest.\n\n7. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A shining his flashlight over the tall grasses and bushes, his tense expression expecting to find a grave or something supernatural in the dark forest.\n\n8. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A's face showing a mix of surprise and relief as his flashlight reveals nothing but grass and wild plants in the spot where the old man stood, in the dark forest.\n\n9. (B)(1man) (32 years old) (gray hoodie) (black pants) (short brown hair), background: B arriving at the scene, placing a hand on A’s shoulder to get his attention amid the dark, quiet forest.\n\n10. (B)(1man) (32 years old) (gray hoodie) (black pants) (short brown hair), background: B whispering urgently to A, with moonlight casting shadows on their faces, suggesting that they leave the eerie forest immediately.\n\n11. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A reluctantly turning away from the grassy spot, but then noticing a large centipede in the thick grass under the moonlit night.\n\n12. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A staring in shock at the huge centipede, almost the size of his forearm, crawling in the grass illuminated by his flashlight.\n\n13. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: The flashlight beam follows the giant centipede as it quickly scurries into the deeper underbrush, disappearing from sight in the dense forest.\n\n14. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: Heart pounding, A stands frozen with his breath held, staring into the grass where the centipede vanished in the dimly lit forest.\n\n15. (B)(1man) (32 years old) (gray hoodie) (black pants) (short brown hair), background: B grabbing A by the arm, urging him to hurry and leave, leading the way back through the dark forest towards their vehicle.\n\n16. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A sits silently in the passenger seat of their car, visibly shaken, unable to speak about the giant centipede that he saw, illuminated by the car's interior light.\n\n17. (B)(1man) (32 years old) (gray hoodie) (black pants) (short brown hair), background: B sitting in the driver’s seat, throwing a handful of coins out the car window into the night, preparing to drive away quickly from the forest.\n\n18. (B)(1man) (32 years old) (gray hoodie) (black pants) (short brown hair), background: With a determined look, B immediately starts the car and drives off, leaving the dark and foreboding forest behind as coins scatter outside.\n\n19. (B)(1man) (32 years old) (gray hoodie) (black pants) (short brown hair), background: As they enter a brightly lit city, B explains the purpose of throwing the coins—to distract nearby spirits, ensuring they do not follow them back.\n\n20. (B)(1man) (32 years old) (gray hoodie) (black pants) (short brown hair), background: B gestures emphatically, mimicking the act of tossing coins and explaining that it ensures any spirits will stop to collect the money rather than follow the car.\n\n21. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: Relaxing somewhat under the city’s bright street lights, A begins to recount the strange encounter with the old man in the forest to B.\n\n22. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: A close-up on A’s face showing a mix of fear and curiosity as he explains the eerie details of the old man’s appearance and disappearance in the bright city.\n\n23. (A)(1man) (35 years old) (green jacket) (blue jeans) (short black hair), background: Since that night, whenever B suggests a late-night trip to the forest, A firmly refuses, displaying a look of determination and fear in the brightly lit room.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":1707,"completion_tokens":1328,"total_tokens":3035},"system_fingerprint":"fp_25624ae3a5","code":0,"msg":"ok"}

[2024-09-12 18:20:49] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
根据我提供的文字内容，总结为一篇第一人称现代神秘怪谈小说开头，不需要标题，我的要求是：
1、小说字数最少800个字
2、小说字数最多1000个字
3、有力的开头：开头要能够吸引读者的注意，快速设定故事背景和基调。
4、确定核心主题：确定原文的核心主题和信息，能够清晰地传达原文想要表达的思想或情感。
5、生动的人物：人物形象鲜明，即使篇幅短小，也能让读者对人物产生共鸣。
6、提炼对话：适当保留与故事情节相关的对话，丰富人物形象
7、保留原文的叙事风格：最大化保留原文的行文方式和叙事风格，在此基础上进行情节的精简，保留原文的叙述视角
8、紧凑的情节：情节需要紧凑，避免冗长的描述和不必要的细节。
9、优美的语言：语言应自然优美流畅，能够增强故事的感染力，语言叙述不要过于生硬。
10、细节的描写：细节描写应适量且恰到好处，增强故事的真实感和沉浸感。
11、只需要给出你的结果，不需要给出其他回答。


文字内容是：
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{"model":"gpt-4o","messages":[{"role":"user","content":"根据我提供的文字内容，总结为一篇第一人称现代神秘怪谈小说开头，不需要标题，我的要求是：\n1、小说字数最少800个字\n2、小说字数最多1000个字\n3、有力的开头：开头要能够吸引读者的注意，快速设定故事背景和基调。\n4、确定核心主题：确定原文的核心主题和信息，能够清晰地传达原文想要表达的思想或情感。\n5、生动的人物：人物形象鲜明，即使篇幅短小，也能让读者对人物产生共鸣。\n6、提炼对话：适当保留与故事情节相关的对话，丰富人物形象\n7、保留原文的叙事风格：最大化保留原文的行文方式和叙事风格，在此基础上进行情节的精简，保留原文的叙述视角\n8、紧凑的情节：情节需要紧凑，避免冗长的描述和不必要的细节。\n9、优美的语言：语言应自然优美流畅，能够增强故事的感染力，语言叙述不要过于生硬。\n10、细节的描写：细节描写应适量且恰到好处，增强故事的真实感和沉浸感。\n11、只需要给出你的结果，不需要给出其他回答。\n\n\n文字内容是：\n阴历十月初九，宜安葬，忌诸事不宜，百鬼退避。\n我，就出生在这天。\n我生下来的时候，遇上了鬼剥皮。\n全身上下血淋淋的连一块皮都没有，把接生的大夫都给吓昏了过去。\n我爸妈被吓得不知道如何是好？是我爷用衣服把我包起来，抱回了家。\n等我爸妈赶回家的时候，才发现我爷用木板钉死了房门，窗户，我爸在外面喊了好半天，我爷才回了一句：我不出来，谁也别进来。你给我把门守好了，谁特么敢进来，老子活劈了他。\n我爷喊完那一嗓子就不说话了，屋子里变得一点动静都没有，我爸就那么守着屋子，一步都不敢挪。\n也不知道是谁把我没有人皮的事情给传到了村里，这一下村里就炸开锅了，天天有人跑我家院子外面看热闹，我生下来为什么没有人皮说法，也越来越离谱。\n有人说：老陈家孙子没有人皮，是我爷年轻的时候活剥了一只白狐狸，人家上门报仇来了。\n我们老陈家做了三代皮匠，剥皮的手艺那是一绝。当年，有人去老陈家买皮子，亲眼看见一只像是狗一样东西全身血淋淋地从我家院子里往外跑。\n等他再往院子里看，就看见剥皮案子上趴着一只白狐狸。那狐狸眯着眼睛，蜷着尾巴就像是睡着了一样，一动不动。\n那人觉得狐狸好看，往狐狸身上一摸，那狐狸身子立刻就瘪了。\n原来，那是一张完整的狐狸皮！\n我爷当场给了那人一个大耳刮子，抱着狐狸皮关了大门。\n那天之后，我家就在闹邪，白天的时候，总能看见一只没了皮的狐狸在我家房前屋后惨叫。到了晚上，就能看见一个浑身是血的女人，堵在我家门口哭。\n这事儿，一直持续了七天，那只狐狸才死在了我家门口。\n那只狐狸断气的那天，正好是十月初九，我也出生在十月初九。这不是当年那只狐狸找上门了，又是什么？\n我爸听着这些话，也觉得心里没底。\n他知道我爷干过皮匠，也知道我爷忽然封了剥皮刀，发誓这辈子不干剥皮的买卖，却不知道，我爷为什么要这么做？\n现在想想，说不定真跟那白狐狸有关！\n那时候，就连我妈都劝我爸：要不，别等了，没有皮孩子肯定活不成，就别跟咱爹瞎折腾了。再说，咱爹都把孩子抱进屋里三天了，孩子连口奶都没吃，还能活么？\n我爸一开始还不听劝，说的人多了，他心里也没底了。\n犹豫再三后，我爸咋着胆子去敲我爷窗户，他敲了好半天都没见屋里有动静，心里也慌了，顾不上我爷当时嘱咐过他什么，从仓库里抽了把镐头就要去砸门，他还没跑到门口儿，我爷就推门走了出来。\n那时候，我爷走路都在打晃，扶着墙强撑说了一句：孩子暂时保住了。\n我爸一听孩子保住了，都顾不上去跟我爷说别的，推门就往往里冲。可他看见我的时候，却被吓得一屁股坐在了地上。\n那时候，我被裹在一张白狐狸皮里，只露着一张脸在外面。\n白色的狐皮，带着一张血糊糊的人脸，谁看了都觉得害怕。\n我爸好半天才缓过神来，把外面想看热闹的人撵了个干净，才把我爷扶进了屋里，小心翼翼地问道：爹，你以前真剥过白狐狸。\n那是它求着我，剥了它的皮！我爷竟然一口承认了下来。\n我爸顿时懵了：爹，狐狸能来找人，那是成气候了啊！她怎么还能让你剥她的皮呢？\n我爷说道：那只狐狸没说因为什么？我觉着，她是一直都化不了形，才让我把她的皮给剥下来，想要化人。\n当时，我也害怕她再找咱家麻烦，让她发誓不碰咱们陈家人，还得把她的皮抵押在我手里，我才动了手。\n我爸说道：那不一定就是那狐狸祸害的咱家，爹，你能找到那狐狸吗？要不，你去求求她救救咱家孩子？\n我爷说了一句：我找她去！就要收拾东西出门，我爸好说歹说，才让我爷休息了一晚上，等他第二天起来的时候，我爷已经不知道哪儿去了。\n我家那边有个石狐庙的传说，据说在岭子里，藏着一座常人看不见的大庙，那座庙就是石狐娘娘的山门。\n石狐娘娘，轻易不会让人进庙给自己磕头，跟她无缘的人找不到石狐庙；有缘人进庙，石狐娘娘有求必应。\n我爷去的就是那座石狐庙。\n我爷进门之后，犹豫了好一会儿才点上了三炷香，恭恭敬敬地给石狐娘娘的磕了头：石狐娘娘，我是山下的皮匠陈和。我来找你问点事儿。\n那尊人身狐狸脑袋的石狐像，虽然一动没动，却像是在居高临下的盯着我爷。\n我爷也觉得是有人站在高处看着的脊梁，忍不住抬起了头来。等他看到那石像的时候，石狐的咽喉上已经出现了一道鲜红的血痕。\n我爷当即愣在了那里，眼睁睁的看着血腥的鲜红在石狐身上扩散开来。没一会儿的工夫，那只石狐就变得全身是血，看上就像是被人给剥了皮。\n我爷当时就心凉半截，石狐脖子上那条血痕，就是当年他剥皮下刀时的位置。\n山里仙家善形见人，是报恩。恶形见人，是报仇。\n石狐分明是告诉我爷，跟他有仇啊！\n我爷一下急了！\n当年，分明是对方求着我爷剥它的皮，如今没能化形成功又找上门来，可这也不能赖我爷啊！\n于是我爷在盛怒之下，也管不了对方是不是仙家了，指着石狐破口大骂。\n石狐一开始只是用她没有被血盖住的眼珠，冷漠地注视着我爷。没过多久，石狐庙就传出了一阵像是恶鬼一样时哭时笑的声响。\n这声音，简直跟当年没皮狐狸守着门口哭家的动静一模一样！\n不仅听着就瘆人，还能让人胡思乱想。\n后来我爷也不骂了，满脑子都是我将来能怎么样？\n是跟那张狐狸皮长在一起，变成一只人狐？\n还是这辈子都全身通红地活着，见不了人？\n说不定，最后我还会变成一只专门找皮匠报仇的恶鬼血戾，在半夜里剥了我们全家的人皮。\n我爷越想越害怕，双腿一软瘫坐在了地上。\n......\n过了好半天，我爷缓过神来，指着石狐大骂道：你你凭什么这么欺负人？\n就凭你是仙家？\n你给我等着，我们老陈家也不是好惹的。\n我爷扔下了一句狠话，就跌跌撞撞地往庙外边走。\n如果，当时还有别人在庙里，肯定得问我爷一句：你一个皮匠能做得了什么？\n我爷敢去石狐庙，是因为石狐当年发过誓，不会伤害我爷。\n石狐，不讲理的时候，陈家人就只能眼睁睁地看着它张狂，也只能乖乖认命。\n我爷回到家里，第一件事儿就是把家产给了我爸一半，让他带着我妈远走高飞，从此隐姓埋名，跟我们爷孙老死不相往来。\n我爸当然不会同意，我爷却说，他要带着我玩儿命，老陈家的人，不能都死在一起。\n最后，我爸被逼得没办法，只能带着我妈远走他乡。\n我爷等他们走了，才抱着我进了祖屋，锁上大门，搬出了祖师牌位。\n天下三百六十行，行行都有祖师爷，没拜过祖师的匠人，得不到古法传承，成不了真正的大匠。\n我们老陈家，就是拜过皮匠的祖师爷商朝丞相比干的大匠，老陈家才能几代人都坐着皮匠这行的第一把交椅。\n我爷拿出牌位看了好半天，一咬牙把牌位给倒着插进了底座里面，又拿起剥皮刀，一刀削掉了自己左手食指，举着血淋淋的手指，对着牌位磕头道：不孝徒孙陈和，今遭大难，不得已重拜祖师，遇劫不怨，遇祸不恨！\n我爷连着磕了几个头之后，祖师牌位下面忽然迸出一串子火苗，牌位上转眼间就冒出了一尺多高的火焰。\n我爷就对着牌位直挺挺地跪着，直到火焰熄灭，才抬起头来。\n祖师牌位毁了，冒着火星子的木炭却立在了供桌上。\n我爷的眼泪当场就流了下来，对着木炭一边哭一边磕头，脑袋都磕破了还是不肯停下来：祖师爷，我陈家几代人供奉祖师。现在就这么一个香火独苗了，求祖师爷开恩，求祖师爷开恩呐！\n皮匠，其实有一正一邪两个祖师。陈家祖上有过明训：不可拜邪门祖师。\n现在，比干留下的本事，只能暂时保我不死，却救不了我的命，我爷只能拜邪门祖师，去给我搏一条命。\n我爷倒插祖师牌位，就是要自逐师门，另投祖师。\n结果，祖师没显灵。\n这是邪祖不收我爷啊！\n我爷心里明白：石狐能剥了一个陈家子孙的人皮，就能再剥下一个。我爸妈隐姓埋名又能如何？他们跟陈家的血脉断不了，石狐早晚得找过去。\n他救不了我，陈家香火可真就要断了。\n我爷也不知道磕了多少个头，直到地上被他磕得全都是血，他才坚持不住昏了过去。\n等我爷醒过来之后，就抱着我上了山，一待就是七天。\n那几天，看见过我爷的人都说我爷疯了，他也不知道用了什么办法，把山里的狐狸都给引了过来，那些狐狸只要被他抓着，就是活活剥皮。狐狸皮挂满了一树，死狐狸直接扔进山溪里，把溪水都给染红了。\n村里人，一开始还想去劝劝我爷，等看见他疯了一样地杀狐狸之后，谁也不敢往前凑合了。\n那些天，村里人除了知道我爷在剥狐狸之外，谁都不知道他究竟是干过别的什么？但是，我爷带着我从山上下来之后，我身上却慢慢地长出了皮肤。\n也不知道是为什么，我的皮肤居然比女生还要白，却白得不正常，看上去一点都不鲜活。村里人都说，我身上的皮根本就不是我的，是我爷给我披了一张死人皮。\n我爷也总跟我说，出门一定要打伞，别让太阳晒着。\n我有次出门忘了带伞，结果还没走出去多远，露在外面的皮肤就像是被火烧了一样的疼，连着红肿了好几天，那之后，我出门再也不敢不打伞了。\n也就是那次之后，我才信了村里人的话，试探着问我爷：我身上是不是披着死人皮？\n我爷跟我说：当年，他另投祖师爷的时候，邪祖不知道为什么不肯收他，却在我爷昏过去后告诉他，我还有救。但是，他想救我，最少也得赌两次命。\n我爷就是按照祖师爷教他的办法，杀了一百多只狐狸，用狐狸的心头血泡开了石狐留下的狐皮，把石狐皮最里面那一层薄膜剥下来贴在了我身上。\n不是顶尖皮匠，根本剥不下来那层薄膜，只要剥坏了一刀，我就再也没救了。加上我爷少了一根手指头，想要完整地把皮剥下来，不仅得看手艺，还得看运气。\n那就是，第一次赌命。\n第二次赌命，是在我十二岁生日的时候。\n我被石狐剥掉的人皮，肯定还在它手里。等我十二岁生日那天，它还会来找我。\n那时候，要是我爷能跟它说通，把我的人皮给换回来，我这辈子的劫数就算是过去了。\n但是，我爷只是个皮匠，根本不是石狐的对手。最多就是仗着石狐当年的誓言，有机会跟它对话。\n要是，石狐发了狠，想要当场把我弄死，我爷想拦都拦不住。\n所以，这第二回赌命更为凶险。\n如果，石狐不肯把我的皮换回来的话，我十六岁的时候，它还得过来。\n因为，它不在我十六岁时动手再剥我一次皮，那身狐皮就长在我身上了。\n那就等于我跟它换了一身皮，一报还一报，我们之间的因果也就算了解了。\n以石狐的性格，不会这么轻易放过我。\n我爷还得带着我再赌一次命。\n不过，祖师没说第三回怎么赌。\n他只是说：如果你们爷孙连第二次劫数都躲不过去，后面的事情，告诉你们也没有用！\n我听完之后，忍不住说了一句：咱家祖师是不是怕那只狐狸？\n我爷吓得差点要捂我的嘴：可不敢瞎说。小心祖师怪罪！\n我嘴上没说什么，可我心里就是觉得，祖师肯定是害怕那只狐狸。\n他要是能斗过那只狐狸，怎么一直都不露面？\n我爷却对祖师爷的话深信不疑，他跟我说这些话的时候，距离我十二岁生日也没有几天了。\n我提心吊胆地等到了我生日那天，我爷特意做了一桌子菜，还给我喝了两杯酒。\n那天，我爷特意把我的床给调了一个方向，在床头上点了一根白蜡，才让我睡觉。\n按理说，我明知道狐狸要来，哪还睡得着哇？\n可是，没一会儿的工夫，我就迷迷糊糊地睡了过去。\n我睡到半夜的时候，忽然觉得有人在摸我的脚，等我睁开眼睛，却看见一个一身大红的女人，坐在床尾的栏杆上，弯着腰在那儿摸什么东西。\n我吓得差点喊出声来，双手死死抓着被子想往被窝里躲，却把棉被拽得往上窜出去一截，两只脚全都露在了外面。那个女人也顺势踩住了被边儿，仰头往我脸上看了过来。\n原本盖在她脸上的头发，顿时分向了两边儿，露出一张血淋淋的面孔。\n那个女人没有皮！\n她那两颗眼珠子，就像是被扔在眼眶里的玻璃球，挂在眼眶上来回乱晃。\n我吓得连喊都喊不出来，人就像是魇住了一样，想动都动不了，就那么眼睁睁地看着那女人，顺着棉被爬到了我的床上，跟我脸对脸地停在了我眼前。\n那女人的目光一直在我脸上转，就像是在看一件原本属于自己的东西，又像是在考虑着什么事情。\n那个女人看了我好一会儿，忽然伸手捧着我的脸，吻上了我的嘴唇。\n我只觉得，一股带着血腥味的冰冷的液体涌进了我嘴里，灌进了喉咙。\n我想吐，吐不出来，全身被冻得直打冷战。那个女人却从床上跳下去，弯腰在地上捡起了什么东西，拎着那东西站到床边上。\n我下意识地转头一看，却看见那女人手里拽着一个跟我一般大小，像是布娃娃一样的东西。\n对方好像也知道我在看她，慢慢转过身来把手里的东西提在了半空。\n那分明就是一张被塞了草的人皮，虽然那人皮的七窍上全是支棱出来的枯草，我却看得出来，那张人皮的五官跟我几乎一模一样。\n女人对着我笑了一下，抓起我的手来，咬破了我的指尖，往人皮的眉心上按了下去。\n我的手指还没碰到人皮，我就听见我爷喊了一声：住手！\n那个女人甚至看都没看我爷一眼，冷笑着把我的手指按在了人皮上。\n那时候，我被那口血给冻得全身打颤，哪还顾得上那个女人对我做了什么？\n女人拎着人皮转身就往外走，我爷想要去拦着她，却被她随手给推到了一边儿，等我爷爬起来的时候，那个女人已经推开门走了。\n我爷拼了命的往出追，一直追了大半夜才回了家，连话都没顾得上跟我说一句，就跑进祖屋给祖师爷上香去了，过了好半天才失魂落魄地走了出来。\n我小心翼翼地问了一句：爷，你怎么啦？我爷就再也绷不住了，抱着我失声痛哭。\n我也不知道是因为刚才那一下被吓得太狠，还是被我爷的情绪感染，也跟着我爷一起哭了起来。\n我们爷孙两个抱头痛哭了好一阵子，我爷才慢慢平静了下来。\n等我再问我爷的时候，他才语无伦次地说道：孩子别怕，有爷在，有爷在呢！爷，只要还剩下一口气，就不能让那狐狸伤了你。\n我爷说了半天，才算捋清了思路，咬牙切齿地跟我说：那只狐狸太狠了。她拿你的血点了你的人皮，从今往后人皮就得像鬼一样缠着你不放，你想要你的皮，它也想要它的身子！\n石狐这是想要慢慢弄死你啊！就算你不让人皮给吓死，它也得处处给你使绊子，弄不好什么时候就得把你往死路上推。\n我听我爷说完，头皮就是一阵发麻，屋里明明只有我们爷孙两个人，我却觉得背后有双眼睛在盯着我看。\n我试探着转了下头，却只能隔着窗户看见空荡荡的院子，等我把头转回来，还是觉得有人在盯着我不放。\n我爷看我一个劲儿转头，立刻抽出刀来：孩子，你是不是看见什么了？\n我颤着声音摇头道：没我觉着有人，可我什么都看不见。\n我爷跑过去拉上了窗帘：孩子，你听我说。刚才，我没追上那个女人，就去求祖师爷救你的命。\n祖师爷告诉我，你已经被那狐狸给缠上了，咱们得想办法自救哇！\n又是祖师爷？\n我不知道为什么，总是觉得我爷说的那个祖师爷不太靠谱。\n我爷不知道我在想什么，自顾自地往下说道：祖师爷说了，你想摆脱石狐，就得拿回自己的皮，把它的皮换下来，而想压住你自己的那张皮，就得在五行上想办法。\n人皮怕金，惧火。有火，有金的地方不能去。我们得想办法，把它往木，土，水的地方引。这样才能抓住那张皮。\n咱们把人皮给抓住了，祖师爷就有办法，把你的皮给换回来。\n你今晚好好休息，天一亮，我就去买东西，明晚上咱们就抓人皮。\n我爷让我好好休息，我却做了一晚上的噩梦。\n一会儿，梦见那个全身是血的女人，拉着一张穿着我衣服，但内里却塞满了干草的人皮对着我招手，让我赶紧过去。\n一会儿，又梦见那张人皮站在我面前，嘴巴一张一合的跟我说话。可我只能看见他嘴在动，却不知道，他在跟我说什么？\n一会儿，我又梦见我爷拜的那个祖师爷的牌位在供桌上来回直晃，牌位后面就像是坐着个黑漆漆的人在盯着我看。\n我看不清他长什么样儿，却看见他脸上有一双像是蛇一样冷冰冰的眼睛。我一看见那人的目光就觉得身上直发冷。\n我一晚上被吓醒了四五次，就这么睡睡醒醒的折腾了多半夜，天快亮的时候才睡了那么一会儿，等我醒过来的时候，我爷都已经出门去了。\n我一边吃着我爷给我留的早饭，一边在想这几天的事情。\n我爷说要护着我，可他都那么大岁数了，身手跟不上，人又有些老实。除了能传点祖师爷的话，也没有降妖抓鬼的本事，我们只能按照祖师爷的话去赌命。\n我对那人皮，也是打心里害怕。去求厉鬼救命，先不说厉鬼跟我非亲非故，凭什么帮我？单就是厉鬼站在我身前了，我敢不敢跟他说话都是个问题。\n真要让我去对付那些事情，我怕自己应付不了。\n可是。\n人往往是越怕什么，就越来什么！\n终于，快到晚上的时候，我爷回来了。\n他一进来就把我给拽进了祖屋，插上房门跟我说道：小九，你今晚去后山的坟井子，把井上的石板给掀了。\n我一听这话就傻了：爷，你没说错吧？\n我听人说过坟井子，那是一口埋着死人的井，就在我们村东边的荒地里。\n很多年前，村里有个漂亮女人被冤枉成跟人私通的破烂货，天天往家里招男人，这女人解释不通后也是个烈性子，为了自证清白，一气之下就去投了井。\n村里人顿时就吓坏了，没人敢上前一步。\n后来，这事被翻了案。\n有人就打算把她捞上来好好下葬，可放下去的铁钩子却怎么也碰不着尸首。\n当时，在场的人就说，井里那尸首是嫌大家伙脏，是在故意躲钩子，想把尸首弄出来，除非是再派个人下去，往尸首上绑绳子。\n村里没有敢下井的人，只能去找白事先生帮忙。那先生来看过之后，说了一句：这尸首怨气太重，不出井都能杀人，出井就更了不得，得赶紧用白镇石压上。\n村里人听了白事儿先生的话，用青石板把井口盖住，直接在井盖上面起了坟包。\n那地方，也就改名叫坟井子了。\n我爷这是要让我扒鬼坟啊！\n我爷看我害怕，赶紧安慰道：别怕，有祖师爷护着，出不了事儿。厉鬼出棺，不是报恩，就是索命！你帮她一次，她就承你一次恩情！关键时刻能救你的命！\n说着，我爷又从兜里摸出几块用红绳绑好的石头，交给我：你掀井盖之前，先把这六块石头绑在自己脚脖子上，有压身石坠着，井里那女人就拽不动你。\n等她拿你没有办法的时候，你就往她手上绑红绳。把她拉出来。\n我爷又补充道：祖师爷说了，那狐狸肯定会去想办法拦着你。但是，现在时候不到，它不会动你，只能骗你，它说什么你都别信，该干什么就干什么！\n你听懂了没？\n我听是听懂了，可是真让我去做，我还是心里打怵。\n我爷看出我在害怕，伸手在我头上摸了摸：别怕，爷陪你去。\n我爷收拾好东西，带着我出了门，我们两个还没走到村口就被村里人给拦了下来。带头那人开口就说：老陈头，我知道，你想救你孙子。但是，你不能祸害咱们村！\n有人道：老陈头，你把坟井子给扒了是几个意思？是不是想要捞死人给你孙子换皮？\n孩子，你先回家！我爷悄悄推了我一下才说道：我乐意干啥就干啥，关你们个屁事？\n一群人三言两语就吵成一团，我知道，我爷刚才推我一下，是让我自己去喊井。\n我悄悄贴着路边那家人的院墙绕到了村外，撒腿就往荒地那边跑。\n没一会儿，我就看见了被我爷给挖开的坟茔。\n原先立在荒地里的坟茔，被人从中间给破成了两半，盖在井口上的青石板也被掀到一边儿，一米多高的井沿子露在两堆土中间，往外翻着水汽。\n我爷跟我说，让我自己把盖井的石板给拽开。我却因为太过紧张，没注意去细想为什么我还没到地方，井口上的青石板自己就没了！\n我按照我爷的吩咐，手忙脚乱地把压身石绑在脚脖子上，两只手压着井沿儿，探着身子看向了井里。\n子木子木我只是对着井口喊了一声，井里却传出了无数回音，那声音听上去就像是，有人从井口一直喊着子木的名字，一路跌向井底。\n我喊过一声，就不敢再喊了我发现自己在毫无知觉的情况下，往前探出去多半个身子，脑袋都已经低进井口里去了。\n我赶紧把身子缩了回来，却听见我爷在我背后说道：别害怕，继续喊。\n爷！\n我回过身来，顺势往后看了一眼，却看见我爷的棉鞋边上拖着一条狐狸尾巴。\n我的脑袋顿时就是嗡的一声。\n我背后站着的究竟是我爷，还是一双踩着棉鞋的狐狸？\n可如果是狐狸的话，那它不应该拦着我救水鬼的吗？又怎么会帮着我，让我喊话？\n我想再往后面看一眼，又不敢使劲回头，只能用手顶着井沿悄悄把身子往后面挪动。我爷的声音又从后面传了过来：再喊，赶紧喊！你不把井里的人喊出来，谁也救不了你！\n我心里忽然一颤，来不及多想，拿着手电往井沿子上敲了一下，就接着喊名字。\n可就耽搁了这么一会儿工夫，井水就已经涨到了快要跟井沿一齐的位置上去了，一漾漾的井水距离我还不到一尺，水里涌出来的寒气，冻得我双手生疼。\n这下我真害怕了，用手推着井沿就想往起站，谁知道，没等我站起来，井里忽然伸出两只手抓住了我的手腕，拽着我就想要往井里拖。\n我是趴在井沿上喊人，手又被人拽住，身上根本就使不上劲儿，只能眼睁睁看着两只手把我往水里拽。\n对方只是那么三两下的工夫，就把我双手给拽进了水里。我被水一激，浑身打起了冷战，身上更使不上劲儿，当即被对方给拽进了井口。\n就在我以为自己要被拖进井里的时候，我的双脚就像是被人扯住了一样，把我拖在了原地。\n那是，我爷让我绑在脚上的压身石起作用了。\n有石头坠着我落不了井，但也用不上力，整个人就这么被两边的力量拉扯着挂在井沿上。\n仅仅是那么一会儿的工夫，我就觉得自己双手上传来一阵撕裂般的剧痛，手上的皮就像是在脱手套一样被人往下拽。\n很快，那种剧痛就从我手上传到了身上，我感觉自己身上的皮，像是被人抻着往下脱。\n井里有人要剥我的皮？\n这个念头从我脑袋里一闪而过，我顿时心凉了半截。\n我爷跟我说过，给活物剥皮的时候，最好是先用凉水激他一下，等他身上血气退下去才好下刀。\n难怪，我过来的时候，压井口的石头已经被人给推开了，那是有东西提前躲进了井里准备剥我的皮啊！\n我爷没过来，我的手被对方拽着，身后还有只狐狸看着，除了等死，我还有路可走么？\n就在我闭着眼等死的时候，好像有什么人从井里游了上来，对方朝着那道黑影冲了过去，躲在井里的黑影霎时松开了我的手。\n终于，没人拽着我以后，压身石发挥了作用，直接把我拖回了地面。\n我一边喘着粗气，一边再往井里面看。\n忽然，白花花的水珠子正在一股跟着一股地往天上迸，看样子，肯定是有人在水底下打起来了。\n看着我的那只狐狸也不知道哪儿去了。\n我也顾不上去看他们谁输谁赢了，撒开腿玩了命的就往家里跑，一直跑到家里锁上了房门才算松了口气。\n而这时，我刚到家，门外便又传来了我小时候那只白狐狸的叫声。\n尖锐而凄厉的声音传来，仿佛下一秒就要冲进屋来，将我的皮扒掉。\n我吓得一口气没喘上来，眼前顿时一黑，晕了过去。\n....\n等我再次醒来的时候，天已经亮了，我坐在床上一阵阵的后怕。\n昨天晚上，我不但没拴住那个女鬼，还差点被人拖进井里扒了人皮。\n祖师爷安排的这些事情，到底靠不靠谱？\n说实话，我对祖师爷安排的这些事情半点都信不着，唯一能信得着，靠得住的就是我爷了。\n等我爷回来，我得好好跟他说说，不能什么事儿都听祖师爷的话。兴许，祖师爷根本就没有对付狐狸的办法，才让我去找女鬼。\n我正胡思乱想的工夫，忽然听见外面有人敲门。我还以为是我爷回来了，连忙去开门。\n结果一开门，村长拽着我就往出跑，边跑边说道：小九，快点跟我走，你爷出事儿了！\n啊？\n我一听我爷出事了，就像是听到一道晴天霹雳一样，震得脑袋里一片空白：我爷咋啦？\n村长急道：快走吧！再不走连最后一面都见不上了。\n我只觉得眼前一阵天旋地转，差点摔在地上，等我回过神来，发疯似的跟着村长往出跑。\n等我跑到昨晚上跟我爷分开的地方，那里已经站满了看热闹的人，村里人看我来了，自动给我让出了一条路。\n我这才看见我爷全身是血的躺在地上，脚上的鞋已经没了，脸上还带着好几道刀口，要不是他身上的衣服，我都认不出那是我爷。\n村长一手拽着我，一手推着我爷：陈叔陈叔我把小九带来了，你有什么话就跟他说吧！\n我爷勉强睁开了眼睛，挣扎着跟我说了一句：回去！拜祖师爷！就圆睁双眼断了气。\n我爷那是放心不下我，才不肯闭眼，我摸了几次，都没能把他眼睛给合上。\n村里人帮着我给我爷办了丧事，我也打听明白了我爷的死因。\n我爷出事儿的那天晚上，住在村头那家人听见我爷在外面跟什么人吵架，以为是村里人闹了矛盾，就想出来劝劝。结果，他往外面一看，差点被吓得背过气去。\n那人看见一群狐狸穿着人的衣服，把我爷给堵在道上，一声接着一声地对着我爷叫唤，我爷却像是跟人吵架一样，连比带划地跟一群狐狸吵个不停。\n那人知道，我爷这是被狐狸给迷了，把他们都给当成人了。\n一般人遇上这种事儿，哪敢靠前啊？\n那人倒退着身子就想要往屋里跑，谁知道一脚绊在了靠在门口的铁锹上，铁锹一落地，一大半的狐狸，全都转头看向了院子。\n我爷这一下也清醒了过来，从身上抽出刀来就跟狐狸打成了一团。\n我爷一边挥着刀砍狐狸，一边喊祖师爷救命，救我孙子！\n我爷都已经快要八十了，早就没了十多年前的身手，这次出去又没有太多准备，哪是一群狐狸的对手，没过一会儿就被咬得全身是血。\n我爷被狐狸给咬断了脚筋，坐在地上拿着刀使劲往自己的脸上划。\n住在山里的人都知道，黄皮子，狐狸都能把人肚子掏空了之后，钻进死人腔子，控制着死人往有人的地方去，借着死人壳子骗活人。\n我爷是怕狐狸掏了他肚子，穿着死人壳子去骗我，才划开了自己的脸。\n那些狐狸没掏我爷的腔子，却叼走了我爷的棉鞋。\n昨晚上，站在我后面的，就是一只穿了棉鞋的狐狸。\n村里人都知道，我家是被狐狸给缠上了，简简单单的给我爷办了个丧事就都走光了，我爷下葬那天，除了几个实在躲不了的亲戚，一个送葬的人都没来。\n我送走了我爷之后，就回到祖屋给祖师爷上了香。\n我爷只是告诉我回去拜祖师爷，却没来得及告诉我怎么拜？村里别说是没有人知道怎么拜祖师，就算是有人知道，也不会在这个时候上门来，带着我去跟狐狸较劲。\n我只能学着我爷的样子，给祖师磕头，嘴里一个劲儿地念叨着：弟子陈九拜见祖师爷！\n这拜祖师入门，有一整套的规矩，少了哪一步都不行。\n我爷以前拜过祖师爷，才在没走入门过程的情况下，把邪祖给拜出来了。\n我不知道规矩，就算是磕头磕死了，祖师爷也不会出来收我入门。\n我也不知道磕了多少个头，还是不见祖师牌位有什么动静？\n我再一想起我爷给我讲，他当年拜祖师磕得满脸是血的事情，这心里的火气就再也压不住了。站起身子指着牌位破口大骂：你特么算什么祖师爷？我们老陈家恭恭敬敬地供着你，你不保佑着徒子徒孙也就算了，现在传人遭了大难，你在那儿拿五做六，出都不出来。我拜你，还不如拜鬼当祖师。\n我越骂越生气，抓起给祖师爷上香的香炉子就给摔了个粉碎，把祖师牌位给扔在地上一脚踹成了两节，供祖师的地方也给我砸了稀烂，直到砸得累了，才在祖屋里坐了下来。\n我还没坐多一会儿，就看见祖屋的门缝底下渗出一片腥红的血迹。\n我猛地打了一个激灵那狐狸过来找我了。\n我爷走了，祖师爷拜不出来，我又被狐狸给堵在了屋里，还有谁能救我？\n我慌忙站起来到处找东西，不管怎么说，手里有点家伙，也比空着手对上那狐狸强啊！\n可是，祖屋都已经被我给砸烂了，哪还有什么趁手的东西？\n我好不容易掰下来一条桌子腿儿拿在了手里，祖屋的大门已经被推开了一条缝子，狐狸那只圆溜溜的眼珠子，隔着一条门缝瞄向我的面孔，眼珠里的冷意看得人头皮发麻。\n我也不知道，哪儿来的胆子，上前一步推上了大门。\n我弓着身子，双手死死顶着门不动，一门心思的想把狐狸挡在外面，没曾想，外面却传来了有人在拆门槛的动静。\n没一会儿，我就听见咣当一声响，那是有人把门槛子给拆下来，扔到了一边儿的动静。\n门槛没了，门和地之间肯定得露出两指多宽的缝子，狐狸是要从门底下钻进来？\n我低头往脚底下一看，就见到门缝下面钻进来一张发黄的人皮。\n人皮十指平张着，像是一张纸一样，被人从门缝下面一点点地给推了进来。\n人皮的两只手刚一伸进屋里，就像是被充了气似的鼓了起来。原本还是平平整整的一张皮，眨眼的工夫就变得像是充了气的塑胶手套，中间圆滚滚的一球，前面就是撑开的五根手指。\n人皮钻进来了！\n我想撒手，又怕狐狸从门外冲进来，正在不知道如何是好的时候，人皮忽然抓住我的脚腕，把我掀翻了出去。\n我还没爬起来，祖屋大门就被撞得大敞四开，那个没了人皮的女人，血淋淋地站在门口，目光阴冷的盯住了我的面孔。\n"}]}
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[2024-09-12 18:23:36] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
请仔细阅读我给的文章，理解文章的内容并对文章进行分段，每段内容完整，我的分段要求是：
1.分段保持独立性，有场景感
2.严禁出现每段字数少于12个字的情况
3.分段字数最多30个字
4.保持原文意思不变，请不要修改原文
5.只需要给出你的分段结果，不需要给出其他回答。

例如：小镇上，有一对青梅竹马的恋人，他们的名字叫做小雅和阿杰。他们从小一起长大，彼此之间有着深厚的感情。然而，随着时间的推移，他们渐渐意识到，这份感情已经超越了朋友的界限，他们彼此深爱着对方。

分段结果：
小镇上，有一对青梅竹马的恋人
他们的名字叫做小雅和阿杰
他们从小一起长大，彼此之间有着深厚的感情
然而，随着时间的推移，他们渐渐意识到
这份感情已经超越了朋友的界限，他们彼此深爱着对方

我的文章是：
@content
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"请仔细阅读我给的文章，理解文章的内容并对文章进行分段，每段内容完整，我的分段要求是：\n1.分段保持独立性，有场景感\n2.严禁出现每段字数少于12个字的情况\n3.分段字数最多30个字\n4.保持原文意思不变，请不要修改原文\n5.只需要给出你的分段结果，不需要给出其他回答。\n\n例如：小镇上，有一对青梅竹马的恋人，他们的名字叫做小雅和阿杰。他们从小一起长大，彼此之间有着深厚的感情。然而，随着时间的推移，他们渐渐意识到，这份感情已经超越了朋友的界限，他们彼此深爱着对方。\n\n分段结果：\n小镇上，有一对青梅竹马的恋人\n他们的名字叫做小雅和阿杰\n他们从小一起长大，彼此之间有着深厚的感情\n然而，随着时间的推移，他们渐渐意识到\n这份感情已经超越了朋友的界限，他们彼此深爱着对方\n\n我的文章是：\n阴历十月初九，宜安葬，忌诸事不宜，百鬼退避。这天，我出生了。\n\n我出生时遇上了鬼剥皮，全身上下血淋淋的连块皮都没有，把接生的大夫吓昏过去。我爸妈吓得不知如何是好，是我爷用衣服把我包起来，抱回了家。等我爸妈赶回家，发现我爷用木板钉死了房门，窗户。我爸在外面喊了好半天，我爷才回了一句：我不出来，谁也别进来。你给我把门守好了，谁特么敢进来，老子活劈了他。\n\n我爷喊完那一嗓子就不说话了，屋子里变得一点动静都没有。我爸守着屋子，一步都不敢挪。也不知是谁把我没有皮的事传到了村里，村里炸开了锅。有人说老陈家孙子没皮，是我爷年轻时活剥了一只白狐狸，上门报仇来了。\n\n我们老陈家做了三代皮匠，剥皮的手艺一绝。当年，有人去老陈家买皮，亲眼看见一只像狗的东西全身血淋淋地从院子里跑出来。等他再往院子里看，看见剥皮案上趴着一只白狐狸，那狐狸身子立刻就瘪了，原来那是一张完整的狐狸皮！我爷当场给了那人一个大耳刮子，抱着狐狸皮关了大门。那天之后，我家在闹邪，白天总能看见没皮的狐狸在我家房前屋后惨叫。到了晚上，可以看见一个浑身是血的女人，堵在我家门口哭。\n\n有人说，这事儿一直持续七天，那狐狸才死在我家门口，那天正是十月初九。而我正是十月初九出生的。\n\n我爸也觉得心里不安，知道我爷年轻时干过皮匠，封了剥皮刀，发誓不再干，却不知道为什么。现在想想，说不定真跟那白狐狸有关！\n\n我妈劝我爸：别等了，没有皮的孩子必定活不成，别折腾了。再说，你爹抱进屋三天了，孩子没吃一口奶，还能活么？我爸开始不听劝，但听的人多了，心里也没底。犹豫再三后，我爸鼓起勇气去敲爷窗户，敲了半天屋里没动静，顾不上嘱咐，从仓库抽把镐头准备砸门，他还没到门口，我爷就推门走了出来。\n\n走路都在打晃，扶着墙强撑说：孩子暂时保住了。我爸一听，推门往里冲，看到我的模样吓得一屁股坐在地上。\n\n我被裹在一张白狐狸皮里，只露着脸，白色的狐皮裹着一张血糊糊的人脸，吓人至极。我爸缓过神来把外面的看热闹的人撵走，扶爷进屋问：爹，你以前真剥过白狐狸？\n\n那是它求我剥的！我爷一口承认。\n\n爹，狐狸能找人，是成精了！怎么还求你剥皮？\n\n那狐狸说化不了形，求我剥皮化人。当时怕她找麻烦，让她发誓不碰咱们人，把皮抵押给我，才动手。\n\n我爸说道：那不一定就是狐狸祸害咱家，爹，你能找到她吗？求她救孩子？\n\n我爷背起行囊准备出去，我爸说服不成，只得带着我妈远走。爷送我回到家，封了房门，搬出祖师牌位，拿剥皮刀削掉左手食指，磕头道：不孝徒孙陈和，今遭大难，不得已重拜祖师，遇劫不怨！\n\n祖师牌位冒出火焰，我爷跪着，火焰灭了抬起头，祖师牌位成了木炭。我爷流泪磕头：祖师爷，陈家几代供奉求开恩！祖师牌位无应，爷心里明白：石狐能剥我孙的人皮，就能剥另一个子孙。救不了孩子，陈家香火断了。爷昏过去，醒后带我上山剥狐狸皮，用了七天回家，我皮肤慢慢回复，村人传我披着死人皮。爷告诉我，十二岁生日还有劫，石狐会再来，要把狐皮换成人皮。\n\n我提心吊胆等到十二岁生日，爷带我去祖屋，点白蜡，让我睡觉。半夜，我感觉有人摸脚，打开眼看到一个血淋淋的女人，全身没皮，她盯着我，吻上了我的嘴，我感觉冰冷的液体灌进身体冻得直打颤，然后，她拿出一张跟我一样的皮离去。爷回来告诉我，石狐缠上我，得拿回自己的皮才能活命。\n\n爷带我去破坟井放水鬼，用六个压身石让我防止被拖下水。我照做，结果井里有黑影要剥我皮，被水鬼阻止，我逃回家。村人告知爷被群狐狸袭击，他咬断脚筋划开脸避免狐妖骗我。\n\n爷死时嘱我回去拜祖师。不知怎么拜，我无法拜出祖师，愤怒砸碎供桌，狐狸逼近。门缝人皮进屋，抓住我脚腕掀翻，我见血淋淋女人站在门口，对我目光阴冷。\n\n"}]}
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[2024-09-12 18:24:34] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be 84,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.阴历十月初九，宜安葬，忌诸事不宜，百鬼退避\n2.这天，我出生了\n3.我出生时遇上了鬼剥皮，全身上下血淋淋的连块皮都没有\n4.把接生的大夫吓昏过去\n5.我爸妈吓得不知如何是好，是我爷用衣服把我包起来，抱回了家\n6.等我爸妈赶回家，发现我爷用木板钉死了房门，窗户\n7.我爸在外面喊了好半天，我爷才回了一句\n8.我不出来，谁也别进来\n9.你给我把门守好了，谁特么敢进来，老子活劈了他\n10.我爷喊完那一嗓子就不说话了\n11.屋子里变得一点动静都没有\n12.我爸守着屋子，一步都不敢挪\n13.也不知是谁把我没有皮的事传到了村里，村里炸开了锅\n14.有人说老陈家孙子没皮，是我爷年轻时活剥了一只白狐狸\n15.上门报仇来了\n16.我们老陈家做了三代皮匠，剥皮的手艺一绝\n17.当年，有人去老陈家买皮，亲眼看见一只像狗的东西全身血淋淋地跑出来\n18.等他再往院子里看，看见剥皮案上趴着一只白狐狸，那狐狸身子立刻就瘪了\n19.原来那是一张完整的狐狸皮\n20.我爷当场给了那人一个大耳刮子，抱着狐狸皮关了大门\n21.那天之后，我家在闹邪\n22.白天总能看见没皮的狐狸在我家房前屋后惨叫\n23.到了晚上，可以看见一个浑身是血的女人，堵在我家门口哭\n24.有人说，这事儿一直持续七天，那狐狸才死在我家门口\n25.那天正是十月初九\n26.而我正是十月初九出生的\n27.我爸也觉得心里不安，知道我爷年轻时干过皮匠\n28.封了剥皮刀，发誓不再干，却不知道为什么\n29.现在想想，说不定真跟那白狐狸有关\n30.我妈劝我爸：别等了，没有皮的孩子必定活不成\n31.别折腾了\n32.再说，你爹抱进屋三天了，孩子没吃一口奶\n33.还能活么\n34.我爸开始不听劝，但听的人多了，心里也没底\n35.犹豫再三后，我爸鼓起勇气去敲爷窗户\n36.敲了半天屋里没动静，顾不上嘱咐，从仓库抽把镐头准备砸门\n37.他还没到门口，我爷就推门走了出来\n38.走路都在打晃，扶着墙强撑说：孩子暂时保住了\n39.我爸一听，推门往里冲，看到我的模样吓得一屁股坐在地上\n40.我被裹在一张白狐狸皮里，只露着脸\n41.白色的狐皮裹着一张血糊糊的人脸，吓人至极\n42.我爸缓过神来把外面的看热闹的人撵走\n43.扶爷进屋问：爹，你以前真剥过白狐狸\n44.那是它求我剥的，我爷一口承认\n45.爹，狐狸能找人，是成精了\n46.怎么还求你剥皮\n47.那狐狸说化不了形，求我剥皮化人\n48.当时怕她找麻烦，让她发誓不碰咱们人，把皮抵押给我，才动手\n49.我爸说道：那不一定就是狐狸祸害咱家，爹，你能找到她吗\n50.求她救孩子\n51.我爷背起行囊准备出去\n52.我爸说服不成，只得带着我妈远走\n53.爷送我回到家，封了房门，搬出祖师牌位\n54.拿剥皮刀削掉左手食指，磕头道：不孝徒孙陈和\n55.今遭大难，不得已重拜祖师，遇劫不怨\n56.祖师牌位冒出火焰，我爷跪着\n57.火焰灭了抬起头，祖师牌位成了木炭\n58.我爷流泪磕头：祖师爷，陈家几代供奉求开恩\n59.祖师牌位无应，爷心里明白\n60.石狐能剥我孙的人皮，就能剥另一个子孙\n61.救不了孩子，陈家香火断了\n62.爷昏过去，醒后带我上山剥狐狸皮\n63.用了七天回家，我皮肤慢慢恢复\n64.村人传我披着死人皮\n65.爷告诉我，十二岁生日还有劫，石狐会再来，要把狐皮换成人皮\n66.我提心吊胆等到十二岁生日\n67.爷带我去祖屋，点白蜡，让我睡觉\n68.半夜，我感觉有人摸脚，打开眼看到一个血淋淋的女人\n69.全身没皮，她盯着我，吻上了我的嘴\n70.我感觉冰冷的液体灌进身体，冻得直打颤\n71.然后，她拿出一张跟我一样的皮离去\n72.爷回来告诉我，石狐缠上我，得拿回自己的皮才能活命\n73.爷带我去破坟井放水鬼\n74.用六个压身石让我防止被拖下水\n75.我照做，结果井里有黑影要剥我皮\n76.被水鬼阻止，我逃回家\n77.村人告知爷被群狐狸袭击\n78.他咬断脚筋划开脸避免狐妖骗我\n79.爷死时嘱我回去拜祖师\n80.不知怎么拜，我无法拜出祖师\n81.愤怒砸碎供桌，狐狸逼近\n82.门缝人皮进屋，抓住我脚腕掀翻\n83.我见血淋淋女人站在门口\n84.对我目光阴冷\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be 84,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
result----------------------------------
{"id":"chatcmpl-A6bHFf6QJWUpvrOPinbGmM6E6Gikd","object":"chat.completion","created":1726136625,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (no humans), background: A traditional Chinese village, with lanterns hanging from houses. A calm, eerie dusk settles over the village, and shadows lengthen as evening approaches.\n2. (C)(1boy)(newborn)(wrapped in a thin cloth),(D)(1mid-aged woman)(casual clothing), background: The inside of a small village house. C is cradled by D, who looks worried as she checks C's pulse.\n3. (C)(1boy)(newborn)(no skin, blood-soaked body), background: A small and dimly lit room, the midwife lying unconscious on the floor nearby.\n4. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair), background: E rushing into the room, looking terrified and confused, seeing C on the bed, unconscious midwife on the floor.\n5. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair), background: E wrapping C quickly in a piece of old cloth and leaving the room hurriedly, panic clearly evident in his actions.\n6. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E securing the front door of an old wooden house with wooden boards and long nails, working diligently and sweating heavily.\n7. (F)(1male)(young adult)(black pants)(green shirt),(G)(1female)(young adult)(casual clothing),background: F looking frustrated and concerned while banging on the door, G standing beside him, visibly worried.\n8. (no humans), background: The boarded-up door of an old wooden house, with F's voice angrily shouting from the other side, heard faintly.\n9. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair), background: Inside the house, E faces the door, his expression intense and resolute.\n10. (F)(1male)(young adult)(black pants)(green shirt), background: F looking determined as he continues to shout and bang on the door, refusing to leave his post.\n11. (no humans), background: A quiet, eerily still interior of the house, bathed in faint moonlight filtering through the gaps in the boarded-up windows.\n12. (F)(1male)(young adult)(black pants)(green shirt),background: F sitting on the steps outside the boarded house, worry etched into his features as he keeps a vigil.\n13. (no humans), background: The streets of the village filled with groups of agitated villagers talking animatedly, gossiping about recent events.\n14. (no humans), background: Village backdrop with houses close together. Hear distant chatter: \"Old Chen's grandson has no skin!\" \n15. (no humans), background: Crowded village square with people whispering urgently, spreading the tale of Old Chen's encounter with the white fox.\n16. (no humans), background: A shadowy house workshop with leather and dyes scattered, showcasing tools hung neatly – the home of a master leatherworker.\n17. (no humans), background: In a dimly lit courtyard, a bloodied animal resembling a dog dashes past a horrified observer.\n18. (no humans), background: A closer view of the courtyard with a well-lit but empty fox skin spread across a large wooden board, tools lying nearby.\n19. (no humans), background: A significant moment revisited, with an eerie view of a pristine, recently skinned, white fox laid out under the flickering lantern light.\n20. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair), background: E fiercely slapping a spectator across the face and retreating quickly indoors, clutching the fox skin close.\n21. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair), background: Inside the Chen house, E closing the door hurriedly, sweat forming on his brow and hands trembling.\n22. (no humans),background: The front yard of the Chen's house during mid-day, where a flayed fox phantom runs eerily and howls populate the air.\n23. (no humans),background: An ominous view of the entrance of the Chen house at night, where a ghostly woman soaked in blood wails sorrowfully, casting tortured shadows.\n24. (no humans),background: The front porch of the Chen house again, with odd silence after seven agonizing nights of recurring supernatural events, details on the old wooden floor.\n25. (no humans), background: A night sky with a full moon as it hangs over the eerily silent and abandoned Chen house, marking a sinister history.\n26. (F)(1male)(young adult)(black pants)(green shirt),background: F standing uneasily in the room, recalling the eerie coincidence of his child's birth date with the past events.\n27. (F)(1male)(young adult)(black pants)(green shirt), (G)(1female)(young adult)(casual clothing),background: A small, sparsely furnished living room where F and G converse in low voices, concerned expressions on their faces.\n28. (F)(1male)(young adult)(black pants)(green shirt),background: A small, cluttered room where F sits at a wooden table, furrow-browed, recollecting stories told about his father’s former profession.\n29. (G)(1female)(young adult)(casual clothing),background: G gently placing a hand on F's arm, as she tries to comfort him, worry and sadness etched in her features.\n30. (G)(1female)(young adult)(casual clothing),(F)(1male)(young adult)(black pants)(green shirt), background:G sighing deeply as F sits lamenting in a chair, eyes filled with concern and resignation.\n31. (G)(1female)(young adult)(casual clothing),(F)(1male)(young adult)(black pants)(green shirt), background: G looking desperate, trying to convince a hesitant F who looks into the distance with a troubled expression.\n32. (F)(1male)(young adult)(black pants)(green shirt),(G)(1female)(young adult)(casual clothing), background: F pacing back and forth in a dimly lit hallway, while G stands at a distance, anxiety evident on her face.\n33. (F)(1male)(young adult)(black pants)(green shirt),(G)(1female)(young adult)(casual clothing), background: F slumping against the wall, head in hands, G approaching him cautiously, mirroring his worry.\n34. (F)(1male)(young adult)(black pants)(green shirt),(G)(1female)(young adult)(casual clothing),background: F looking distressed and torn as he stands outside the house, G placing a hand on his shoulder to console him.\n35. (F)(1male)(young adult)(black pants)(green shirt),background: F at the front porch, gathering his resolve, clenching his fist before he firmly knocks on the window.\n36. (F)(1male)(young adult)(black pants)(green shirt),background: F intensifying his knocking, the frustration and desperation evident on his face as he glances toward a nearby tool shed.\n37. (F)(1male)(young adult)(black pants)(green shirt),(E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: F holding a heavy tool with determination. E emerging from the house, unsteady on his feet.\n38. (F)(1male)(young adult)(black pants)(green shirt),(E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: F rushing forward to support E, who leans against the door frame, visibly exhausted but resolute.\n39. (F)(1male)(young adult)(black pants)(green shirt),background: F rushes into the dimly lit room and freezes in horror upon seeing C, his face growing pale and his knees buckling.\n40. (C)(1boy)(newborn)(wrapped in a blood-stained white fox fur),background: C lying on a makeshift bed, wrapped snugly in fox fur, only his face visible, the stark contrast of blood against white fur.\n41. (F)(1male)(young adult)(black pants)(green shirt),background: F, pulling himself together, ushers out villagers gathered outside, irritation mixed with firm determination on his face.\n42. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),(F)(1male)(young adult)(black pants)(green shirt), background: Back in the dim room, F is supporting E, speaking to each other earnestly, with troubled expressions.\n43. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),(F)(1male)(young adult)(black pants)(green shirt),background:F, incredulously staring at E who solemnly nods in affirmation after being questioned.\n44. (F)(1male)(young adult)(black pants)(green shirt), (E)(1male)(middle-aged)(blue traditional clothing)(grey hair), background: F speaking softly, intense concern in his eyes, as they discuss the possibility of a vengeful spirit.\n45. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),(C)(1boy)(newborn)(wrapped in white fox fur),background: E recalling the past while affectionately glancing at the sleeping C wrapped in fox fur.\n46. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),(F)(1male)(young adult)(black pants)(green shirt),background: E intently explaining to F, who’s listening keenly, their surroundings filled with old leatherworking tools.\n47. (F)(1male)(young adult)(black pants)(green shirt),(E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: F still puzzled and asking E for clarity during their intense conversation, amid the mood of urgency.\n48. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E standing with a resigned yet determined expression, as he looks around, gathering his things.\n49. (F)(1male)(young adult)(black pants)(green shirt),(G)(1female)(young adult)(casual clothing),background: F and G reluctantly packing up few belongings in their modest home, G looking sorrowful, F determined.\n50. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),(F)(1male)(young adult)(black pants)(green shirt),background: E, in a modest but sacred-looking room, with a few deity statues, instructing F on a desperate course of action.\n51. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E gathering sacred offerings and ceremonial tools with a look of grim determination.\n52. (F)(1male)(young adult)(black pants)(green shirt),(G)(1female)(young adult)(casual clothing),(C)(1boy)(newborn)(wrapped in white fox fur),background: F and G with determination written on faces, C securely swaddled as they walk toward the edge of the village.\n53. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E reverently kneeling in front of the ancestral shrine in a candlelit room, his expression full of earnest entreaty.\n54. (no humans),background: Close view inside the shrine room, an ornate wooden plaque intricately carved and painted hanging prominently.\n55. (no humans),background: A ceremonial dagger lying on a richly embroidered cloth within the shrine room, highlighting the significance of the rite to come.\n56. (no humans),background: Ethereal glow of candles brightening as their flames flicker unsettlingly, hinting at supernatural presence.\n57. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E shook, his face resolute, despite the supernatural flames on the ancestral plaque.\n58. (no humans),background: The once glowing plaque now charred, random embers on the ground, surrounding a tense and charged atmosphere.\n59. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E, streaming with silent tears, and bowing low in front of the now charred ancestral plaque, firmly whispering.\n60. (no humans),background: Dimly lit shrine room now ominously silent, the weight of unspoken assurances pressing heavily.\n61. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E setting out with an intense resolve, clutching the ceremonial blade with a bloodstained left hand.\n62. (no humans),background: The imposing, forested mountainside, where an eerie silence hangs – readying for an uncertain journey.\n63. (C)(1boy)(newborn)(with newly healed skin),background: Intricate mountain path, E carrying C in a fox skin wrap, both heading home after a seven-day ordeal.\n64. (no humans),background: Murmurs in village markets; rumors twist of C reappearing whole but under sinister conditions: “Is that even the same boy?”\n65. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),(C)(1boy)(12 years old)(simple clothes),background: Inside a modest home, E speaks in a grave tone to an apprehensive C, as the twelfth birthday approaches.\n66. (C)(1boy)(12 years old)(simple clothes),background: Inside the ancestral room, C sits vigilantly while a nervous energy pulsates, awaiting the fated night’s approach.\n67. (C)(1boy)(12 years old)(simple clothes),background: A cold and dim attic, C lies under a rough woolen blanket, illuminated by the flickering light from a white wax candle.\n68. (C)(1boy)(12 years old)(simple clothes),background: C startled awake in the shrouded, cold attic, staring at the pale, ghostly form approaching and touching his feet.\n69. (C)(1boy)(12 years old)(simple clothes),(H)(1female specter)(blood-soaked and skinless),background: C opens his eyes in terror, facing a bloodied female spirit inching closer before locking lips, an aura of chilling cold enveloping them both.\n70. (C)(1boy)(12 years old)(simple clothes),background: In the dim attic, C gasps, feeling icy liquid pouring down inside, as frost creeps over his quivering body.\n71. (C)(1boy)(12 years old)(simple clothes),(H)(1female specter)(blood-soaked and skinless),background: The sinister specter, holding a facsimile of C’s skin, departs slowly through the shadows, a vindictive promise emanating.\n72. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E somberly tells C about the Stone Fox’s vendetta, imparting hope tinged with gravity on the importance of retrieving original skin.\n73. (C)(1boy)(12 years old)(simple clothes),(E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: E leading a wary C to a desolate forest where an ominous looking well gapes open amid tree roots.\n74. (C)(1boy)(12 years old)(simple clothes),(E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: Beneath gnarled branches, E strategically places six heavy stones around the well, orders C to stand firm and cautious.\n75. (C)(1boy)(12 years old)(simple clothes),background: C, next to a foreboding, water-shrouded well, phantom shadows banish the sun—a struggle against unseen force to escape skin's touch.\n76. (C)(1boy)(12 years old)(simple clothes),background: In the eerie moonlit setting by the well, C surviving another spectral encounter, shaken yet resolute, racing home.\n77. (no humans),background: Inside an old village, whispered hurried dialogues rise; news of E’s grievous injury in a bizarre fox attack spreads.\n78. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),background: Cursing himself, E limps defensively, slashing his facial muscles to thwart beguiling illusions by fox spirits.\n79. (E)(1male)(middle-aged)(blue traditional clothing)(grey hair),(C)(1boy)(12 years old)(simple clothes),background: With great pain and sacrifice, E delivering final teachings to an emotionally shattered C, a legacy forged in tears and commitment.\n80. (C)(1boy)(12 years old)(simple clothes),background: Standing alone at a fog-enveloped shrine, C’s heart desperate and fearful, summoning passed knowledge to entreat the ancestral spirit’s guidance.\n81. (no humans),background: Inside shrine room, filled with disarray of broken artifacts, C’s escalating rage manifesting in devastating action against an unresponsive presence.\n82. (H)(1female specter)(blood-soaked and skinless),background: Weathered house, creeping shadows; the ominous split in the door revealing pieces of human skin—hybrid reality's sinister invitation.\n83. (C)(1boy)(12 years old)(simple clothes),(H)(1female specter)(blood-soaked and skinless),background: C, toppled over, fights back terror, facing coldly observant gleam—a ghost’s relentless pursuit.\n84. (C)(1boy)(12 years old)(simple clothes),(H)(1female specter)(blood-soaked and skinless),background: Engulfed in chilling confrontation, C locking eyes with the cruel spirit, surroundings swallowed by cold, oppressive aura.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2783,"completion_tokens":3706,"total_tokens":6489},"system_fingerprint":"fp_25624ae3a5","code":0,"msg":"ok"}

[2024-09-12 18:26:31] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
请仔细阅读我给的文章，理解文章的内容并对文章进行分段，每段内容完整，我的分段要求是：
1.分段保持独立性，有场景感
2.严禁出现每段字数少于12个字的情况
3.分段字数最多30个字
4.保持原文意思不变，请不要修改原文
5.只需要给出你的分段结果，不需要给出其他回答。

例如：小镇上，有一对青梅竹马的恋人，他们的名字叫做小雅和阿杰。他们从小一起长大，彼此之间有着深厚的感情。然而，随着时间的推移，他们渐渐意识到，这份感情已经超越了朋友的界限，他们彼此深爱着对方。

分段结果：
小镇上，有一对青梅竹马的恋人
他们的名字叫做小雅和阿杰
他们从小一起长大，彼此之间有着深厚的感情
然而，随着时间的推移，他们渐渐意识到
这份感情已经超越了朋友的界限，他们彼此深爱着对方

我的文章是：
三月走过 柳絮散落恋人们匆匆我的爱情 闻风不动翻阅昨日 仍有温度蒙尘的心事恍恍惚惚 已经隔世遗憾无法说 惊觉心一缩紧紧握着 青花信物信守着承诺离别总在 失意中度过记忆油膏 反复涂抹无法愈合的伤口你的回头 划伤了沉默那夜重逢 停止漂泊你曾回来过相濡相忘 都是疼痛只因昨日 善良固执委屈着彼此打碎信物 取消来世遗憾无法说 惊觉心一缩紧紧握着 青花信物信守着承诺离别总在 失意中度过记忆油膏 反复涂抹无法愈合的伤口你的回头 划伤了沉默紧紧握着 青花信物雕刻着寂寞就好像我 无主的魂魄纠缠过往 无端神伤摔碎谁也带不走你我一场 唤不醒的梦紧紧握着 青花信物信守着承诺离别总在 失意中度过记忆油膏 反复涂抹无法愈合的伤口你的回头 划伤了沉默紧紧握着 青花信物雕刻着寂寞就好像我 无主的魂魄纠缠过往 无端神伤摔碎谁也带不走你我一场 唤不醒的梦
param: ----------------------------------
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result----------------------------------
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[2024-09-12 18:35:14] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
请仔细阅读我给的文章，理解文章的内容并对文章进行分段，每段内容完整，我的分段要求是：
1.分段保持独立性，有场景感
2.严禁出现每段字数少于12个字的情况
3.分段字数最多30个字
4.保持原文意思不变，请不要修改原文
5.只需要给出你的分段结果，不需要给出其他回答。

例如：小镇上，有一对青梅竹马的恋人，他们的名字叫做小雅和阿杰。他们从小一起长大，彼此之间有着深厚的感情。然而，随着时间的推移，他们渐渐意识到，这份感情已经超越了朋友的界限，他们彼此深爱着对方。

分段结果：
小镇上，有一对青梅竹马的恋人
他们的名字叫做小雅和阿杰
他们从小一起长大，彼此之间有着深厚的感情
然而，随着时间的推移，他们渐渐意识到
这份感情已经超越了朋友的界限，他们彼此深爱着对方

我的文章是：
话说有一座小镇，当年三年自然灾害的时候，小镇里的人吃野菜，啃树皮，差一点儿人吃人。而有一个16岁的女孩子叫谭如花，因为贪吃一个煮熟的鸡蛋，差点被活埋而死。那天，谭家惟一的母鸡下了一个鸡蛋，饿得发晕的谭小红看见鸡蛋眼都绿了，一个人在家偷偷煮了吃。蛋清先吃进肚去，这时却听见其母谭大妈回来的声音，慌乱中把鸡蛋黄扔进嘴里，谁知这鸡蛋黄不上不下正卡在她喉咙里。母亲推门进来，见女儿脸色不好就问：你的脸咋这么黄啊？谭如花说：我有点儿不舒服说完她便晕倒在地，谭大妈急忙请人抢救，谭如花却再没有缓过气来，家人认为她已死，就安排后事，准备埋葬。当地风俗，未成年人夭折，要在死人枕下搁些钱，以求她到阴间打通阎王爷，好早些转世为人。谭大妈可怜女儿，一个黄花闺女，还没享受人间种种妙处就死了，于是狠一狠心，东挪西借300元，放在棺材里女儿的枕下，家人亲戚嚎啕大哭把谭如花埋了。谭如花有一表舅名叫许大憨，是个出名的吝啬鬼，他亲眼见表妹把300元钱压在了外甥女的枕下，觉得钱埋地下实在可惜，就想去偷取出来。第一天走在半路，想着自己去盗外甥女的墓，与理与情说不过去，就转回来。第二天走到坟前，看见表妹在那里伤心地哭，想表妹40岁上没了女儿，老了连个端屎倒尿的人都没有，真的太可怜，忍不住陪表妹落下几滴眼泪，坟当然也就没有盗成。到了第三天后半夜，许大憨终于忍耐不住，来到坟头，看左右无人，又月黑风高，正是作案时候，于是伏身埋头开始挖掘，终于扒开坟墓，掀开棺材，只见谭如花面色红润，仿佛睡着一般。许大憨见枕下300元仍在，也不多想，用一根吊带绳，一端挂在自己项上，另一端绕在谭如花脖子上，他腰杆用力一挺，谭如花的上半身就被带起来，许大憨伸手从谭如花枕下取出300元。忽然，只见仰起身的谭如花猛一张口，一枚圆东西飞出来，正击在许大憨脑门上。真遇上鬼了，许大憨吓得妈呀！大叫一声，扔了钱，脱了吊带绳撒腿就跑。跑回家，脸色苍白，媳妇闻到一股臭味，仔细一瞧，原来许大憨被吓得了一裤子屎。从此，许大憨就拉起稀来！而那谭如花其实原本就没死，只不过让一口气憋在心口了。埋到地下后，受了三天凉气侵袭，再加上许大憨挪动她的身体，憋闷在肚中的气就被迫往外冲，她一张口吐出那枚蛋黄，那口气也缓过来了。谭如花睁开眼一看自己在棺材里躺着，心想我怎么在这儿躺着呢？身上挺冷的，她就赶回家，拍门喊娘。谭大妈一听是女儿的口音，吓一跳说：深更半夜你是人还是鬼？我是你妈你可别来吓唬我！谭如花说：我没死，我又活过来了。谭大妈急中生智说：你把手隔门缝，伸进来我先看一看再说。谭如花就把手隔门缝伸进去，谭大妈猛然用针一扎，疼得谭如花缩回手大叫说：妈，你怎么拿针扎我哩？谭大妈说：我用针扎一下，如果流血，就说明你不是鬼！谭如花又把手伸手进去，谭大妈一看，果然有血。母女俩开相认。左邻右舍亲朋好友们听说谭如花死而复生，又活过来了，纷纷前来祝贺。唯独不见谭如花她表舅许大憨来。谭大妈抽空回了一趟娘家，见到许大憨就问：小红死而复生，从阎王爷手中捡回条命，你这当舅的咋不去祝贺呢？许大憨说：我这两天患重感冒，拉稀不止。谭大妈关心地问：你这是怎么得的病？许大憨满面惭愧地说道：表妹，真对不住你，埋了小红后，我一直惦记着那300元钱，觉得可惜，第三天就去扒开坟墓要取回来，没想到如花突然张口，吐出来一样东西，把我吓得半死。而谭大妈则大笑说：哥啊，这样说来，如花还得谢你哩，要没你把坟扒开，小红早就被活活憋闷死了。那300元最终还是被谭大妈送给了许大憨。
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"请仔细阅读我给的文章，理解文章的内容并对文章进行分段，每段内容完整，我的分段要求是：\n1.分段保持独立性，有场景感\n2.严禁出现每段字数少于12个字的情况\n3.分段字数最多30个字\n4.保持原文意思不变，请不要修改原文\n5.只需要给出你的分段结果，不需要给出其他回答。\n\n例如：小镇上，有一对青梅竹马的恋人，他们的名字叫做小雅和阿杰。他们从小一起长大，彼此之间有着深厚的感情。然而，随着时间的推移，他们渐渐意识到，这份感情已经超越了朋友的界限，他们彼此深爱着对方。\n\n分段结果：\n小镇上，有一对青梅竹马的恋人\n他们的名字叫做小雅和阿杰\n他们从小一起长大，彼此之间有着深厚的感情\n然而，随着时间的推移，他们渐渐意识到\n这份感情已经超越了朋友的界限，他们彼此深爱着对方\n\n我的文章是：\n话说有一座小镇，当年三年自然灾害的时候，小镇里的人吃野菜，啃树皮，差一点儿人吃人。而有一个16岁的女孩子叫谭如花，因为贪吃一个煮熟的鸡蛋，差点被活埋而死。那天，谭家惟一的母鸡下了一个鸡蛋，饿得发晕的谭小红看见鸡蛋眼都绿了，一个人在家偷偷煮了吃。蛋清先吃进肚去，这时却听见其母谭大妈回来的声音，慌乱中把鸡蛋黄扔进嘴里，谁知这鸡蛋黄不上不下正卡在她喉咙里。母亲推门进来，见女儿脸色不好就问：你的脸咋这么黄啊？谭如花说：我有点儿不舒服说完她便晕倒在地，谭大妈急忙请人抢救，谭如花却再没有缓过气来，家人认为她已死，就安排后事，准备埋葬。当地风俗，未成年人夭折，要在死人枕下搁些钱，以求她到阴间打通阎王爷，好早些转世为人。谭大妈可怜女儿，一个黄花闺女，还没享受人间种种妙处就死了，于是狠一狠心，东挪西借300元，放在棺材里女儿的枕下，家人亲戚嚎啕大哭把谭如花埋了。谭如花有一表舅名叫许大憨，是个出名的吝啬鬼，他亲眼见表妹把300元钱压在了外甥女的枕下，觉得钱埋地下实在可惜，就想去偷取出来。第一天走在半路，想着自己去盗外甥女的墓，与理与情说不过去，就转回来。第二天走到坟前，看见表妹在那里伤心地哭，想表妹40岁上没了女儿，老了连个端屎倒尿的人都没有，真的太可怜，忍不住陪表妹落下几滴眼泪，坟当然也就没有盗成。到了第三天后半夜，许大憨终于忍耐不住，来到坟头，看左右无人，又月黑风高，正是作案时候，于是伏身埋头开始挖掘，终于扒开坟墓，掀开棺材，只见谭如花面色红润，仿佛睡着一般。许大憨见枕下300元仍在，也不多想，用一根吊带绳，一端挂在自己项上，另一端绕在谭如花脖子上，他腰杆用力一挺，谭如花的上半身就被带起来，许大憨伸手从谭如花枕下取出300元。忽然，只见仰起身的谭如花猛一张口，一枚圆东西飞出来，正击在许大憨脑门上。真遇上鬼了，许大憨吓得妈呀！大叫一声，扔了钱，脱了吊带绳撒腿就跑。跑回家，脸色苍白，媳妇闻到一股臭味，仔细一瞧，原来许大憨被吓得了一裤子屎。从此，许大憨就拉起稀来！而那谭如花其实原本就没死，只不过让一口气憋在心口了。埋到地下后，受了三天凉气侵袭，再加上许大憨挪动她的身体，憋闷在肚中的气就被迫往外冲，她一张口吐出那枚蛋黄，那口气也缓过来了。谭如花睁开眼一看自己在棺材里躺着，心想我怎么在这儿躺着呢？身上挺冷的，她就赶回家，拍门喊娘。谭大妈一听是女儿的口音，吓一跳说：深更半夜你是人还是鬼？我是你妈你可别来吓唬我！谭如花说：我没死，我又活过来了。谭大妈急中生智说：你把手隔门缝，伸进来我先看一看再说。谭如花就把手隔门缝伸进去，谭大妈猛然用针一扎，疼得谭如花缩回手大叫说：妈，你怎么拿针扎我哩？谭大妈说：我用针扎一下，如果流血，就说明你不是鬼！谭如花又把手伸手进去，谭大妈一看，果然有血。母女俩开相认。左邻右舍亲朋好友们听说谭如花死而复生，又活过来了，纷纷前来祝贺。唯独不见谭如花她表舅许大憨来。谭大妈抽空回了一趟娘家，见到许大憨就问：小红死而复生，从阎王爷手中捡回条命，你这当舅的咋不去祝贺呢？许大憨说：我这两天患重感冒，拉稀不止。谭大妈关心地问：你这是怎么得的病？许大憨满面惭愧地说道：表妹，真对不住你，埋了小红后，我一直惦记着那300元钱，觉得可惜，第三天就去扒开坟墓要取回来，没想到如花突然张口，吐出来一样东西，把我吓得半死。而谭大妈则大笑说：哥啊，这样说来，如花还得谢你哩，要没你把坟扒开，小红早就被活活憋闷死了。那300元最终还是被谭大妈送给了许大憨。"}]}
result----------------------------------
{"id":"chatcmpl-A6bS4qcNrLRfBSv1Aqos8hxlWt0rN","object":"chat.completion","created":1726137296,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"小镇上，当年三年自然灾害的时候\n小镇里的人吃野菜，啃树皮，差一点儿人吃人\n有一个16岁的女孩子叫谭如花\n因为贪吃一个煮熟的鸡蛋，差点被活埋而死\n那天，谭家惟一的母鸡下了一个鸡蛋\n饿得发晕的谭小红看见鸡蛋眼都绿了\n一个人在家偷偷煮了吃，蛋清先吃进肚去\n这时却听见其母谭大妈回来的声音\n慌乱中把鸡蛋黄扔进嘴里，卡在她喉咙里\n母亲推门进来，见女儿脸色不好就问\n你的脸咋这么黄啊？谭如花说：我有点儿不舒服\n说完她便晕倒在地，谭大妈急忙请人抢救\n谭如花却再没有缓过气来，家人认为她已死\n就安排后事，准备埋葬\n当地风俗，未成年人夭折，要在死人枕下搁些钱\n以求她到阴间打通阎王爷，好早些转世为人\n谭大妈可怜女儿，一个黄花闺女\n还没享受人间种种妙处就死了\n于是狠一狠心，东挪西借300元，放在棺材里女儿的枕下\n家人亲戚嚎啕大哭把谭如花埋了\n谭如花有一表舅名叫许大憨，是个出名的吝啬鬼\n他亲眼见表妹把300元钱压在了外甥女的枕下\n觉得钱埋地下实在可惜，就想去偷取出来\n第一天走在半路，想着自己去盗外甥女的墓\n与理与情说不过去，就转回来\n第二天走到坟前，看见表妹在那里伤心地哭\n想表妹40岁上没了女儿，老了连个端屎倒尿的人都没有\n真的太可怜，忍不住陪表妹落下几滴眼泪\n坟当然也就没有盗成\n到了第三天后半夜，许大憨终于忍耐不住\n来到坟头，看左右无人，又月黑风高\n正是作案时候，于是伏身埋头开始挖掘\n终于扒开坟墓，掀开棺材\n只见谭如花面色红润，仿佛睡着一般\n许大憨见枕下300元仍在，也不多想\n用一根吊带绳，一端挂在自己项上\n另一端绕在谭如花脖子上，他腰杆用力一挺\n谭如花的上半身就被带起来\n许大憨伸手从谭如花枕下取出300元\n忽然，只见仰起身的谭如花猛一张口\n一枚圆东西飞出来，正击在许大憨脑门上\n真遇上鬼了，许大憨吓得妈呀！大叫一声\n扔了钱，脱了吊带绳撒腿就跑\n跑回家，脸色苍白，媳妇闻到一股臭味\n仔细一瞧，原来许大憨被吓得了一裤子屎\n从此，许大憨就拉起稀来！\n而那谭如花其实原本就没死\n只不过让一口气憋在心口了\n埋到地下后，受了三天凉气侵袭\n再加上许大憨挪动她的身体\n憋闷在肚中的气就被迫往外冲\n她一张口吐出那枚蛋黄，那口气也缓过来了\n谭如花睁开眼一看自己在棺材里躺着\n心想我怎么在这儿躺着呢？身上挺冷的\n她就赶回家，拍门喊娘\n谭大妈一听是女儿的口音，吓一跳说\n深更半夜你是人还是鬼？我是你妈你可别来吓唬我\n谭如花说：我没死，我又活过来了\n谭大妈急中生智说：你把手隔门缝，伸进来我先看一看再说\n谭如花就把手隔门缝伸进去，谭大妈猛然用针一扎\n疼得谭如花缩回手大叫说：妈，你怎么拿针扎我哩？\n谭大妈说：我用针扎一下，如果流血，就说明你不是鬼！\n谭如花又把手伸手进去，谭大妈一看，果然有血\n母女俩开相认\n左邻右舍亲朋好友们听说谭如花死而复生\n又活过来了，纷纷前来祝贺\n唯独不见谭如花她表舅许大憨来\n谭大妈抽空回了一趟娘家，见到许大憨就问\n小红死而复生，从阎王爷手中捡回条命\n你这当舅的咋不去祝贺呢？\n许大憨说：我这两天患重感冒，拉稀不止\n谭大妈关心地问：你这是怎么得的病？\n许大憨满面惭愧地说道：表妹，真对不住你\n埋了小红后，我一直惦记着那300元钱\n觉得可惜，第三天就去扒开坟墓要取回来\n没想到如花突然张口，吐出来一样东西\n把我吓得半死\n谭大妈则大笑说：哥啊，这样说来\n如花还得谢你哩，要没你把坟扒开\n小红早就被活活憋闷死了\n那300元最终还是被谭大妈送给了许大憨","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":1680,"completion_tokens":1420,"total_tokens":3100},"system_fingerprint":"fp_992d1ea92d","code":0,"msg":"ok"}

[2024-09-12 18:45:47] zizengzeng_api.INFO: 
token:Bearer sk-zk2034d655b65856f64fb794e58bcf20aa766de5c3a79eec
指令----------------------------------
@content
Carefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts

格式参考:
1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.
2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. 
3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. 
4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.
5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.
6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.
7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.
8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. 
9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.
10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.
11.
12.
...
请遵循以下9条规则:
**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**
**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**
**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use "(no humans)," instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**
**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**
**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **
**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**
**7.If "five-star red flag" appears, replace it with "red flag".No "national flag" allowed.**
**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**
**9.Extended tips:(A/B/C/D...)(1girl/1boy/1little girl/1little boy/1male/1woman/1old woman/1old man/Other gender-related words/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A/B/C/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters" actions are consistent with their state at that time.**
Just give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English.
param: ----------------------------------
{"model":"gpt-4o","messages":[{"role":"user","content":"1.姐姐是神女，却天生少一根情丝，性格顽劣\n2.经常以欺辱我为乐，爹娘兄长都说是我偷走了她的情丝\n3.叫我处处忍耐，只因这是我生来就欠她的，父母偏爱姐姐，事事以她为先\n4.长兄溺爱姐姐，所有珍贵的东西都如同流水一般送给她\n5.就连我那从小定下婚约的竹马，也是在遇难时毫不犹豫的抛下我\n6.后来我一步步跪上仙山，求仙人抽走我体内的情丝，来换取他们一家人圆满\n7.从此我再无七情六欲，我孑然一身，活的没心没肺\n8.他们却又红着眼，小心翼翼的来摸我的头，我求求你对我笑一笑好不好\n9.但我不明白他们为什么要哭，明明这一切是他们想要的呀\n10.屋内，长姐林语堂坐在床榻上，身上裹着一床被子\n11.几缕发丝还未干透，贴在脸上，更显得楚楚可怜\n12.她一脸无辜的开口，我只是想同孟芷说说话\n13.结果不知为何，她突然抬手将我推进湖里\n14.然后又茫然的看向我，孟芷，是阿姐做错了什么吗？\n15.阿姐没有情思，不懂得人情世故，你莫要怪阿姐\n16.话音一落，屋内的气氛更冷几分，母亲关切的搂紧林语堂\n17.面上的心疼几乎是要溢出来，可等她看向我，眼里却盛满了怒意\n18.偷了一旁的情思还不够，竟然还把语堂推进湖害人\n19.亲兄长连忙安劝母亲不要动怒，转头沉声要我给林语堂道歉\n20.我搂住自己湿透的衣裳，头痛的厉害，但仍然摇着头小声为自己辩解\n21.我没有推阿姐，是她自己跳进去的，话还未说完\n22.一个耳光便狠狠甩在我的脸上，我一下呆愣住\n23.父亲沉着脸叫人把我拉出去，你娘十月怀胎，生下你\n24.没想到你竟然顽劣至此，敢做出这等伤天害理的事来\n25.人把二小姐关进祠堂思过，今日一早，语堂把我叫过去\n26.让陪她散散心，我一开始是不想去的，林语堂性格顽劣\n27.经常以欺辱我为乐，因为她，我吃了不少苦头\n28.可若我不去，她也有的是办法折磨我，我只能硬着头皮前去陪她\n29.她却自己跳进了湖里，嘴里还大喊着救命，我想都没想就跳下去救她\n30.如今我反倒成了罪人，我的解释没有人愿意相信\n31.我和林语堂同日出生，那日天降祥瑞，有七彩祥云笼罩在将军府上空\n32.久久不散，道士亲自降临府上，掐指一算，天降祥瑞，天降祥瑞\n33.这是神女转世的预兆啊，爹娘高兴坏了，把我和林语堂抱出来给大家看\n34.可刚出生的林语堂双眼紧闭，不哭也不闹，不像我\n35.我一出来就哭个不停，似是有用不完的力气\n36.母亲问，这是为什么，道士却看向我，摇头又叹气\n37.这孩子偷了神女的情丝，原本天生奉命，却因此少了一根情丝无法得到\n38.临走前，她再三嘱咐，一定要善待神女，不然将军府将有大劫\n39.自那日后，林语堂成了将军府上下捧在手心的明珠\n40.而我成了偷走神女情思的卑鄙小人，祠堂门外越来越近的脚步声拉回我的思绪\n41.难道是夫君来接我了？我从地上站起来，来到门前唤了一声\n42.他停在门口，没有过问我的身体，第一句话便是指责埋怨我\n43.接下来的事情我都听说了，孟芷，嗯，实在不该做这种事情\n44.我像是被人从头上泼了一盆冷水，只觉得寒意沿着四肢蔓延\n45.是啊，我怎么还会抱有期待呢？我明明知道的\n46.沈让辰喜欢的偏爱的一直都是林语堂，沈让辰是从小和我定下婚约的竹马\n47.他是丞相之子，按道理，一开始本应是林语堂被许配给他\n48.可母亲却认为林语堂是神女转世，那她未来的夫君自然该是当今的太子\n49.于是和沈让辰定下婚约的变成了我，我从小就喜欢黏着沈让辰\n50.因为只有他会好言好语哄我，从外面给我带好吃的栗子糕\nCarefully read and analyze the storyboard above, expand the description of the storyboard based on the original text,generate a shot for each line, making each shot more vivid.When expanding each line, please re-read and consider the following expansion prompts\n\n格式参考:\n1.(A)(1woman) (28 years old) (black suit) (black short hair) and (B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: A and B sitting at a dining table in a modern, sparsely decorated living room. A looking serious, B looking downcast.\n2.(no humans), background: Early morning sunlight filtering through light beige curtains, casting a warm glow over a wooden dining table set with breakfast dishes in an open kitchen. \n3.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B looking pensively at A across the dining table, who is drinking coffee. \n4.(A)(1woman) (28 years old) (black suit) (black short hair), background: A sitting at the head of a conference room table, engaged in a serious discussion with a group of colleagues, a projection screen displaying a business presentation behind her.\n5.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B standing in a small, cluttered home office, looking at a framed photo of A on his desk, the room filled with various personal items and paperwork.\n6.(A)(1woman) (28 years old) (black suit) (black short hair), background: A standing alone on a beach at sunset, holding a letter in her hand, with a look of longing and sadness on her face as she faces the ocean.\n7.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B sitting in a dimly lit living room, looking at a pile of legal documents on a coffee table, his face grim and worried.\n8.(no humans), background: A dimly lit jail cell with steel bars, a cot with a rumpled blanket, and a small window high up on the wall letting in a sliver of light. \n9.(A)(1woman) (28 years old) (black suit) (black short hair), background: In the living room,A standing resolute and heartbroken, her voice rising with indignation,she talking with sad expression and tears.\n10.(B)(1man) (30 years old) (white shirt) (blue jeans) (short black hair), background: B holding the phone to his ear in the dim living room, a slight smile curling his lips as he speaks calmly into the phone.\n11.\n12.\n...\n请遵循以下9条规则:\n**1.Please use A, B, C, D, E, F... to represent different rolers. The appearance characteristics of the same role should be consistent with the logic of the original text.**\n**2.In all texts, the use of the second person pronoun is strictly prohibited,such as:he（他）she（她）they（他们）it（它）him（他）her（她）them（他们）his（他的）hers（她的）theirs（他们的）itself（它自己）himself（他自己）herself（她自己）themselves（他们自己）them（他们）their（他们的）themselves（他们自己）.**\n**3.When there are roles in the sentences, and when the text contains the following pronouns (he, she, they, it, his, her, their, himself, herself, themselves), or when there are relational descriptors between people, such as lovers, friends, family, for each line, use a set of parentheses()()()()() to describe a role.When there is no role, use \"(no humans),\" instead,and each line must have the background.When the meaning of the current line is related to the preceding text, use the role from the previous text that is closest to the current line as the role for that line.**\n**4.In the background, it is strictly prohibited to add nouns that describe specific groups of people, such as children, the elderly, residents, etc., and no words that substitute for people are allowed to be used.当文本中出现“小”字时，不需要识别为孩子们**\n**5.Be sure to note that the number of generated storyboards must be @parts,the content of the storyboard must match the content of the corresponding line, and each line must be related to the previous line. **\n**6.When the original text contains dialogue, add characters, scenes, action, and facial expressions to the dialogue based on the context of the original text.**\n**7.If \"five-star red flag\" appears, replace it with \"red flag\".No \"national flag\" allowed.**\n**8.Must pay attention to clothes should be described by color and type, e.g. white shirt, grey jeans,must not use casual wear to describe clothing in a general sense.**\n**9.Extended tips:(A\/B\/C\/D...)(1girl\/1boy\/1little girl\/1little boy\/1male\/1woman\/1old woman\/1old man\/Other gender-related words\/)(how old)(what kind of clothes)(what kind of hair).the background is:in what scene,what is A\/B\/C\/D... doing,Use your imagination, expand the background to at least 30 words,the descriptions of clothes, decorations, and venues cannot be gorgeous.It is important that the characters\" actions are consistent with their state at that time.**\nJust give me the content of the storyboard that you have expanded. Don’t give any other irrelevant answers. Write in English."}]}
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{"id":"chatcmpl-A6bbsBaAw4L6LIA6IZtNrd0gYx4z2","object":"chat.completion","created":1726137904,"model":"gpt-4o","choices":[{"index":0,"message":{"role":"assistant","content":"1. (A)(1woman)(20 years old) (simple white dress)(long black hair), background: A standing on a mountain cliff, the wind blowing her hair wildly around her, with a mischievous expression on her face, overlooking a vast and serene landscape.\n2. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), (C)(1old man) (50 years old) (grey robes) (grey hair), (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), background: a traditional family dining hall with an imposing wooden table, A smirking at B who looks fearful, while C and D glance disapprovingly at B.\n3. (C)(1old man) (50 years old) (grey robes) (grey hair), (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: C and D sitting in a lavish living room with intricate designs, demanding toleration from B, who is standing with teary eyes and a downcast face.\n4. (E)(1man) (22 years old) (navy blue robe) (short black hair), (A)(1woman)(20 years old) (simple white dress)(long black hair), background: E standing in an elegant room filled with ornate vases and paintings, handing a beautiful jade pendant to A, who is smiling brightly.\n5. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), (F)(1man) (20 years old) (dark brown tunic) (short black hair), background: F standing on a forest path, looking apologetic and distressed, while B lies injured on the ground, wet and shaking.\n6. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B, exhausted and worn, climbing a steep, rocky path to a misty mountain peak where a grand ancient temple stands, determination shining in her eyes.\n7. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), (G)(1old man) (60 years old) (white robes) (long white beard), background: G, the temple priest, performing a mystical ritual in front of a glowing altar, as B kneels solemnly with a serene expression.\n8. (no humans), background: a quiet meadow under the soft glow of the moon, the flowers swaying gently in the night breeze, with a sense of peace and emptiness filling the air.\n9. (no humans), background: a dimly lit room with cold stone walls, various personal items laid haphazardly around, a sense of loneliness and abandonment permeating the space.\n10. (A)(1woman)(20 years old) (simple white dress)(long black hair), background: A sitting on an ornate bed in a luxurious chamber, the faint light from the window accentuating her wet and clinging hair, her expression pitiful and vulnerable.\n11. (A)(1woman)(20 years old) (simple white dress)(long black hair), background: A looking innocently up at (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), who stands at the doorway, confusion and helplessness written on B’s face.\n12. (A)(1woman)(20 years old) (simple white dress)(long black hair), background: A sitting up and giving a confused and hurt expression towards B, claiming to only want a conversation, in a richly adorned room.\n13. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: A recounting the events to B with a lost, sad look, while B stands soaked and shivering, near a beautiful but ominous lake.\n14. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: A looking pleadingly at B, attempting to explain her lack of understanding, in the dim interior of a traditional house.\n15. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B standing still, A’s explanation hanging in the air, the room growing colder and more tense with the fading daylight seeping in through the window.\n16. (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (A)(1woman)(20 years old) (simple white dress)(long black hair), background: D sitting at A’s side, holding her tightly in a spacious and richly furnished room, with concern and anger mingling on her face.\n17. (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: D’s eyes glaring angrily at B, the ornate room filled with tension, B standing with a dripping, trembling frame.\n18. (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: D scolding B fiercely, a heavy aura of disapproval filling the finely decorated space.\n19. (E)(1man) (22 years old) (navy blue robe) (short black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: E stepping forward in an attempt to calm D while looking sternly at B, who looks utterly defeated, in a grand hall.\n20. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B clutching her soaked clothes, her head throbbing as tears of pain leak from her eyes, standing in a dim, cold hall.\n21. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B trying to explain amidst shivers, stating she didn’t push A, the hall dim and quiet but heavy with disbelief.\n22. (C)(1old man) (50 years old) (grey robes) (grey hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: C slapping B harshly, shocking her into silence, the grand and intimidating hall echoing with the sound.\n23. (C)(1old man) (50 years old) (grey robes) (grey hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: C’s stern face ordering B to be dragged out, two servants nodding in compliance in the austere shrine room.\n24. (C)(1old man) (50 years old) (grey robes) (grey hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: C with a face of profound disappointment, recounting B’s betrayal of their trust in the shrine chamber.\n25. (no humans), background: A dimly lit, cold and empty shrine with a single candle flickering, marking a place of contemplation and repentance.\n26. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: A standing in a serene garden full of blooming flowers, calling B to join her for a walk with an expectant smile.\n27. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B initially refusing, her memories flashing back to A’s past torments, a pang of fear evident in her eyes, in the same blooming garden.\n28. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B, with a deep breath, eventually relenting and walking alongside A, the garden’s beauty contrasting with B’s apprehensive heart.\n29. (A)(1woman)(20 years old) (simple white dress)(long black hair), (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: A suddenly leaping into the lake with a splash, yelling for help, while B in shock, jumps in to rescue A, in a tranquil lakeside area.\n30. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B’s soaked and exhausted figure being berated in the grand hall, despite her efforts to rescue A, betrayal etched on her features.\n31. (no humans), background: A beautiful manor house, adorned with celebratory red banners and lanterns, under a sky filled with radiant rainbow clouds, marking a joyous, mystical occasion.\n32. (no humans), background: vibrant colors of the rainbow illuminating the serene skies above the exquisite General’s manor, creating an awe-inspiring and ethereal scene.\n33. (G)(1old man) (60 years old) (white robes) (long white beard), (C)(1old man) (50 years old) (grey robes) (grey hair), (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (A)(1baby girl)(swaddled in pink) (Ken short hair), (B)(1baby girl)(swaddled in green)(Ken short hair), background: A joyous gathering outside the General’s manor, with C and D proudly displaying the newborns to G, who looks delighted yet contemplative.\n34. (A)(1baby girl)(swaddled in pink) (Ken short hair), (B)(1baby girl)(swaddled in green)(Ken short hair), background: A’s silent and serene expression in the cradle beside a crying and lively B in another cradle, in a cozy nursery with warm sunlight streaming in.\n35. (B)(1baby girl)(swaddled in green)(Ken short hair), background: B wailing loudly, her tiny hands grasping at the air, filled with boundless energy, in the softly lit nursery.\n36. (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (G)(1old man) (60 years old) (white robes) (long white beard), (B)(1baby girl)(swaddled in green)(Ken short hair), background: D anxiously questioning G about the difference, with G shaking his head and sighing deeply, in the cozy nursery.\n37. (G)(1old man) (60 years old) (white robes) (long white beard), (B)(1baby girl)(swaddled in green)(Ken short hair), background: G solemnly explaining as he glances at the restless B, the dim nursery filled with tension.\n38. (G)(1old man) (60 years old) (white robes) (long white beard), (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (C)(1old man) (50 years old) (grey robes) (grey hair), background: G giving strict instructions to treat A with utmost care, warning of impending doom if not, in the stately nursery.\n39. (A)(1baby girl)(swaddled in pink) (Ken short hair), background: A being gently cradled with utmost affection by D, now revered as the family's treasure, in an opulent chamber.\n40. (B)(1baby girl)(swaddled in green)(Ken short hair), background: B receiving condemning glares from the family, marked as the culprit behind the theft of A’s emotions, in the grand nursery.\n41. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B standing up, hopeful as footsteps approach the cold and drafty shrine's door, ready to welcome who she believes could be her savior.\n42. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), (F)(1man) (20 years old) (dark brown tunic) (short black hair), background: F pausing at the shrine’s entrance, his face cold and accusing as B’s heart sinks in despair, in the dimly lit shrine.\n43. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), (F)(1man) (20 years old) (dark brown tunic) (short black hair), background: F laying into B with harsh words about her actions, B’s tear-streaked face reflecting shock and betrayal, the shrine's dark interior echoing with his voice.\n44. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B feeling the chill of abandonment again, the stinging reality sinking deeper as she stands amidst the cold, unforgiving shadows of the shrine.\n45. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B’s internal monologue chastening her own foolish hope, her eyes now empty and resigned to her fate, encapsulated by the shrine’s dark ambiance.\n46. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), background: B’s mind replaying the moments of favoritism towards A, with F always being partial in his affections and actions, the shrine’s atmosphere suffused with a bitter cold.\n47. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), (F)(1man) (20 years old) (dark brown tunic) (short black hair), background: F and B as childhood playmates, their paths diverging despite their engagement, inside a cozy and traditional manor.\n48. (D)(1old woman) (48 years old) (yellow dress) (black hair with streaks of grey), (C)(1old man) (50 years old) (grey robes) (grey hair), (A)(1woman)(20 years old) (simple white dress)(long black hair), background: D envisioning a grand future for A, with ambitions of marrying her to the crown prince, in the richly decorated manor hall.\n49. (B)(1woman) (18 years old) (plain green dress) (black hair tied in a low bun), (F)(1man) (20 years old) (dark brown tunic) (short black hair), background: B recalling her fond childhood memories of F, who once kindly brought her favorite treats, in a simple but warmly lit living room.","refusal":null},"logprobs":null,"finish_reason":"stop"}],"usage":{"prompt_tokens":2527,"completion_tokens":3396,"total_tokens":5923},"system_fingerprint":"fp_25624ae3a5","code":0,"msg":"ok"}

